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Historically speaking, theology can be said to operate “materiaphobically.” Protestant Christianity in particular has bestowed upon theology a privilege of the soul over the body and belief over practice, in line with the distinction between a disembodied God and the inanimate world “He” created. Like all other human, social, and natural sciences, religious studies imported these theological dualisms into a purportedly secular modernity, mapping them furthermore onto the distinction between a rational, “enlightened” Europe on the one hand and a variously emotional, “primitive,” and “animist” non-Europe on the other. The “new materialisms” currently coursing through cultural, feminist, political, and queer theories seek to displace human privilege by attending to the agency of matter itself. Far from being passive or inert, they show us that matter acts, creates, destroys, and transforms―and, as such, is more of a process than a thing. Entangled Worlds examines the intersections of religion and new and old materialisms. Calling upon an interdisciplinary throng of scholars in science studies, religious studies, and theology, it assembles a multiplicity of experimental perspectives on materiality: What is matter, how does it materialize, and what sorts of worlds are enacted in its varied entanglements with divinity? While both theology and religious studies have over the past few decades come to prioritize the material contexts and bodily ecologies of more-than-human life, Entangled Worlds sets forth the first multivocal conversation between religious studies, theology, and the body of “the new materialism.” Here disciplines and traditions touch, transgress, and contaminate one another across their several carefully specified contexts. And in the responsiveness of this mutual touching of science, religion, philosophy, and theology, the growing complexity of our entanglements takes on a consistent ethical texture of urgency.

Enhance any kitchen with the MODWAY Entangled Bar Stool. This stool has a mid-century modern style, which has clean lines for a sleek design. It has a full back and arms for the comfortable feel of a dining chair combined with the appearance of a stool. Designed in white, it has a sleek, clean and minimalist look. It features a foot rest, providing you with a place to put your feet while sitting.

Twists and turns greet you at every turn with the Entangled dining chair. Designed to portray verdant growth amidst organic conditions, there is no staged pretension here. Unabashedly, Entangled is a molded plastic dining chair that conveys the complexity of drive and ambition, love and life. Outfitted with foot caps to prevent your floor from scratching, the Entangled dining chair comes fully assembled with an easy wipe clean surface. Color: Red.

Bring contemporary and abstract forms to your home to start the conversation and add a level of modern refinement to your aesthetic in Waunakee, Wisconsin, this floating canvas art will be a pleasure to look at every day in your living room, bedroom, office, or any room in the home. This art print also makes an excellent gift for birthdays, holidays, or house-warming parties. Printed on gallery-wrapped canvas and framed with a lightweight polystyrene frame, this wall art has2-hangers already attached to the MDF back for easy wall display. The outer dimensions are 33 in. by 23 in. by 1.6 in. Print Name: Entangled Neutral. Color: Brown.

Giclée printed with up to 12 unique inks on 230gsm, archival-quality matte paper. Unlike traditional lithographic printing methods, our Giclée prints offer superior colour accuracy, greater tonal range, and sharper detail. Transform your space today. Designed by Eric Schwarz (Comic Blues). Exclusive to East Side Studio London. Available unframed only. Giclée printed in London on FSC certified, 230gsm, Fine Art Paper. Smaller artworks are packaged in a cardboard enveloped with protective backing. Larger artworks (A2) are rolled up in acid-free tissue paper and sent in a protective cardboard tube. Available unframed only.

Bring contemporary and abstract forms to your home to start the conversation and add a level of modern refinement to your aesthetic. Framed in the USA in Waunakee, Wisconsin, this floating canvas art will be a pleasure to look at every day in your living room, bedroom, office, or any room in the home. This art print also makes an excellent gift for birthdays, holidays, or house-warming parties. Printed on gallery-wrapped canvas and framed with a lightweight polystyrene frame, this wall art has two hangers already attached to the MDF back for easy wall display. The outer dimensions are 33 in. by 23 in. by 1.6 in. Print Name: "Entangled Neutral". Color: Natural.

Twists and turns greet you at every turn with the Entangled dining chair. Designed to portray verdant growth amidst organic conditions, there is no staged pretension here. Unabashedly, Entangled is a molded plastic dining chair that conveys the complexity of drive and ambition, love and life. Outfitted with foot caps to prevent your floor from scratching, the Entangled dining chair comes fully assembled with an easy wipe clean surface. Color: White.

Twists and turns greet you at every turn with the Entangled dining chair. Designed to portray verdant growth amidst organic conditions, there is no staged pretension here. Unabashedly, Entangled is a molded plastic dining chair that conveys the complexity of drive and ambition, love and life. Outfitted with foot caps to prevent your floor from scratching, the Entangled dining chair comes fully assembled with an easy wipe clean surface. Color: Red.

Embrace classic mid-century modern style with the timeless plastic dining armchair design. Crafted with a one-piece molded plastic chair seat, arms, back, and legs, this side chair is perhaps the most comfortable, practical, and durable seat you'll ever sit upon. Made with recyclable polypropylene (PP) plastic in a matte, subtly textured finish, the chair seat is ergonomically molded to with bend resistant back support. Its cut-out 3-backs design makes it comfortable for any body type. Non-scratch leg caps will protect your floor from scratches and keep the chair evenly leveled. These arm chairs feature a basic modern minimalist design that looks especially great in Nordic, Scandi, and contemporary homes, but their simple clean design lets it fit in with any home decor theme. You'll want them in every room in your house; kitchen, dinette, dining room, living room, study, or home office. Color: Black Single.

