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Co-Winner, James Russell Lowell Prize, Modern Language Association This major study offers a broad view of the writing and careers of eighteenth-century women poets, casting new light on the ways in which poetry was read and enjoyed, on changing poetic tastes in British culture, and on the development of many major poetic genres and traditions. Rather than presenting a chronological survey, Paula R. Backscheider explores the forms in which women wrote and the uses to which they put those forms. Considering more than forty women in relation to canonical male writers of the same era, she concludes that women wrote in all of the genres that men did but often adapted, revised, and even created new poetic kinds from traditional forms.Backscheider demonstrates that knowledge of these women's poetry is necessary for an accurate and nuanced literary history. Within chapters on important canonical and popular verse forms, she gives particular attention to such topics as women's use of religious poetry to express candid ideas about patriarchy and rape; the continuing evolution and important role of the supposedly antiquarian genre of the friendship poetry; same-sex desire in elegy by women as well as by men; and the status of Charlotte Smith as a key figure of the long eighteenth century, not only as a Romantic-era poet.

First published in an era when most novels about young women concentrated on courtship and ended with marriage, The Recess daringly portrays women involved in political intrigues, overseas journeys, and even warfare. The novel is set during the reign of Elizabeth I and features as narrators twin daughters of Mary, Queen of Scots, by a secret marriage. One of the earliest Gothic novels, The Recess pioneered the genre of historical fiction. The novel was also one of the first to describe characters and events from conflicting points of view and was wildly popular in its day.

This book describes all aspects of daily religious life of pious Reformed people in the Netherlands between 1720-1820 on the basis of the autobiographies of 14 men and 6 women. Sources are explored thematically, with each chapter describing one section of Pietist life.

In 1790 Sir John Sinclair of Ulbster sent an exhaustive questionnaire to every parish minister in Scotland, covering such diverse subjects as lifestyle, customs, industry, agriculture, geology and wildlife. His aim was to use the answers for the positive benefit of Scotland, showing up strengths as well as weaknesses and, by demonstrating to the government areas in which specific action was required, 'to add to the quantum of happiness' in the country. The results were gathered together and published as the Old Statistical Account, a massive 20-volume work.A selection from the wealth of sociological information contained in the OSA is presented here in a lively and accessible form, with extensive quotation from all parts of the country. It is a remarkable and unique insight into the lives of Scottish people from very diverse parishes - urban and rural, rich and poor, highland and lowland. The original questionnaire is included in facsimile as an appendix.This book is an essential resource for those studying social history and will be of immense interest to all those wishing to learn more of Scotland in earlier times.

This book is the first to explore English family portraiture in the 18th century, a varied category ranging from small-scale conversation pieces to grandiose, full-length images. Kate Retford probes this much-loved genre to trace the values and meanings behind these compositions.While early images by artists such as Arthur Devis depicted sitters stiffly posed, later in the century scenes of affection and intimacy were created by portraitists like Thomas Gainsborough and Joshua Reynolds. In the country-house collections, portraits first emphasized ancestry and inherited virtue, but later emphasized the domestic merits of the family. The Art of Domestic Life contributes a wealth of visual evidence to the history of the family. It offers important insights into both the innovations and traditions in family portraiture of this period, drawing on in-depth research into paintings, the lives of the sitters depicted, and the domestic spaces in which portraits were hung.Published for the Paul Mellon Centre for Studies in British Art

208 pages. 9.00x6.00x0.62 inches. In Stock.

The renowned scholar Rüdiger Safranski’s Romanticism: A German Affair both offers an accessible overview of Romanticism and, more critically, traces its lasting influence, for better and for ill, on German culture. Safranski begins with the eighteenthcentury Sturm und Drang movement, which would sow the seeds for Romanticism in Germany. While Romanticism was a broad artistic, literary, and intellectual movement, German thinkers were especially concerned with its strong philosophical-metaphysical and religious dimension. Safranski follows this spirit in its afterlife in the work of Heinrich Heine, Richard Wagner, Friedrich Nietzsche, Thomas Mann, and through the later artistic upheavals of the twentieth century. He concludes by carefully considering Romanticism’s possible influence in the rise of National Socialism and the student revolt of 1968.Romanticism: A German Affair is essential reading for anyone interested in the power of art, culture, and ideas in the life of a nation.

A facsimile of a late-eighteenthcentury Japanese masterpiece features exquisite reproductions of Utamaro's prints, accompanied by witty verse in a stunning visual ensemble

A facsimile of a late-eighteenthcentury Japanese masterpiece features exquisite reproductions of Utamaro's prints, accompanied by witty verse in a stunning visual ensemble

The renowned scholar Rüdiger Safranski’s Romanticism: A German Affair both offers an accessible overview of Romanticism and, more critically, traces its lasting influence, for better and for ill, on German culture. Safranski begins with the eighteenthcentury Sturm und Drang movement, which would sow the seeds for Romanticism in Germany. While Romanticism was a broad artistic, literary, and intellectual movement, German thinkers were especially concerned with its strong philosophical-metaphysical and religious dimension. Safranski follows this spirit in its afterlife in the work of Heinrich Heine, Richard Wagner, Friedrich Nietzsche, Thomas Mann, and through the later artistic upheavals of the twentieth century. He concludes by carefully considering Romanticism’s possible influence in the rise of National Socialism and the student revolt of 1968.Romanticism: A German Affair is essential reading for anyone interested in the power of art, culture, and ideas in the life of a nation.