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Still on Romulus in pursuit of his goal of reunifying the Vulcans and Romulans, Spock finds himself in the middle of a massive power struggle. In the wake of the assassination of the Praetor and the Senate, the Romulans have cleaved in two. While Empress Donatra has led her nascent Imperial Romulan State to establish relations with the Federation, Praetor Tal’aura has guided the original Romulan Star Empire toward joining the newly formed Typhon Pact. But numerous factions within the two Romulan nations vie for power and undivided leadership, and Machiavellian plots unfold as forces within and without the empires conduct high-stakes political maneuvers.  Meanwhile, four years after Benjamin Sisko returned from the Celestial Temple, circumstances have changed, his hopes for a peaceful life on Bajor with his wife and daughter beginning to slip away. After temporarily rejoining Starfleet for an all-hands-on-deck battle against the Borg, he must consider an offer to have him return for a longer stint. Beset by troubling events, he seeks spiritual guidance, facing demons new and old, including difficult memories from his time in the last Federation-Tzenkethi war.

The United States is one of history's great Christian nations, but our unique history, success, and global impact have seduced us into believing we are something more-God's New Israel, the new order of the ages, the last best hope of mankind, a redeemer nation. Using the subtle categories that arise from biblical narrative, Between Babel and Beast analyzes how the heresy of Americanism inspired America's rise to hegemony while blinding American Christians to our failures and abuses of power. The book demonstrates that the church best serves the genuine good of the United States by training witnesses-martyr-citizens of God's Abrahamic empire.

The United States is one of history's great Christian nations, but our unique history, success, and global impact have seduced us into believing we are something more-God's New Israel, the new order of the ages, the last best hope of mankind, a redeemer nation. Using the subtle categories that arise from biblical narrative, Between Babel and Beast analyzes how the heresy of Americanism inspired America's rise to hegemony while blinding American Christians to our failures and abuses of power. The book demonstrates that the church best serves the genuine good of the United States by training witnesses-martyr-citizens of God's Abrahamic empire.

In the second half of the eighteenth century, the Russian Empire-already the largest on earth-expanded its dominion onto the ocean. Through a series of government-sponsored voyages of discovery and the establishment of a private fur trade, Russians crossed and re-crossed the Bering Strait and the North Pacific Ocean, establishing colonies in Kamchatka and Alaska and exporting marine mammal furs to Europe and China. In the process they radically transformed the North Pacific, causing environmental catastrophe.In one of the most hotly-contested imperial arenas of the day, the Russian empire organized a host of Siberian and Alaskan native peoples to rapaciously hunt for fur seals, sea otters, and other fur-bearing animals. The animals declined precipitously, and Steller's sea cow went extinct. This destruction captured the attention of natural historians who for the first time began to recognize the threat of species extinction. These experts drew upon Enlightenment and Romantic-era ideas about nature and imperialism but their ideas were refracted through Russian scientific culture and influenced by the region's unique ecology. Cosmopolitan scientific networks ensured the spread of their ideas throughout Europe. Heeding the advice of these scientific experts, Russian colonial governors began long-term management of marine mammal stocks and instituted some of the colonial world's most forward-thinking conservationist policies. Highlighting the importance of the North Pacific in Russian imperial and global environmental history, Empire of Extinction focuses on the development of ideas about the natural world in a crucial location far from what has been considered the center of progressive environmental attitudes.

In the second half of the eighteenth century, the Russian Empire-already the largest on earth-expanded its dominion onto the ocean. Through a series of government-sponsored voyages of discovery and the establishment of a private fur trade, Russians crossed and re-crossed the Bering Strait and the North Pacific Ocean, establishing colonies in Kamchatka and Alaska and exporting marine mammal furs to Europe and China. In the process they radically transformed the North Pacific, causing environmental catastrophe.In one of the most hotly-contested imperial arenas of the day, the Russian empire organized a host of Siberian and Alaskan native peoples to rapaciously hunt for fur seals, sea otters, and other fur-bearing animals. The animals declined precipitously, and Steller's sea cow went extinct. This destruction captured the attention of natural historians who for the first time began to recognize the threat of species extinction. These experts drew upon Enlightenment and Romantic-era ideas about nature and imperialism but their ideas were refracted through Russian scientific culture and influenced by the region's unique ecology. Cosmopolitan scientific networks ensured the spread of their ideas throughout Europe. Heeding the advice of these scientific experts, Russian colonial governors began long-term management of marine mammal stocks and instituted some of the colonial world's most forward-thinking conservationist policies. Highlighting the importance of the North Pacific in Russian imperial and global environmental history, Empire of Extinction focuses on the development of ideas about the natural world in a crucial location far from what has been considered the center of progressive environmental attitudes.