How technologies, from the mechanical to the computational, have transformed artistic performance practices.This ambitious and comprehensive book explores technology's influence on artistic performance practices in the twentieth and twenty-first centuries. In Entangled, Chris Salter shows that technologies, from the mechanical to the computational―from a “ballet of objects and lights” staged by Diaghilev's Ballets Russes in 1917 to contemporary technologically-enabled “responsive environments”―have been entangled with performance across a wide range of disciplines. Salter examines the rich and extensive history of performance experimentation in theater, music, dance, the visual and media arts, architecture, and other fields; explores the political, social, and economic context for the adoption of technological practices in art; and shows that these practices have a set of common histories despite their disciplinary borders.Each chapter in Entangled focuses on a different form: theater scenography, architecture, video and image making, music and sound composition, body-based arts, mechanical and robotic art, and interactive environments constructed for research, festivals, and participatory urban spaces. Salter's exhaustive survey and analysis shows that performance traditions have much to teach other emerging practices―in particular in the burgeoning fields of new media. Students of digital art need to master not only electronics and code but also dramaturgy, lighting, sound, and scenography. Entangled will serve as an invaluable reference for students, researchers, and artists as well as a handbook for future praxis.

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This volume explores the interactions between organisms and their environments and how this “entanglement” is a fundamental aspect of all life. It brings together the work and ideas of historians, philosophers, biologists, and social scientists, uniting a range of new perspectives, methods, and frameworks for examining and understanding the ways that organisms and environments interact.The volume is organized into three main sections: historical perspectives, contested models, and emerging frameworks. The first section explores the origins of the modern idea of organism-environment interaction in the mid-nineteenth century and its development by later psychologists and anthropologists. In the second section, a variety of controversial models―from mathematical representations of evolution to model organisms in medical research―are discussed and reframed in light of recent questions about the interplay between organisms and environment. The third section investigates several new ideas that have the potential to reshape key aspects of the biological and social sciences. Populations of organisms evolve in response to changing environments; bodies and minds depend on a wide array of circumstances for their development; cultures create complex relationships with the natural world even as they alter it irrevocably. The chapters in this volume share a commitment to unraveling the mysteries of this entangled life.

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This book maps how American Methodists have responded to sexual change since World War II. It argues that the current United Methodist impasse over human sexuality has its root in the existence of two dichotomous ideologies of Methodist history and theology--one liberal and one evangelical, which come to the foreground in discussions of human sexuality. It offers evidence about how these ideologies have sought to reconcile their sexual ethic with sexual change since the birth control movement of the 1920s. In post-WWII America, most Methodists upheld a limited notion of family life and sexuality, one that allowed for the use of artificial contraception within marriage and for divorce. In response to the sexual revolution, liberal-leaning Methodists upheld a new sexual ethic, "the new morality," which peaked with radical new approaches to sex education, a full endorsement of abortion rights, and support of the homophile movement. However, "the new morality" coincided with an increased presence of and a new voice for evangelical Methodists, Charles Keysor and the Good News Movement. Evangelical Methodists critiqued "the new morality" as value-neutral and anti-Scripture. The evangelical desire for a rules-based morality solely reliant on Scripture collided with "the new morality" and led to intense debates over sex education, abortion, and the inclusion of LGBTQ persons within the United Methodist denomination from the 1970s onward. Since 1972, United Methodists have continually debated "human sexuality" at each General Conference, primarily through the advocacy efforts of political caucus groups. This author hopes that an historical examination of how Methodists have confronted sexual change will enlighten current conversations about human sexuality.

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Candidate in a heated election race, Cara Kessler, a young widow, relies on Lieutenant Harry Oberlin, a state trooper, for support

This book maps how American Methodists have responded to sexual change since World War II. It argues that the current United Methodist impasse over human sexuality has its root in the existence of two dichotomous ideologies of Methodist history and theology--one liberal and one evangelical, which come to the foreground in discussions of human sexuality. It offers evidence about how these ideologies have sought to reconcile their sexual ethic with sexual change since the birth control movement of the 1920s. In post-WWII America, most Methodists upheld a limited notion of family life and sexuality, one that allowed for the use of artificial contraception within marriage and for divorce. In response to the sexual revolution, liberal-leaning Methodists upheld a new sexual ethic, "the new morality," which peaked with radical new approaches to sex education, a full endorsement of abortion rights, and support of the homophile movement. However, "the new morality" coincided with an increased presence of and a new voice for evangelical Methodists, Charles Keysor and the Good News Movement. Evangelical Methodists critiqued "the new morality" as value-neutral and anti-Scripture. The evangelical desire for a rules-based morality solely reliant on Scripture collided with "the new morality" and led to intense debates over sex education, abortion, and the inclusion of LGBTQ persons within the United Methodist denomination from the 1970s onward. Since 1972, United Methodists have continually debated "human sexuality" at each General Conference, primarily through the advocacy efforts of political caucus groups. This author hopes that an historical examination of how Methodists have confronted sexual change will enlighten current conversations about human sexuality.

Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 1.92