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Erec and Enide, the first of five surviving Arthurian romantic poems by twelfth-century French poet Chrétien de Troyes, narrates a vivid chapter from the legend of King Arthur. Chrétien's romances became the source for Arthurian tradition and influenced countless other poets in England and on the Continent. Yet his swift-moving style is difficult to capture in translation, and today's English-speaking audiences remain largely unfamiliar with the pleasures of reading his poems. Now an experienced translator of medieval verse who is himself a poet has translated Eric and Enide in an original three-stress metric verse form that fully captures the movement, the sense, and the spirit of the Old French original. Burton Raffel's rendition preserves the subtlety and charm of a poem that is in turn serious, dramatic, bawdy, merry, and satiric. Erec and Enide tells the story of Erec, a knight at King Arthur's court, whose retirement to domestic bliss with his beautiful new wife Enide takes him away from his chivalric duties. To regain his knightly honor, Erec sets out with Enide on a series of amazing adventures. Eric dispatches thieves and giants with prodigious strength and valor but treats his wife rather harshly for doubting his abilities. When Enide is kidnapped by a robber baron, Erec revives from near-death to perform a courageous rescue, and at length the two are reconciled.

As the earliest Arthurian verse-novel in the German language, Hartmann von Aue's Erec was highly influential, not only on the many Arthurian works that followed, but also on courtly narrative verse in general. However, his tale is of more than antiquarian interest. Its subjects—the individual in conflict with society and the destructive force of possessive love—are modern, and its language, when transferred into prose, is more direct and lucid than most contemporary writing. Indeed, it was the conviction that the story deserved a much larger audience than that of medieval scholars which inspired this translation, the first into English.

Erec and Enide marks the birth of the Arthurian romance as a literary genre. Written circa 1170, this version of the Griselda legend tells the story of the marriage of Erec, a handsome and courageous Welsh prince and knight of the Round Table, and Enide, an impoverished noblewoman. When the lovers become estranged because Erec neglects his knightly obligations, they subsequently ride off together on a series of adventures that culminate in their reconciliation and the liberation of a captive knight in an enchanted orchard.An innovative poet working during a time of great literary creativity, Chrétien de Troyes wrote poems that had a lively pace, skillful structure, and vivid descriptive detail. Ruth Harwood Cline re-creates for modern audiences his irony, humor, and charm, while retaining the style and substance of the original octosyllabic couplets. Her thorough introduction includes discussions of courtly love and the Arthurian legend in history and literature, as well as a new and provocative theory about the identity of Chrétien de Troyes. This clearly presented translation, faithful in preserving the subtle expressive qualities of the original work, is accessible reading for any Arthurian legend aficionado and an ideal text for students of medieval literature.

Erec and Enide marks the birth of the Arthurian romance as a literary genre. Written circa 1170, this version of the Griselda legend tells the story of the marriage of Erec, a handsome and courageous Welsh prince and knight of the Round Table, and Enide, an impoverished noblewoman. When the lovers become estranged because Erec neglects his knightly obligations, they subsequently ride off together on a series of adventures that culminate in their reconciliation and the liberation of a captive knight in an enchanted orchard.An innovative poet working during a time of great literary creativity, Chrétien de Troyes wrote poems that had a lively pace, skillful structure, and vivid descriptive detail. Ruth Harwood Cline re-creates for modern audiences his irony, humor, and charm, while retaining the style and substance of the original octosyllabic couplets. Her thorough introduction includes discussions of courtly love and the Arthurian legend in history and literature, as well as a new and provocative theory about the identity of Chrétien de Troyes. This clearly presented translation, faithful in preserving the subtle expressive qualities of the original work, is accessible reading for any Arthurian legend aficionado and an ideal text for students of medieval literature.

Erec by Hartmann von Aue is a translation, by Michael Resler, of the earliest example of the German Arthurian legend and the beginning of the golden era-1170 to 1240-of Middle High German literature. An extensive introduction to this translation establishes Erec within its historical and cultural setting, and detailed notes to the text refer to the pertinent philological, literary, and historical scholarship that has, during the past century and more, dealt with this important romance.

Erec and Enide marks the birth of the Arthurian romance as a literary genre. Written circa 1170, this version of the Griselda legend tells the story of the marriage of Erec, a handsome and courageous Welsh prince and knight of the Round Table, and Enide, an impoverished noblewoman. When the lovers become estranged because Erec neglects his knightly obligations, they subsequently ride off together on a series of adventures that culminate in their reconciliation and the liberation of a captive knight in an enchanted orchard.An innovative poet working during a time of great literary creativity, Chrétien de Troyes wrote poems that had a lively pace, skillful structure, and vivid descriptive detail. Ruth Harwood Cline re-creates for modern audiences his irony, humor, and charm, while retaining the style and substance of the original octosyllabic couplets. Her thorough introduction includes discussions of courtly love and the Arthurian legend in history and literature, as well as a new and provocative theory about the identity of Chrétien de Troyes. This clearly presented translation, faithful in preserving the subtle expressive qualities of the original work, is accessible reading for any Arthurian legend aficionado and an ideal text for students of medieval literature.

