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Edda Dell'Orso (born Edda Sabatini, February 16, 1935) is a legendary Italian singer who has long been the vocalist of choice for the maestro Ennio Morricone. She has provided vocals, often wordless singing, to countless Morricone scores beginning in the mid-1960s and most famously for the immortal score to Il Buono, Il Brutto, Il Cattivo (The Good, The Bad And The Ugly, 1966). This collection compiles, for the first time in one place, many of her finest performances for Morricone, including suc

Master composer Ennio Morricone's scores go hand-in-hand with the idea of the Western film. Often considered the world's greatest living film composer, and most widely known for his innovative scores to The Good, the Bad, and the Ugly and the other Sergio Leone's movies, The Mission, Cinema Paradiso and more recently, The Hateful Eight, Morricone has spent the past 60 years reinventing the sound of cinema. In Ennio Morricone: In His Own Words, composers Ennio Morricone and Alessandro De Rosa present a years-long discussion of life, music, and the marvelous and unpredictable ways that the two come into contact with and influence each other. The result is what Morricone himself defines: "beyond a shadow of a doubt the best book ever written about me, the most authentic, the most detailed and well curated. The truest." Opening for the first time the door of his creative laboratory, Morricone offers an exhaustive and rich account of his life, from his early years of study to genre-defining collaborations with the most important Italian and international directors, including Leone, Bertolucci, Pasolini, Argento, Tornatore, Malick, Carpenter, Stone, Nichols, De Palma, Beatty, Levinson, Almodóvar, Polanski, and Tarantino. In the process, Morricone unveils the curious relationship that links music and images in cinema, as well as the creative urgency at the foundation of his experimentations with "absolute music". Throughout these conversations with De Rosa, Morricone dispenses invaluable insights not only on composing but also on the broader process of adaptation and what it means to be human. As he reminds us, "Coming into contact with memories doesn't only entail the melancholy of something that slips away with time, but also looking forward, understanding who I am now. And who knows what else may still happen."

This guide demonstrates Morricone's unique and enduring contributions to the art of film music through a discussion of his compositional and orchestrational processes, many of which are evident in his music for The Good, the Bad and the Ugly in a way that can be easily understood by both musicians and nonmusicians. Though the guide illuminates theoretical and structural aspects of Morricone's music, it also examines relevant non-musical issues which contribute to the audience's total experience of the film.

Essential Ennio Morricone Film Music Collection City of Prague Philharmonic Orchestra - CD 738572151638

Unread book in perfect condition.

Include Backing Tracks CD for piano. Accadde a Venezia (Fatti di gente perbene) - Addio a Cheyenne(Cera una volta il West) - Estasi delloro (Il buono, il brutto e il cattivo) - Gabriels oboe (Mission) - Gi la testa (Gi la testa) - Heres to you (Sacco e Vanzetti) - Il buono, il brutto e il cattivo (Il buono, il brutto e il cattivo) - Lincontro (Il Maestro e Margherita) - La ballata di Sacco e Vanzetti (Sacco e Vanzetti) - Metti, una sera a cena (Metti, una sera a cena) - Mission (Mission) - Nuovo cinema Paradiso (Nuovo cinema Paradiso) - Once upon a time in America (Once upon a time in America) - Per qualche dollaro in pi (per qualche dollaro in pi) - Per un pugno di dollari (Per un pugno di dollari) - Playing love (La leggenda del pianista sulloceano) - Saharan dream (Il segreto del Sahara) - Titoli (Cera una volta il west) - Titoli (Per un pugno di dollari)

A great and original compilation of Ennio Morricone’s best works for Classical Guitar. The publication includes original transcriptions edited by the renowned guitarist Mauro Di Domenico and officially approved by Mr. Ennio Morricone himself.In addition to that, this title includes  various special content, such as writings by Ennio Morricone, an unpublished work written for the author and the possibility to listen to Mauro Di Domenico’s performances, playing and interpreting some of the pieces of music included in the book.Contents include Gabriel’s Oboe, C’era una volta il West, Giù la testa, Nuovo Cinema Paradiso, Maturità, Tema d’amore, Poverty, C’era una volta in America, Deborah’s Theme, Playing Love, La corrispondenza and Non telefonare.

Arrangements pour guitare de Carlo Marchione.Collection : Roberto Fabbri Signature Licks- A l'aube du 5 jour- Gabriel's oboe- Il buono, il brutto e il cattivo- Nostromo- Nuovo cinema paradiso- Per Elena- Sean sea

Antología por piano e guitarra des obras mas conocidas de Ennio Morricone: Once Upon a time in America - Cockeye´s song - The Mission - Gabriel´s oboe - Il buono, il brutto, il cattivo - Giù la testa - C´era una volta il West (titoli) - Accadde a Venezia - Come un madrigale - Il gatto - Indagine - La storia vera della signora delle camelie - Metti una sera a cena - Non rimane più nessuno - L´uomo dell´armonica - Per un pugno di dollari (titoli) - Playing love - Canone inverso -Per qualche dollaro in più

A great and original compilation of Ennio Morricone’s best works for Classical Guitar. The publication includes original transcriptions edited by the renowned guitarist Mauro Di Domenico and officially approved by Mr. Ennio Morricone himself.In addition to that, this title includes  various special content, such as writings by Ennio Morricone, an unpublished work written for the author and the possibility to listen to Mauro Di Domenico’s performances, playing and interpreting some of the pieces of music included in the book.Contents include Gabriel’s Oboe, C’era una volta il West, Giù la testa, Nuovo Cinema Paradiso, Maturità, Tema d’amore, Poverty, C’era una volta in America, Deborah’s Theme, Playing Love, La corrispondenza and Non telefonare.

