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A fascinating look at the life and times of empresses in the Qing dynasty Empresses in the Qing dynasty (1644–1912) played an influential role in the imperial court and the cosmopolitan culture of their time. Offering compelling insights into the material culture, activities, and living spaces of Qing empresses, this lavishly illustrated book features over one hundred spectacular works of art from the Palace Museum in Beijing—including large-scale portraits, court robes, and richly decorated Buddhist sutras—that bring the splendor of the Qing court to life. A series of insightful essays examines the fascinating ways that key imperial women engaged with art, religion, and politics. This unprecedented exploration of the Qing court from the perspective of its royal women is an important new contribution to our understanding of Chinese art and history. 

A fascinating look at the life and times of empresses in the Qing dynasty Empresses in the Qing dynasty (1644–1912) played an influential role in the imperial court and the cosmopolitan culture of their time. Offering compelling insights into the material culture, activities, and living spaces of Qing empresses, this lavishly illustrated book features over one hundred spectacular works of art from the Palace Museum in Beijing—including large-scale portraits, court robes, and richly decorated Buddhist sutras—that bring the splendor of the Qing court to life. A series of insightful essays examines the fascinating ways that key imperial women engaged with art, religion, and politics. This unprecedented exploration of the Qing court from the perspective of its royal women is an important new contribution to our understanding of Chinese art and history. 

Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

This is a critical overview of developments in thought and institutions affecting palace women from earliest times through to the Han, showing how attitudes changed over time. The core of the book is an annotated translation of the three fascicles of Chen Shou's Records of the Three States.

A matte softcover book with French flaps. The title is in white down an orange spine. Pages: (10), 11-261, (3). Profusely illustrated with color images. "Empresses in the Qing dynasty played an influential role in the imperial court and the cosmopolitan culture of their time. Offering compelling insights into the material culture, activities, and living spaces of Qing empresses, this lavishly illustrated book features over one hundred spectacular works of art from the Palace Museum in Beijing--including large-scale portraits, court robes, and richly decorated Buddhist sutras--that bring the splendor of the Qing court to life. A series of insightful essays examines the fascinating ways that key imperial women engaged with art, religion, and politics. This unprecedented exploration of the Qing court from the perspective of its top-ranked women is an important new contribution to our understanding of Chinese art and history." Contents are as follows: Introduction: Rediscovering the empresses of Qing China, 1644-1912 / Daisy Yiyou Wang and Jan Stuart -- Key empresses in the Qing imperial family -- Timeline of Qing empresses in world context / Doris Sung and Paula Richter -- Map of the Forbidden City -- Qing empresses and their place in history / Evelyn S. Rawski -- Qing empresses and grand imperial weddings / Ren Wanping -- Tracing the lives of Qing court women / Jan Stuart -- Empress Dowager Chongqing and the Palace of Longevity and Health / Lin Shu -- Deciphering portraits of Qing empresses / Daisy Yiyou Wang -- Qing empresses as religious patrons and practitioners / Luk Yu-ping -- Empresses and Qing court politics / Ying-chen Peng -- Plates -- Catalogue of the exhibition -- Glossary of selected names and terms.

An Illustrated History of the Canadian Pacific's Trans-Pacific Ocean Liners by Robert D. Turner From Vancouver and Victoria on the west coast of British Columbia, across the North Pacific by the great circle route that skirts the Aleutian Islands, to Japan, Shanghai, Hong Kong and the Philippines; this was the realm of the Pacific Empresses. For fifty years these beautiful ocean liners provided a fast link with the Orient. The Empresses brough tea, silk, spices and produce from the Orient and returned with Canadian cargoes. The first Empresses came to the Pacific in 1891, providing a fast, reliable steamship service connecting the western terminus of the Canadian Pacific Railway with the Orient. The ships were the beautiful clipper-bowed Empresses of India, China and Japan. Later, as steamship design advanced and the service grew, the larger, record-breaking Empress of Russia and Empress of Asia joined the fleet. The Empresses consistently broke speed records for the North Pacific and set standards of service and reliability few steamship lines could match. While there were never more than four Empresses in trans-Pacific service at one time, they dominated the North Pacific until World War II. The war brought a dramatic end to the service as all the Empresses were pressed into action as troop ships. The Empresses sailed in troop convoys with some of the mightiest liners in the world. Air travel dominated the post-war years and the Empress fleet was never replaced on the Pacific. And so the elegant liners passed into history, Robert Turner's carefully researched text is accompanied by complete fleet lists, darwings, maps, 375 photographs and three full-colour reproductions. Beautifully designed and printed, and of the same high quality as its companion volume, The Pacific Princesses, The Pacific Empresses is an essential addition to any history or ship-lover's library.

