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Excerpt from Der EdelsteinAbout the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Edelstein Ink Collection comprises seven brilliant colors with a special ingredient that ensures extra smooth writing and care for the fountain pen.The german word Edelstein translates as gem stone, and each color corresponds to the beautifu

Depicts the existence of Czechoslovakian Jews imprisoned in the ghetto at Theresienstadt prior to their removal to death camps, their attempts at self-government, and Zionist Jakob Edelstein's efforts on their behalf

A classic study of medicine in antiquity, Ancient Medicine brings together much of Ludwig Edelstein's most important work on a subject that occupied him throughout a distinguished career. Included is his widely known translation of and commentary on the Hippocratic Oath, as well as his other writings on the oath which demonstrate how atypical it is of Greek medical thought. The book also explores the influence of empiricism and skepticism on Greek and Roman medicine, the practice of anatomy and dietetics in antiquity, and the relation of ancient medicine to ancient philosophy.

Throughout nearly all of antiquity, the legendary Greek physician, Asclepius, son of Apollo and Coronis, was not only the primary representative of divine healing, but also so influential in the religious life of later centuries that, as Emma J. Edelstein and Ludwig Edelstein point out, "in the final stages of paganism, of all genuinely Greek gods, [he] was judged the foremost antagonist of Christ." Providing an overview of all facets of the Asclepius phenomenon, this book, first published in two volumes in 1945, comprises a unique collection of the literary references and inscriptions in ancient texts―given in both the original and translation―to the deity, his life, his deeds, his cult, and his temples, as well as an extended analysis of them.

Woolf's account of his seven years as a civil servant in Ceylon. "He has a seemingly effortless way with words which is beautiful and spellbinding" (J. M. Edelstein, New Republic). Index; photographs.

Winner of the 1999 Herbert Baxter Adams Prize of the American Historical Association. and Winner of the 2001 Edelstein Prize (formerly the Dexter Prize) presented by the Society for the History of Technology (SHOT). This award is given to the author of an outstanding scholarly book in the history of technology published during any of the three years preceding the award. In the aftermath of World War II, as France sought a distinctive role for itself in the modern, postcolonial world, the nation and its leaders enthusiastically embraced large technological projects in general and nuclear power in particular. The Radiance of France asks how it happened that technological prowess and national glory (or "radiance," which also means "radiation" in French) became synonymous in France as nowhere else. To answer this question, Gabrielle Hecht has forged an innovative combination of technology studies and cultural and political history. Focusing on the early history of French nuclear power, Hecht explores the design and development of the reactors, the culture and organization of work at reactor sites, and the ways in which local communities responded to nuclear power and state-directed technological development. She also describes the eventual abandonment of the French (gas-graphite) system in favor of the American (light-water) system and shows how the American system was then "made French." A central argument of her book is that engineers and workers shaped artifacts and practices in a deliberate effort to implement specific political and cultural programs. Combining research in a wealth of previously untapped archival sources with extensive oral interviews, Hecht effectively demonstrates the relationship between history and memory in technological France.

Winner of the 2004 Edelstein Prize given by the Society for the History of Technology"The cotton gin animates the American imagination in unique ways. It evokes no images of antique machinery or fluffy fiber but rather scenes of victimized slaves and battlefield dead. It provokes the suspicion that had Eli Whitney never invented the gin, United States history would have been somehow different. Yet cotton gins existed for centuries before Whitney invented his gin in 1794. Nineteenth-century scholars overlooked them as well as gins made by southern―and northern―mechanics, in order to create a history meant to chasten some southerners and demean others. Using the gin as evidence, they read failure back from the Civil War into the choices that southerners made from the American Revolution, tracing the steps that led them to Appomattox."In Inventing the Cotton Gin, Lakwete explores the history of the cotton gin as an aspect of global history and an artifact of southern industrial development. She examines gin invention and innovation in Asia and Africa from the earliest evidence to the seventeenth century, when British colonizers introduced an Asian hand-cranked roller gin to the Americas. Lakwete shows how indentured British, and later enslaved Africans, built and used foot-powered models to process the cotton they grew for export. After Eli Whitney patented his wire-toothed gin, southern mechanics transformed it into the saw gin, offering stiff competition to northern manufacturers. Far from being a record of southern failure, Lakwete concludes, the cotton gin―correctly understood―supplies evidence that the slave labor–based antebellum South innovated, industrialized, and modernized.

