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Among the great Danish designers, Finn Juhl (1912–89) ranks alongside such giants as Hans J. Wegner and Arne Jacobsen. He was particularly well known for his sculptural, seemingly organic tables, chairs and sofas, but the complex interior designs that he developed in the 1940s and ‘50s were also enormously successful. These include the Danish Embassy in Washington, DC, and the conference room of the United Nations Trusteeship Council in New York.However, it is not widely known that Finn Juhl was also a talented watercolor painter who used the medium to devise gorgeous, exacting sketches of his pieces. For the first time, this publication allows readers to take a unique look at the designer’s working methods. Here, more than 125 subtle works on paper communicate the ingenuity of their creator. Finn Juhl’s furniture classics, living concepts and interior designs can finally be experienced in all their complexity, as one traces their development from genesis to realization.

The Danish design scholar Birgit Lyngbye Pedersen discovered the work of Finn Juhl (1912-1989) when she was looking for a suitable sofa for her 1950s home. Juhl's furniture is undergoing a renaissance at present, and when his house in Charlottenlund--which he designed and decorated in 1941-42--came up for sale, Pedersen purchased the building and all of its furnishings, presenting it immediately afterward to the adjacent Ordrupgaard Museum. This monograph takes a look at Finn Juhl--who, alongside Hans J. Wegner and Arne Jacobsen, is one of the most important Danish modernists--in an agreeable, unpretentious fashion. Per H. Hansen, a renowned expert in Scandinavian furniture design, provides a humorous, extremely informative description of Juhl's unconventional character and his classic furniture--the Chieftain Chair, the Pelican Chair, the Poet Sofa. Drawings, photographs, images of the newly curated house (2008) and an amusing final chapter about his patrons round off this unusual and atmospherically illustrated tribute to the brilliant Danish designer and his own home, an icon of good taste.

Among the great Danish designers, Finn Juhl (1912–89) ranks alongside such giants as Hans J. Wegner and Arne Jacobsen. He was particularly well known for his sculptural, seemingly organic tables, chairs and sofas, but the complex interior designs that he developed in the 1940s and ‘50s were also enormously successful. These include the Danish Embassy in Washington, DC, and the conference room of the United Nations Trusteeship Council in New York.However, it is not widely known that Finn Juhl was also a talented watercolor painter who used the medium to devise gorgeous, exacting sketches of his pieces. For the first time, this publication allows readers to take a unique look at the designer’s working methods. Here, more than 125 subtle works on paper communicate the ingenuity of their creator. Finn Juhl’s furniture classics, living concepts and interior designs can finally be experienced in all their complexity, as one traces their development from genesis to realization.