In this new verse translation of one of the great works of French literature, Dorothy Gilbert captures the vivacity, wit, and grace of the first known Arthurian romance. "Erec and Enide" is the story of the quest and coming of age of a young knight, an illustrious member of Arthur's court, who must learn to balance the demands of a masculine public life--tests of courage, skill, adaptability, and mature judgment--with the equally urgent demands of the private world of love and marriage. We see his wife, Enide, develop as an exemplar of chivalry in the female, not as an Amazon, but as a brave, resolute, and wise woman. Composed ca. 1170, "Erec and Enide" masterfully combines elements of Celtic legend, classical and ecclesiastical learning, and French medieval culture and ideals.In choosing to write in rhymed octosyllabic couplets-Chretien's prosodic pattern-Dorothy Gilbert has tried to reproduce what so often gets lost in prose or free verse translations: the precise and delicate meter; the rhyme, with its rich possibilities for emphasis, nuance, puns and jokes; and the "mantic power" implicit in proper names. The result will enable the scholar who cannot read Old French, the student of literature, and the general reader to gain a more sensitive and immediate understanding of the form and spirit of Chretien's poetry, and to appreciate the more Chretien's great contribution to European literature.

In his verse romance "Erec", Hartmann von Aue was the first German poet to recount the legend of King Arthur and the Knights of the Round Table. The introduction first provides a detailed analysis of the contents, and goes into peculiarities of the portrayal of the characters, the narrative stance and the relationship to the French source. Further chapters deal with the history of the text, the structure and poetics of the romance, the narrative style, the material and sources, and the history of its reception and influence.

346p grey cloth, very good, unused copy, shelfwear

Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Fantastic adventures abound in these courtly romances: Erec and Enide, Cligés, The Knight of the Cart, The Knight with the Lion, and The Story of the Grail.

Late one evening in the summer of 2003, Erec Toso arrived home to his wife and children after an ordinary day at his university office. In the darkness of his yard, a rattlesnake lay along the path, basking in the post-monsoon coolness. Toso, lost in thought, never saw the snake, which struck him on the foot and injected a huge dose of venom.Zero at the Bone is a deeply personal narrative about Toso’s physical recovery and emotional transformation following this near-death experience. In elegant prose that inspires as much as it unsettles, Toso takes the reader along with him on his expedition into the uncharted territory of cellular damage, hallucination, and ultimately profound spiritual awakening. On all levels, it is a book about pain. Toso spares no detail in his accounts of agonizing hospital procedures, in his revelations about rattlesnake lore, or in his descriptions of the wide-ranging effects of snake venom. But quickly the reader realizes that the physical pain of the snakebite is only the more tangible marker of the psychological pain and turmoil that Toso endures in the emotional journey that ensues. In the months that follow his terrifying attack, priorities, daily habits, family relations, and definitions of self all come into question. What is predictable becomes problematic; what is comfortable becomes disconcerting. In a story that hinges on a common fear about an unlikely event—that of a snakebite—Toso uncovers a more widespread reality that many of us do not fear enough—complacency.

Erec and Enide; Cliges; Lancelot; Yvain; PercevalAn idyllically happy marriage in which a husband is so involved that he neglects his duties as a knight; love endangered by a husband who is more interested in athletic chivalry than his wife; timorous young love; and adulterous passion — together these stories offer the most complete expression of French chivalry and of courtly love.Chretien de Troyes did not invent the Arthurian legend: he gave it sophisticated literary form, establishing it as major branch of European literature. Without chretien we might today scarcely have heard of King Arthur and his brave company.The most comprehensive paperback edition available, with introduction , notes and glossary

The knights of King Arthur's Round Table - Erec, Lancelot, Yvain, Perceval and Gawain - first appeared in the works of Chrétien de Troyes, who cast into Old French stories told by Welsh and Breton story tellers which had their origin in Celtic myth and legend. Chrétien wrote at a time when faery lore was still taken seriously - some leading families even claimed descent from faery ancestors! So we do well to look again at these early stories, for they were written not so much in terms of mystical quests or examples of military chivalry but records of initiation into Otherworld dynamics. Gareth Knight, an acknowledged expert on spiritual and magical traditions and a student of medieval French, goes to the well spring of Arthurian tradition to unveil these original principles. What is more, he shows how they can be regenerated today. "Opening the faery gates" can have its reward not only in terms of personal satisfaction and spiritual growth but as part of a much needed realignment of our spiritual responsibilities as human beings on planet Earth.