The elephant is the worlds largest and heaviest land animal. These huge beasts, some getting as heavy as 15,000 lbs., can be found throughout sub-Saharan Africa and southern Asia. Their distinctive trunks are used for breathing, lifting and squirting water, as well as grasping objects. The elephants tusks can be utilized as weapons and as tools for moving objects and digging. Primos powerful mixed media wall sculpture of the elephant brings this animal home in a most striking fashion. No African artistic motif is complete without the elephant. Color: Multi Color.

The horse appears out of the stark white background and mixes into the foreground like some ethereal beast. The piece is painted on one side of a piece of glass and then viewed from the other. This brings out wonderful detail in the horse's mane and eyes. What a magnificent animal is the other white horse captured against a white background. In this gorgeous piece, the horse comes alive as you can see the rippling muscles, flowing mane, and expression in the eyes. 2 strong steel hangers are attached to the back of the product for quick and easy installation.

In the thirty-second millennium, the Horus Heresy is ancient history. After centuries of peace, the Imperium is thrown into peril as a new threat menaces the galaxy, the rise of the ork empire. Epic omnibus including the first four novels of The Beast Arises series: I Am Slaughter; Predator, Prey; The Emperor Expects; and The Last Wall‘The Beast Arises’ is an epic Warhammer 40,000 series from Black Library. Spanning twelve volumes, the story covers a galaxy-wide conflict between humanity and a massive ork invasion. It is the thirty-second millennium, and the Heresy is but a distant memory. After centuries of peace, the Imperium is thrown into panic as worlds everywhere are menaced by orks. In a relentless tide of slaughter, ork attack moons destroy planet after planet with gravity weapons of unstoppable power. On Terra, the High Lords are paralysed by the scale of the threat, and fail to take any effective action. With entire Space Marine Chapters missing or destroyed, does anyone have the will and the power to rise to the Imperium’s defence?  

In the thirty-second millennium, the Horus Heresy is ancient history. After centuries of peace, the Imperium is thrown into peril as a new threat menaces the galaxy, the rise of the ork empire. Epic omnibus including the first four novels of The Beast Arises series: I Am Slaughter; Predator, Prey; The Emperor Expects; and The Last Wall‘The Beast Arises’ is an epic Warhammer 40,000 series from Black Library. Spanning twelve volumes, the story covers a galaxy-wide conflict between humanity and a massive ork invasion. It is the thirty-second millennium, and the Heresy is but a distant memory. After centuries of peace, the Imperium is thrown into panic as worlds everywhere are menaced by orks. In a relentless tide of slaughter, ork attack moons destroy planet after planet with gravity weapons of unstoppable power. On Terra, the High Lords are paralysed by the scale of the threat, and fail to take any effective action. With entire Space Marine Chapters missing or destroyed, does anyone have the will and the power to rise to the Imperium’s defence?  

When one hears the words Nazi Germany, images of concentration camps and mass death come to mind. And no concentration camp is more infamous then Buchenwald--a pitiless place where tens of thousands of human beings died. Overseeing this empire of horror was SS Colonel Karl Koch and his wife Ilse. Under their cruel regime. evil reigned unchecked and the inconceivable became commonplace. A riveting story.

When one hears the words Nazi Germany, images of concentration camps and mass death come to mind. And no concentration camp is more infamous then Buchenwald--a pitiless place where tens of thousands of human beings died. Overseeing this empire of horror was SS Colonel Karl Koch and his wife Ilse. Under their cruel regime. evil reigned unchecked and the inconceivable became commonplace. A riveting story.

Ellie came to me with a bargain. Her life for her father's, but I didn't build my empire by letting debts go unpaid. You owe me, you pay. End of story. But this girl didn't just walk in shaking and begging for mercy- no, Ellie charged in demanding her father's freedom. I take her deal, adding my own conditions, of course. I'm not a good man. I'm a beast, and my hunger for her will be fed. I will possess her.But there's more at play here than just the love of a daughter, the possession of a beauty. Secrets that won't stay buried. Dangerous desires needing to be explored.Outside forces want in, want to take what's mine. And when Ellie finds out the secrets of her own past, she'll need to decide. What exactly is she willing to risk for love.