Hardcover. Time is the backdrop of historical inquiry, yet it is much more than a featureless setting for events. Different temporalities interact dynamically; sometimes they coexist tensely, sometimes they clash violently. In this innovative volume, editors Dan Edelstein, Stefanos Geroulanos, and Natasha Wheatley challenge how we interpret history by focusing on the nexus of two conceptspower and timeas they manifest in a wide variety of case studies. Analyzing history, culture, politics, technology, law, art, and science, this engaging book shows how power is constituted through the shaping of temporal regimes in historically specific ways. Power and Time includes seventeen essays on human rights; sovereignty; Islamic, European, Chinese, and Indian history; slavery; capitalism; revolution; the Supreme Court; the Anthropocene; and even the Manson Family. Power and Time will be an agenda-setting volume, highlighting the work of some of the worlds most respected and original contemporary historians and posing fundamental questions for the craft of history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

272 page softcover about fugitive slaves published by Addison-Wesley gives personal accounts of real people in their fight for freedom. Many names and accounts are listed in this book. Excellent source of lineage. Cover is ivory with a black illustration on cover with blue titles. Introduction by Tilden G. Edelstein. Has former owner name inside. Pages white, clean - no other marks.

Saw, Hostel, The Devil’s Rejects: this wave of horror movies has been classed under the disparaging label “torture porn.” Since David Edelstein coined the term for a New York magazine article a few years after 9/11, many critics have speculated that these movies simply reflect iconic images, anxieties, and sadistic fantasies that have emerged from the War on Terror. In this timely new study, Aaron Kerner challenges that interpretation, arguing that “torture porn” must be understood in a much broader context, as part of a phenomenon that spans multiple media genres and is rooted in a long tradition of American violence.  Torture Porn in the Wake of 9/11 tackles a series of tough philosophical, historical, and aesthetic questions: What does it mean to call a film “sadistic,” and how has this term been used to shut down critical debate? In what sense does torture porn respond to current events, and in what ways does it draw from much older tropes? How has torture porn been influenced by earlier horror film cycles, from slasher movies to J-horror? And in what ways has the torture porn aesthetic gone mainstream, popping up in everything from the television thriller Dexter to the reality show Hell’s Kitchen?  Reflecting a deep knowledge and appreciation for the genre, Torture Porn in the Wake of 9/11 is sure to resonate with horror fans. Yet Kerner’s arguments should also strike a chord in anyone with an interest in the history of American violence and its current and future ramifications for the War on Terror.    

Natural right—the idea that there is a collection of laws and rights based not on custom or belief but that are “natural” in origin—is typically associated with liberal politics and freedom. In The Terror of Natural Right, Dan Edelstein argues that the revolutionaries used the natural right concept of the “enemy of the human race”—an individual who has transgressed the laws of nature and must be executed without judicial formalities—to authorize three-quarters of the deaths during the Terror. Edelstein further contends that the Jacobins shared a political philosophy that he calls “natural republicanism,” which assumed that the natural state of society was a republic and that natural right provided its only acceptable laws. Ultimately, he proves that what we call the Terror was in fact only one facet of the republican theory that prevailed from Louis’s trial until the fall of Robespierre. A highly original work of historical analysis, political theory, literary criticism, and intellectual history, The Terror of Natural Right challenges prevailing assumptions of the Terror to offer a new perspective on the Revolutionary period.

Anthology. Contributor Robert Borski (In the Hour of Not Quite Rain); Sydney J. Bounds (Starport); Steve Chapman (Testing...One, Two, Three Four); Scott Edelstein (Exhibition); Douglas Fulthorphe (Death of Man); Terry Greenhough (Tree in the Forest); Terry Greenhough (Wilbur); Alan Harley (Vicious Circle); Delia Leslie (Landlord); Dan Morgan (First Day of the Rest of Your Life); Christopher Priest (Woman Naked); Bob Shaw (Dark Icarus); Olaf Stapledon (World of Sound); Jurgen Vom Scheidt (Blindness); Ian Watson (Sitting on a Starwood Stool); Robert Wells (Blue Theme and Fugue)

Winner of the 2004 Edelstein Prize given by the Society for the History of Technology"The cotton gin animates the American imagination in unique ways. It evokes no images of antique machinery or fluffy fiber but rather scenes of victimized slaves and battlefield dead. It provokes the suspicion that had Eli Whitney never invented the gin, United States history would have been somehow different. Yet cotton gins existed for centuries before Whitney invented his gin in 1794. Nineteenth-century scholars overlooked them as well as gins made by southern―and northern―mechanics, in order to create a history meant to chasten some southerners and demean others. Using the gin as evidence, they read failure back from the Civil War into the choices that southerners made from the American Revolution, tracing the steps that led them to Appomattox."In Inventing the Cotton Gin, Lakwete explores the history of the cotton gin as an aspect of global history and an artifact of southern industrial development. She examines gin invention and innovation in Asia and Africa from the earliest evidence to the seventeenth century, when British colonizers introduced an Asian hand-cranked roller gin to the Americas. Lakwete shows how indentured British, and later enslaved Africans, built and used foot-powered models to process the cotton they grew for export. After Eli Whitney patented his wire-toothed gin, southern mechanics transformed it into the saw gin, offering stiff competition to northern manufacturers. Far from being a record of southern failure, Lakwete concludes, the cotton gin―correctly understood―supplies evidence that the slave labor–based antebellum South innovated, industrialized, and modernized.