Unique in its genre, Ennio Morricone: Discovery originates from the idea of the collector, author, and cinema expert Maurizio Baroni. Baroni draws on his own archive to give life to a rich selection highlighting over fifty years of a prestigious career, largely unseen before, which includes handwritten scores by the maestro himself, the original album and single cover sleeves from his soundtracks, and much more.This book is a definite homage to this great Italian composer of film soundtracks, probably the most famous in the world. Texts included by: Dario Argento, Bernardo Bertolucci, Liliana Cavani, Lisa Gastoni, Franco Nero, Quentin Tarantino, and many more.

Master composer Ennio Morricone's scores go hand-in-hand with the idea of the Western film. Often considered the world's greatest living film composer, and most widely known for his innovative scores to The Good, the Bad, and the Ugly and the other Sergio Leone's movies, The Mission, Cinema Paradiso and more recently, The Hateful Eight, Morricone has spent the past 60 years reinventing the sound of cinema. In Ennio Morricone: In His Own Words, composers Ennio Morricone and Alessandro De Rosa present a years-long discussion of life, music, and the marvelous and unpredictable ways that the two come into contact with and influence each other. The result is what Morricone himself defines: "beyond a shadow of a doubt the best book ever written about me, the most authentic, the most detailed and well curated. The truest." Opening for the first time the door of his creative laboratory, Morricone offers an exhaustive and rich account of his life, from his early years of study to genre-defining collaborations with the most important Italian and international directors, including Leone, Bertolucci, Pasolini, Argento, Tornatore, Malick, Carpenter, Stone, Nichols, De Palma, Beatty, Levinson, Almodóvar, Polanski, and Tarantino. In the process, Morricone unveils the curious relationship that links music and images in cinema, as well as the creative urgency at the foundation of his experimentations with "absolute music". Throughout these conversations with De Rosa, Morricone dispenses invaluable insights not only on composing but also on the broader process of adaptation and what it means to be human. As he reminds us, "Coming into contact with memories doesn't only entail the melancholy of something that slips away with time, but also looking forward, understanding who I am now. And who knows what else may still happen."

Antología por piano e guitarra des obras mas conocidas de Ennio Morricone: Once Upon a time in America - Cockeye´s song - The Mission - Gabriel´s oboe - Il buono, il brutto, il cattivo - Giù la testa - C´era una volta il West (titoli) - Accadde a Venezia - Come un madrigale - Il gatto - Indagine - La storia vera della signora delle camelie - Metti una sera a cena - Non rimane più nessuno - L´uomo dell´armonica - Per un pugno di dollari (titoli) - Playing love - Canone inverso -Per qualche dollaro in più

Include Backing Tracks CD for piano. Accadde a Venezia (Fatti di gente perbene) - Addio a Cheyenne(Cera una volta il West) - Estasi delloro (Il buono, il brutto e il cattivo) - Gabriels oboe (Mission) - Gi la testa (Gi la testa) - Heres to you (Sacco e Vanzetti) - Il buono, il brutto e il cattivo (Il buono, il brutto e il cattivo) - Lincontro (Il Maestro e Margherita) - La ballata di Sacco e Vanzetti (Sacco e Vanzetti) - Metti, una sera a cena (Metti, una sera a cena) - Mission (Mission) - Nuovo cinema Paradiso (Nuovo cinema Paradiso) - Once upon a time in America (Once upon a time in America) - Per qualche dollaro in pi (per qualche dollaro in pi) - Per un pugno di dollari (Per un pugno di dollari) - Playing love (La leggenda del pianista sulloceano) - Saharan dream (Il segreto del Sahara) - Titoli (Cera una volta il west) - Titoli (Per un pugno di dollari)

Unique in its genre, Ennio Morricone: Discovery originates from the idea of the collector, author, and cinema expert Maurizio Baroni. Baroni draws on his own archive to give life to a rich selection highlighting over fifty years of a prestigious career, largely unseen before, which includes handwritten scores by the maestro himself, the original album and single cover sleeves from his soundtracks, and much more.This book is a definite homage to this great Italian composer of film soundtracks, probably the most famous in the world. Texts included by: Dario Argento, Bernardo Bertolucci, Liliana Cavani, Lisa Gastoni, Franco Nero, Quentin Tarantino, and many more.

This guide demonstrates Morricone's unique and enduring contributions to the art of film music through a discussion of his compositional and orchestrational processes, many of which are evident in his music for The Good, the Bad and the Ugly in a way that can be easily understood by both musicians and nonmusicians. Though the guide illuminates theoretical and structural aspects of Morricone's music, it also examines relevant non-musical issues which contribute to the audience's total experience of the film.

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