Byzantine Empresses provides a series of biographical portraits of the most significant Byzantine women who ruled or shared the throne between 527 and 1204. It presents and analyses the available historical data in order to outline what these empresses did, what the sources thought they did, and what they wanted to do.

London. 1972. Constable. 22x14. 242p.

Since glasnost began, Russia's most eminent historians have taken advantage of new archival access and the end of censorship and conformity to reassess and reinterpret their history. Through this process they are linking up with Russia's great historiographic tradition while producing work that is fresh and modern. In "The Emperors and Empresses of Russia", renowned Russian historians tell the story of the Romanovs as complex individual personalities and as key institutional actors in Russian history, from the empire builder Peter I to the last tsar, Nicholas II. These portraits are contributions to the writing of history, partaking neither of wooden ideologisation nor of naive romanticisation.

Canadian Pacific Steamships was a worldwide travel network that included great passenger ships. Their highpoint for that arm might have been in the Twenties & Thirties. First, they had a superb transpacific service, Vancouver to and from the Orient, with four splendid ships providing twice-monthly service. It all hinted of far-off, exotic travel—grand salons, midnight sailings from Shanghai and an Asiatic steerage below decks. On the Atlantic, Canadian Pacific provided a fine service, largely between Liverpool and the St Lawrence, to Quebec City and Montreal. This culminated with the debut, in 1931, of one of the finest liners of the twentieth century, the giant ‘Empress of Britain’. An exquisite ship both inside and out, she made luxurious world cruises in winter—like a big yacht! The stories of these ships on both oceans is told in this new book. Some were scrapped prematurely, others casualties of war and still others restored and reactivated for Canadian Pacific liner services in the late Forties and into the Fifties. Altogether, it is a fascinating group of ships, well deserving of another review.

Theodosian Empresses sets a series of compelling women on the stage of history and offers new insights into the eastern court in the fifth century.

Byzantine Empresses provides a series of biographical portraits of the most significant Byzantine women who ruled or shared the throne between 527 and 1204. It presents and analyses the available historical data in order to outline what these empresses did, what the sources thought they did, and what they wanted to do.

From the untimely demise of the 52-year-old Peter the Great in 1725 to nearly the end of that century, the fate of the Russian empire would rest largely in the hands of five tsarinas. This book tells their stories. Peter's widow Catherine I (1725-27), an orphan and former laundress, would gain control of the ancestral throne, a victorious army, and formidable navy in a country that stretched from the Baltic Sea to the Pacific Ocean. Next, Anna Ioannovna (1730-40), chosen by conniving ministers who sought an ineffectual puppet, would instead tear up the document that would have changed the course of Russian history forever only to rule Russia as her private fiefdom and hunting estate. The ill-fated Anna Leopoldovna (1740-41), groomed for the throne by her namesake aunt, would be Regent for her young son only briefly before a coup by her aunt Elizabeth would condemn Anna's family to a life of imprisonment, desolation, and death in obscurity. The beautiful and shrewd Elizabeth (1741-61) would seize her father Peter's throne, but, obsessed with her own fading beauty, she would squander resources in a relentless effort to stay young and keep her rivals at bay. Finally, Catherine the Great (1762-96) would overthrow (and later order the murder of) her own husband and rightful heir. Astute and intelligent, Catherine had a talent for making people like her, winning them to her cause; however, the era of her rule would be a time of tumultuous change for both Europe and her beloved Russia.In this vivid, quick-paced account, Anisimov goes beyond simply laying out the facts of each empress's reign, to draw realistic psychological portraits and to consider the larger fate of women in politics. Together, these five portraits represent a history of 18th-century court life and international affairs. Anisimov's tone is commanding, authoritative, but also convivial―inviting the reader to share the captivating secrets that his efforts have uncovered.