By the end of the eighteenth century, politicians in America and France were invoking the natural rights of man to wrest sovereignty away from kings and lay down universal basic entitlements. Exactly how and when did “rights” come to justify such measures?   In On the Spirit of Rights, Dan Edelstein answers this question by examining the complex genealogy of the rights regimes enshrined in the American and French Revolutions. With a lively attention to detail, he surveys a sprawling series of debates among rulers, jurists, philosophers, political reformers, writers, and others, who were all engaged in laying the groundwork for our contemporary systems of constitutional governance. Every seemingly new claim about rights turns out to be a variation on a theme, as late medieval notions were subtly repeated and refined to yield the talk of “rights” we recognize today. From the Wars of Religion to the French Declaration of the Rights of Man and of the Citizen to the 1948 Universal Declaration of Human Rights, On the Spirit of Rights is a sweeping tour through centuries of European intellectual history and an essential guide to our ways of thinking about human rights today.

Veteran photographer Simon Edelstein has spent 12 years travelling the world - the USA, France, Italy, India, Morocco and Cuba - in search of abandoned cinemas. Visiting far-flung cities in more than 30 countries, he discovered forgotten buildings whose timeworn façades still hint of their former glory. These once-proud movie palaces, languishing under decades of dust, are far removed from their classic role as magnets for Saturday night crowds. With his skilful focus on their ageing facades, entrances and interiors, Edelstein brings these cinemas – and their splendid archaeological histories - back to life. This book is a tribute to reminders of the golden age of movie theatres the world over, now silent but not forgotten.

Saw, Hostel, The Devil’s Rejects: this wave of horror movies has been classed under the disparaging label “torture porn.” Since David Edelstein coined the term for a New York magazine article a few years after 9/11, many critics have speculated that these movies simply reflect iconic images, anxieties, and sadistic fantasies that have emerged from the War on Terror. In this timely new study, Aaron Kerner challenges that interpretation, arguing that “torture porn” must be understood in a much broader context, as part of a phenomenon that spans multiple media genres and is rooted in a long tradition of American violence.  Torture Porn in the Wake of 9/11 tackles a series of tough philosophical, historical, and aesthetic questions: What does it mean to call a film “sadistic,” and how has this term been used to shut down critical debate? In what sense does torture porn respond to current events, and in what ways does it draw from much older tropes? How has torture porn been influenced by earlier horror film cycles, from slasher movies to J-horror? And in what ways has the torture porn aesthetic gone mainstream, popping up in everything from the television thriller Dexter to the reality show Hell’s Kitchen?  Reflecting a deep knowledge and appreciation for the genre, Torture Porn in the Wake of 9/11 is sure to resonate with horror fans. Yet Kerner’s arguments should also strike a chord in anyone with an interest in the history of American violence and its current and future ramifications for the War on Terror.    

What was the Enlightenment? Though many scholars have attempted to solve this riddle, none has made as much use of contemporary answers as Dan Edelstein does here. In seeking to recover where, when, and how the concept of "the Enlightenment" first emerged, Edelstein departs from genealogies that trace it back to political and philosophical developments in England and the Dutch Republic. According to Edelstein, by the 1720s scholars and authors in France were already employing a constellation of terms--such as l'esprit philosophique--to describe what we would today call the Enlightenment. But Edelstein argues that it was within the French Academies, and in the context of the Quarrel of the Ancients and the Moderns, that the key definition, concepts, and historical narratives of the Enlightenment were crafted. A necessary corrective to many of our contemporary ideas about the Enlightenment, Edelstein's book turns conventional thinking about the period on its head. Concise, clear, and contrarian, The Enlightenment will be welcomed by all teachers and students of the period.

"You can be a successful dieter at any stage in your life!"Only a woman doctor with years of success counseling overweight women could make this extraordinary guarantee. Barbara Edelstein, M.D., with feminine sympathy and understanding, explains:* Why women have more trouble losing weight than men* How hormonal and muscular makeup affect weight* How changing body chemistry and emotional attitudes can help you get slim* How diet dodgers can become weight-loss winners* How diet can improve hair, skin, and sexual performance

By the end of the eighteenth century, politicians in America and France were invoking the natural rights of man to wrest sovereignty away from kings and lay down universal basic entitlements. Exactly how and when did “rights” come to justify such measures?   In On the Spirit of Rights, Dan Edelstein answers this question by examining the complex genealogy of the rights regimes enshrined in the American and French Revolutions. With a lively attention to detail, he surveys a sprawling series of debates among rulers, jurists, philosophers, political reformers, writers, and others, who were all engaged in laying the groundwork for our contemporary systems of constitutional governance. Every seemingly new claim about rights turns out to be a variation on a theme, as late medieval notions were subtly repeated and refined to yield the talk of “rights” we recognize today. From the Wars of Religion to the French Declaration of the Rights of Man and of the Citizen to the 1948 Universal Declaration of Human Rights, On the Spirit of Rights is a sweeping tour through centuries of European intellectual history and an essential guide to our ways of thinking about human rights today.