“Glen Cook is a rare beast of a writer – he can vacillate between military fantasy, space opera, epic fantasy, mystery, and science fantasy with great ease. His writing is often marked by a purity; that he is depicting life in its most real sense, from the thoughts in a character’s mind to the wind rushing across his or her face.”—SFFWorldA Cruel Wind: A Chronicle of the Dread Empire collects the legendary Dread Empire trilogy: A Shadow of All Night Falling, October's Baby and All Darkness Met.The war that even wizards dread begins with A Shadow of All Night Falling. Across the mountains called Dragon's Teeth, beyond the chill reach of the werewind and the fires of the world's beginning, above the walls of the castle Fangdred, stands Wind Tower, from which the Star Rider calls forth the war that even wizards dread. A war fought for a love. The love of a woman called Nepanthe, princess to the storm kings. . . .When the leaves turn blood and the wind turns bone, it is time. A time for doing things dark and strange; the time of October's Baby. The princess bears a child to the winged thing and the cries are heard far beyond the peaks of Dragon's Teeth. Nepanthe and Mocker wait, but for what, they do not know.At Empire's end, Mocker finds old friends in the halls of death. Nepanthe finds new lovers in the fields of blood and bone, while the war-child wields the sword of truth. The Star Rider's dread secret is at last revealed, where All Darkness Met. And so it ends. Though end is but a wizard-word for new beginnings. . . .

Human zoos', forgotten symbols of the colonial era, have been totally repressed in our collective memory. In these 'anthropo-zoological' exhibitions, 'exotic' individuals were placed alongside wild beasts and presented behind bars or in enclosures. Human zoos were a key factor, however, in the progressive shift in the West from scientific to popular racism. Beginning with the early nineteenth-century European exhibition of the Hottentot Venus, this thoroughly documented volume underlines the ways in which they affected the lives of tens of millions of visitors, from London to New York, from Warsaw to Milan, from Moscow to Tokyo Through Barnum's freak shows, Hagenbeck's 'ethnic shows' (touring major European cities from their German base), French-style villages nègres, as well as the great universal and colonial exhibitions, the West invented the 'savage', exhibited the 'peoples of the world', whilst in many cases preparing for or contributing to their colonization. This first mass contact between 'us' and 'them', between the West and elsewhere, created an invisible border. Measured by scientists, exploited in shows, used in official exhibitions, these men, women and children became extras in an imaginary and in a history that were not their own. Based on the best-selling French volume Zoos Humains but with a number of newly commissioned chapters, Human Zoos puts into perspective the 'spectacularization' of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. A unique book, on a crucial phenomenon, which takes us to the heart of Western fantasies, and allows us to understand the genesis of identity in Japan, Europe and North America.

Human zoos', forgotten symbols of the colonial era, have been totally repressed in our collective memory. In these 'anthropo-zoological' exhibitions, 'exotic' individuals were placed alongside wild beasts and presented behind bars or in enclosures. Human zoos were a key factor, however, in the progressive shift in the West from scientific to popular racism. Beginning with the early nineteenth-century European exhibition of the Hottentot Venus, this thoroughly documented volume underlines the ways in which they affected the lives of tens of millions of visitors, from London to New York, from Warsaw to Milan, from Moscow to Tokyo Through Barnum's freak shows, Hagenbeck's 'ethnic shows' (touring major European cities from their German base), French-style villages nègres, as well as the great universal and colonial exhibitions, the West invented the 'savage', exhibited the 'peoples of the world', whilst in many cases preparing for or contributing to their colonization. This first mass contact between 'us' and 'them', between the West and elsewhere, created an invisible border. Measured by scientists, exploited in shows, used in official exhibitions, these men, women and children became extras in an imaginary and in a history that were not their own. Based on the best-selling French volume Zoos Humains but with a number of newly commissioned chapters, Human Zoos puts into perspective the 'spectacularization' of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. A unique book, on a crucial phenomenon, which takes us to the heart of Western fantasies, and allows us to understand the genesis of identity in Japan, Europe and North America.

