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Slip is simply liquid clay which can be used for decoration on its own or covered with glaze. This book examines the many techniques of using slips such as brushing, dipping, trailing and sgraffito amongst others, and uses contemporary potters' work as illustrations. It explains how to make up slips and engobes, as well as ways of using them at higher temperatures, both with and without glazes. The book is illustrated with working potters in action, showing their own personal styles and how they have adapted traditional methods to suit their work today in a modern context. As well as examples of techniques, there are many images of beautiful finished pieces to show what can be achieved.

A growing number of ceramic artists now choose not to glaze their work. Instead, they use an unglazed—naked—surface to express their ideas and concerns. From slips and terra sigillata to burnishing, engobes, oxide washes, and additions to the clay body, there is a wide range of techniques artists can employ to achieve the finishes they desire. As these techniques are suitable for a broad spectrum of processes, subject matter and context (from slipcasting to handbuilding, from high to low firing temperatures, from figurative to conceptual, from domestic to public), the scope of the work produced by the artists represented in this book is enormous.In Naked Clay Jane Perryman not only presents the finished ceramics and techniques of an international group of artists, she also investigates their ideas and areas of inspiration to further an understanding of their work. Each artist presented here has a unique style and way of working, but they are all connected through their committed relationship to the material and their desire to express their ideas using "naked" clay.This beautifully illustrated book will inform and inspire not only students, professionals, and teachers, it will fascinate collectors and, indeed, anyone with an interest in contemporary ceramics.

A growing number of ceramic artists now choose not to glaze their work. Instead, they use an unglazed—naked—surface to express their ideas and concerns. From slips and terra sigillata to burnishing, engobes, oxide washes, and additions to the clay body, there is a wide range of techniques artists can employ to achieve the finishes they desire. As these techniques are suitable for a broad spectrum of processes, subject matter and context (from slipcasting to handbuilding, from high to low firing temperatures, from figurative to conceptual, from domestic to public), the scope of the work produced by the artists represented in this book is enormous.In Naked Clay Jane Perryman not only presents the finished ceramics and techniques of an international group of artists, she also investigates their ideas and areas of inspiration to further an understanding of their work. Each artist presented here has a unique style and way of working, but they are all connected through their committed relationship to the material and their desire to express their ideas using "naked" clay.This beautifully illustrated book will inform and inspire not only students, professionals, and teachers, it will fascinate collectors and, indeed, anyone with an interest in contemporary ceramics.

Offers step-by-step instructions on wheel-thrown pottery with tips on pulling handles and spouts, altering throw forms, and finishing forms with engobes and glazes

Slip is simply liquid clay which can be used for decoration on its own or covered with glaze. This book examines the many techniques of using slips such as brushing, dipping, trailing and sgraffito amongst others, and uses contemporary potters' work as illustrations. It explains how to make up slips and engobes, as well as ways of using them at higher temperatures, both with and without glazes. The book is illustrated with working potters in action, showing their own personal styles and how they have adapted traditional methods to suit their work today in a modern context. As well as examples of techniques, there are many images of beautiful finished pieces to show what can be achieved.