Byzantine Empresses provides a series of biographical portraits of the most significant Byzantine women who ruled or shared the throne between 527 and 1204. It presents and analyses the available historical data in order to outline what these empresses did, what the sources thought they did, and what they wanted to do.

Canadian Pacific Steamships was a worldwide travel network that included great passenger ships. Their highpoint for that arm might have been in the Twenties & Thirties. First, they had a superb transpacific service, Vancouver to and from the Orient, with four splendid ships providing twice-monthly service. It all hinted of far-off, exotic travel—grand salons, midnight sailings from Shanghai and an Asiatic steerage below decks. On the Atlantic, Canadian Pacific provided a fine service, largely between Liverpool and the St Lawrence, to Quebec City and Montreal. This culminated with the debut, in 1931, of one of the finest liners of the twentieth century, the giant ‘Empress of Britain’. An exquisite ship both inside and out, she made luxurious world cruises in winter—like a big yacht! The stories of these ships on both oceans is told in this new book. Some were scrapped prematurely, others casualties of war and still others restored and reactivated for Canadian Pacific liner services in the late Forties and into the Fifties. Altogether, it is a fascinating group of ships, well deserving of another review.

Unread book in perfect condition.

An Illustrated History of the Canadian Pacific's Trans-Pacific Ocean Liners by Robert D. Turner From Vancouver and Victoria on the west coast of British Columbia, across the North Pacific by the great circle route that skirts the Aleutian Islands, to Japan, Shanghai, Hong Kong and the Philippines; this was the realm of the Pacific Empresses. For fifty years these beautiful ocean liners provided a fast link with the Orient. The Empresses brough tea, silk, spices and produce from the Orient and returned with Canadian cargoes. The first Empresses came to the Pacific in 1891, providing a fast, reliable steamship service connecting the western terminus of the Canadian Pacific Railway with the Orient. The ships were the beautiful clipper-bowed Empresses of India, China and Japan. Later, as steamship design advanced and the service grew, the larger, record-breaking Empress of Russia and Empress of Asia joined the fleet. The Empresses consistently broke speed records for the North Pacific and set standards of service and reliability few steamship lines could match. While there were never more than four Empresses in trans-Pacific service at one time, they dominated the North Pacific until World War II. The war brought a dramatic end to the service as all the Empresses were pressed into action as troop ships. The Empresses sailed in troop convoys with some of the mightiest liners in the world. Air travel dominated the post-war years and the Empress fleet was never replaced on the Pacific. And so the elegant liners passed into history, Robert Turner's carefully researched text is accompanied by complete fleet lists, darwings, maps, 375 photographs and three full-colour reproductions. Beautifully designed and printed, and of the same high quality as its companion volume, The Pacific Princesses, The Pacific Empresses is an essential addition to any history or ship-lover's library.

Theodosian Empresses sets a series of compelling women on the stage of history and offers new insights into the eastern court in the fifth century.

Byzantine Empresses provides a series of biographical portraits of the most significant Byzantine women who ruled or shared the throne between 527 and 1204. It presents and analyses the available historical data in order to outline what these empresses did, what the sources thought they did, and what they wanted to do.

This book reconsiders a wide array of images of Byzantine empresses on media as diverse as bronze coins and gold mosaic from the fifth through to the seventh centuries A.D. The representations have often been viewed in terms of individual personas, but strong typological currents frame their medieval context. Empress Theodora, the target of political pornography, has consumed the bulk of past interest, but even her representations fit these patterns. Methodological tools from fields as disparate as numismatics as well as cultural and gender studies help clarify the broader cultural significance of female imperial representation and patronage at this time.