6 products were found matching your search for Eckold Katarina Installation von in 1 shops:

A monograph on the German painter Amelie von Wulffen (born 1966) has long been overdue.For more than 20 years, the artist has been developing a formally and stylistically diverse oeuvre (including collages, installations, animated films, drawings, sculptures and paintings) that possesses a remarkable thematic consistency. Amelie von Wulffen: Works 1998–2016 shows the artist returning again and again to the process of coming to terms with the repercussions of German cultural history. These heavy themes are lightened by an acid humor, most obvious in Wulffen’s drawings and comics, which spares no sacred cows. Richly illustrated with texts by Bernhart Schwenk and Amy Sillman, Amelie von Wulffen: Works 1998–2016 presents the painter as a role model for a younger generation of artists.

The films of Matthias Müller can be read as an unwritten history of German experimental film, beginning with the Super-8 movement in the 1980s and genre-crossing found footage to the weaving of analogue and digital image media and cinematographic installation.

A monograph on the German painter Amelie von Wulffen (born 1966) has long been overdue.For more than 20 years, the artist has been developing a formally and stylistically diverse oeuvre (including collages, installations, animated films, drawings, sculptures and paintings) that possesses a remarkable thematic consistency. Amelie von Wulffen: Works 1998–2016 shows the artist returning again and again to the process of coming to terms with the repercussions of German cultural history. These heavy themes are lightened by an acid humor, most obvious in Wulffen’s drawings and comics, which spares no sacred cows. Richly illustrated with texts by Bernhart Schwenk and Amy Sillman, Amelie von Wulffen: Works 1998–2016 presents the painter as a role model for a younger generation of artists.

She's Got What It Takes gathers American painter and installation artist Deanna Sirlin's essays on the lives and work of nine historically important (and frequently marginalized) living American women artists: Jennifer Bartlett, Louise Fishman, Jane Freilicher, Joyce Kozloff, Elaine Reichek, Ursula von Rydingsvard, Joan Snyder, Pat Steir and Betty Woodman. A fan of these artists for more than 30 years, Sirlin decided to visit and talk with each of them in their studios or at their galleries, most of which are in New York--indeed, many of these artists are key protagonists in the city's art culture of the past 50 years. Sirlin's essays are built around these conversations, lending them an intimate, chatty tone full of observations on the artists' working environments, their décor and contents, and testimony by Sirlin to their importance for her.

She's Got What It Takes gathers American painter and installation artist Deanna Sirlin's essays on the lives and work of nine historically important (and frequently marginalized) living American women artists: Jennifer Bartlett, Louise Fishman, Jane Freilicher, Joyce Kozloff, Elaine Reichek, Ursula von Rydingsvard, Joan Snyder, Pat Steir and Betty Woodman. A fan of these artists for more than 30 years, Sirlin decided to visit and talk with each of them in their studios or at their galleries, most of which are in New York--indeed, many of these artists are key protagonists in the city's art culture of the past 50 years. Sirlin's essays are built around these conversations, lending them an intimate, chatty tone full of observations on the artists' working environments, their décor and contents, and testimony by Sirlin to their importance for her.

In this new telling of Mexico’s Second Empire and Louis Napoléon’s installation of Maximilian von Habsburg and his wife, Carlota of Belgium, as the emperor and empress of Mexico, Maximilian and Carlota brings the dramatic, interesting, and tragic time of this six-year-siege to life.From 1861 to 1866, the French incorporated the armies of Austria, Belgium including forces from Crimea to Egypt to fight and subdue the regime of Mexico’s Benito Juárez during the time of the U.S. Civil War. France viewed this as a chance to seize Mexican territory in a moment they were convinced the Confederacy would prevail and take over Mexico. With both sides distracted in the U.S., this was their opportunity to seize territory in North America. In 1867, with aid from the United States, this movement came to a disastrous end both for the royals and for France while ushering in a new era for Mexico.In a bid to oust Juárez, Mexican conservatives appealed to European leaders to select a monarch to run their country. Maximilian and Carlota’s reign, from 1864 to 1867, was marked from the start by extravagance and ambition and ended with the execution of Maximilian by firing squad, with Carlota on the brink of madness. This epoch moment in the arc of French colonial rule, which spans North American and European history at a critical juncture on both continents, shows how Napoleon III’s failure to save Maximilian disgusted Europeans and sealed his own fate.Maximilian and Carlota offers a vivid portrait of the unusual marriage of Maximilian and Carlota and of international high society and politics at this critical nineteenth-century juncture. This largely unknown era in the history of the Americas comes to life through this colorful telling of the couple’s tragic reign.