304, 15 b/w illus. 222x154mm. HB. NEW. . 'Beautifully written and filled with mind-boggling wonders' - Dave Goulson, author of A Sting in the Tale 'Thrilling, compellingly readable and paradigm-shattering' - Charles Foster, author of Being a Beast 'Both expert and entertaining' - David Barrie, author of Incredible Journeys Ants have been walking the Earth since the age of the dinosaurs. Today there are one million ants for every one of us. The closer you get to ants, the more human they look: they build megacities, grow crops, raise livestock, tend their young and infirm, and even make vaccines. They also have a darker side: they wage war, enslave rivals and rebel against their oppressors. From fearsome army ants, who stage twelve-hour hunting raids where they devour thousands, to gentle leaf-cutters gardening in their peaceful underground kingdoms, every ant is engineered by nature to fulfil their particular role. Acclaimed biologist Susanne Foitzik has travelled the globe to study these master architects of Earth. Joined by journalist Olaf Fritsche, Foitzik invites readers deep into her world - in the field and in the lab - and will inspire new respect for ants as a global superpower.Fascinating and action-packed, Empire of Ants will open your eyes to the secret societies thriving right beneath your feet. [9781856754590]

John Alvin's movie poster art is among the most iconic of the last 40 years, from Disney films such as Beauty and the Beast, Mulan and Pinocchio, to Empire of the Sun, Gremlins, Blazing Saddles, Predator, and the Star Wars 30th anniversary posters. This book not only collects some of Alvin’s finest work, but also includes previously unseen comprehensives and in progress sketches. With the text including commentary from Alvin’s widow, this is a unique insight into the work of one of the 20th century’s great artist/illustrators.

It's called the Empire State because, as any New Yorker will tell you, it's the state by which all others are measured. And it certainly takes the cake for odd legends, bizarre beasts, and twisted mysteries. Go say hi to Jumper and Grumpy at America's largest pet cemetery. Avoid the screaming and gunshots of House Road, but do sample the Jell-O Museum in Le Roy. And next time you're in Staten Island, beware of Bigfoot-he's found his way out there.

Ming the Merciless wants to claim Earth as the crown jewel of his empire! His latest scheme? Teleporting a continent from his homeworld of Mongo into the Pacific Ocean, thereby unleashing its monstrous beasts into our seas and causing catastrophic tidal waves to devastate our naval defenses! It's up to Flash Gordon, the fearless daredevil who has unraveled the tyrant's previous schemes at every turn, to once again rally his friends in defense of the Earth. Join intrepid reporter Dale Arden, eccentric scientist Dr. Zarkov, Mandrake the Magician, two iterations of The Phantom, Jungle Jim, and the timelost hero Prince Valiant in the wildest adventure on this or any world! "A fast-paced throwback to the pulps of yesteryear." - Newsarama "Channel(s) the same style as the old pulp Flash Gordon movie series." - SciFiPulse "A pleasure to read." - Fandom Post "Jesse Hamm’s... scenes have great comedic panels and fluid action sequences." - Comic Bastards "An old-fashioned adventure in the pulp tradition, and that's no bad thing." - Capeless Crusader

Perpetua, a wealthy noblewoman just coming of age in Carthage, discovers Jesus at a time when Christians are being thrown to the beasts in city amphitheaters for sport. Rejecting the gods of the ancient Roman Empire, she embraces a passionate relationship with Jesus and falls in love with a man who shares her faith. Together they navigate the treacherous, bloodthirsty waters of the decadent social culture, secretly forming friendships with the Christian plebeians and slaves they now call brothers and sisters. But betrayal and jealousy threaten to expose their faith to the Roman authorities, and every step seems to take them closer to the ultimate sacrifice. Perpetua is a riveting historical novel based on the real life and death of the beloved third-century martyr, whose prison diary is the oldest extant work by a Christian woman. While many martyrs were poor or illiterate, Perpetua was neither. A new mother, a noblewoman, wealthy, highly educated . . . she had much to lose and she chose to give it all away for Jesus. Perpetua was martyred in the amphitheater of Carthage in 203 AD, but kept a diary of her arrest, her time in prison, and the dreams and visions that strengthened her and her friends. The novel expands her account to include the less than three years between her conversion and her execution, as she experiences joy, persecution, and self-discovery, and is faced with the final test of love. "...if I surrender my body to be burned, but do not have love, it profits me nothing..."1 Corinthians 13:3