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Forty years ago, Walt Kelly's comic strip character Pogo famously intoned: ''We have met the enemy, and he is us.'' Now, as the evidence for climate change becomes overwhelming, we learn the hard reality behind that witticism. The possible destruction, and certain transformation, of the ecosphere has been brought about by our own activities. What will our new world look like? How will we--can we--adapt? The clash of a rapidly changing environment with earth's self-styled ruling species, humans, provides ample creative fodder for this riveting anthology of original science fiction. In Welcome to the Greenhouse, award-winning editor Gordon Van Gelder has brought together sixteen speculative stories by some of the most imaginative writers of our time. Terrorists, godlike terraformers, and humans both manipulative and hapless populate these pages. The variety of stories reflects the possibilities of our future: grim, hopeful, fantastic and absurd. Included is new work by Brian W. Aldiss, Jeff Carlson, Judith Moffett, Matthew Hughes, Gregory Benford, Michael Alexander, Bruce Sterling, Joseph Green, Pat MacEwen, Alan Dean Foster, David Prill, George Guthridge, Paul Di Filippo, Chris Lawson, Ray Vukcevich and M. J. Locke.

The Way, Edward Goldsmith's magnum opus, proposes that the stability and integrity of the human depend on the preservation of the balance of natural systems surrounding the individual - family, community, society, ecosystem, and the ecosphere itself. Goldsmith calls for a paradigm shift away from the reductionist approach of modern science. Echoing the way of traditional cultures, he presents an all-embracing, coherent worldview that promotes more harmonious and sustainable practices capable of satisfying real biological, social, environmental, and spiritual needs. Revised to include a glossary, index, bibliographic notes, and several updated chapters, this is a major work by one of our boldest and most promising thinkers.

Michael Kenna first began photographing the Ratcliffe power station in the early 1980s, and over the past several years he has visited the site many times, producing a body of work as ominous as it is beautiful. The Ratcliffe photographs take on the tonal quality of a partially lit ecosphere unique to the photographer and his subject. A brilliant manipulator of half-light, Kenna's grainy, spatial topography epitomizes the gray skies of Northern England that were the ubiquitous backdrop to his childhood. Kenna's Ratcliffe photographs create the impression of an atmospherically foggy day, registering the homeostasis of a mood that is a dominant characteristic of his work. Beautifully printed in duotone on matt art paper, Ratcliffe Power Station is published in a first edition of 3,000 copies. Introduction by Jeremy Reed.

Michael Kenna first began photographing the Ratcliffe power station in the early 1980s, and over the past several years he has visited the site many times, producing a body of work as ominous as it is beautiful. The Ratcliffe photographs take on the tonal quality of a partially lit ecosphere unique to the photographer and his subject. A brilliant manipulator of half-light, Kenna's grainy, spatial topography epitomizes the gray skies of Northern England that were the ubiquitous backdrop to his childhood. Kenna's Ratcliffe photographs create the impression of an atmospherically foggy day, registering the homeostasis of a mood that is a dominant characteristic of his work. Beautifully printed in duotone on matt art paper, Ratcliffe Power Station is published in a first edition of 3,000 copies. Introduction by Jeremy Reed.

Wes Jackson can teach us many things about the land, soil, and conservation, but what most resonates is this: The ecosphere is self-regulating, and as often as we attempt to understand it, we are not its builders, and our manuals will often be faulty. The only responsible way to learn the nuances of the land is to study the soil and vegetation in their natural state and pass this knowledge on to future generations.In Nature as Measure, a collection of Jackson’s essays from Altars of Unhewn Stone and Becoming Native to This Place, these ideas of land conservation and education are written from the point of view of a man who has practiced what he’s preached and proven that it is possible to partially restore much of the land that we’ve ravaged. Wes Jackson lays the foundation for a new farming economy, grounded in nature’s principles and located in dying small towns and rural communities. Exploding the tenets of industrial agriculture, Jackson seeks to integrate food production with nature in a way that sustains both.