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H.P. Lovecraft, one of the twentieth century’s most important writers in the genre of horror fiction, famously referred to Edgar Allan Poe as both his “model” and his “God of Fiction.” While scholars and readers of Poe’s and Lovecraft’s work have long recognized the connection between these authors, this collection of essays is the first in-depth study to explore the complex literary relationship between Lovecraft and Poe from a variety of critical perspectives. Of the thirteen essays included in this book, some consider how Poe’s work influenced Lovecraft in important ways. Other essays explore how Lovecraft’s fictional, critical, and poetic reception of Poe irrevocably changed how Poe’s work has been understood by subsequent generations of readers and interpreters. Addressing a variety of topics ranging from the psychology of influence to racial and sexual politics, the essays in this book also consider how Lovecraft’s interpretations of Poe have informed later adaptations of both writers’ works in films by Roger Corman and fiction by Stephen King, Thomas Ligotti, and Caitlin R. Kiernan. This collection is an indispensable resource not only for those who are interested in Poe’s and Lovecraft’s work specifically, but also for readers who wish to learn more about the modern history and evolution of Gothic, horror, and weird fiction.

Distinguished music theorist and composer David Lewin (1933-2003) applies the conceptual framework he developed in his earlier, innovative Generalized Musical Intervals and Transformations to the varied repertoire of the twentieth century in this stimulating and illustrative book. Analyzing the diverse compositions of four canonical composers--Simbolo from Dallapiccola's Quaderno musicale di Annalibera ; Stockhausen's Klavierstuck III ; Webern's Op. 10, No. 4; and Debussy's Feux d'articifice --Lewin brings forth structures which he calls "transformational networks" to reveal interesting and suggestive aspects of the music. In this complementary work, Lewin stimulates thought about the general methodology of musical analysis and issues of large-scale form as they relate to transformational analytic structuring. Musical Form and Transformation , first published in 1993 by Yale University Press, was the recipient of an ASCAP Deems Taylor Award.

Four years into the unfolding of the most serious crisis since the 1930s, Karl Polanyi's prediction of the fateful consequences of unleashing the destructive power of unregulated market capitalism on peoples, nations, and the natural environment has assumed new urgency and relevance. Polanyi's insistence that 'the self-regulating market' must be made subordinate to democracy, otherwise society itself may be put at risk, is as true today as it was when Polanyi wrote.  Written from the unique perspective of his daughter, From the Great Transformation to the Great Financialization is an essential contribution to our understanding of the evolution and contemporary significance of Karl Polanyi's work, and should be read against the background of the accelerating accumulation of global finance that created a series of financial crises in Latin America, Russia, Asia, and, eventually, the heartlands of capitalism itself.

Reformational philosophy rests on the ideas of nineteenth-century educator, church leader, and politician Abraham Kuyper, and it emerged in the early twentieth century among Reformed Protestant thinkers in the Netherlands. Combining comprehensive criticisms of Western philosophy with robust proposals for a just society, it calls on members of religious communities to transform harmful cultural practices, social institutions, and societal structures. Well known for his work in aesthetics and critical theory, Lambert Zuidervaart is a leading figure in contemporary reformational philosophy. In Religion, Truth, and Social Transformation ? the first of two volumes of original essays from the past thirty years ? he forges new interpretations of art, politics, rationality, religion, science, and truth. In dialogue with modern and contemporary philosophers, among them Immanuel Kant, G.F.H Hegel, Martin Heidegger, Theodor Adorno, Jürgen Habermas, and reformational thinkers such as Herman Dooyeweerd, Dirk Vollenhoven, and Hendrik Hart, Zuidervaart explains and expands on reformational philosophy?s central themes. This interdisciplinary collection offers a normative critique of societal evil, a holistic and pluralist conception of truth, and a call for both religion and science to serve the common good. Illustrating the connections between philosophy, religion, and culture, and daring to think outside the box, Religion, Truth, and Social Transformation gives a voice to hope in a climate of despair.

Transformation and Tradition in the Sciences presents a sampling of work in the history of science by colleagues and former students and associates of I. Bernard Cohen, one of the most influential figures in the rise of the history of science as a scholarly discipline. The volume is divided into four parts: the history and philosophy of the exact sciences and mathematics; the eighteenth-century tradition; science in America; and scientific ideas in their cultural context. These major themes, each of which has been a subject of study by Professor Cohen, will interest a range of historians interested in the development of science and the history of ideas.

Over the course of his career at Harvard, Morton Horwitz changed the questions legal historians ask. The Transformation of American Law, 1780–1860 (1977) disclosed the many ways that judge-made law favored commercial and property interests and remade law to promote economic growth. The Transformation of American Law, 1870–1960 (1992) continued that project, with a focus on ideas that reshaped law as we struggled for objective and neutral legal responses to our country’s crises. In more recent years he has written extensively on the legal realists and the Warren Court. Following an earlier festschrift volume by his former students, this volume includes essays by Horwitz’ colleagues at Harvard and those from across the academy, as well as his students. These essays assess specific themes in Horwitz’ work, from the antebellum era to the Warren Court, from jurisprudence to the influence of economics on judicial doctrine. The essays are, like Horwitz, provocative and original as they continue his transformation of American legal history.

Reformational philosophy rests on the ideas of nineteenth-century educator, church leader, and politician Abraham Kuyper, and it emerged in the early twentieth century among Reformed Protestant thinkers in the Netherlands. Combining comprehensive criticisms of Western philosophy with robust proposals for a just society, it calls on members of religious communities to transform harmful cultural practices, social institutions, and societal structures. Well known for his work in aesthetics and critical theory, Lambert Zuidervaart is a leading figure in contemporary reformational philosophy. In Religion, Truth, and Social Transformation ? the first of two volumes of original essays from the past thirty years ? he forges new interpretations of art, politics, rationality, religion, science, and truth. In dialogue with modern and contemporary philosophers, among them Immanuel Kant, G.F.H Hegel, Martin Heidegger, Theodor Adorno, Jürgen Habermas, and reformational thinkers such as Herman Dooyeweerd, Dirk Vollenhoven, and Hendrik Hart, Zuidervaart explains and expands on reformational philosophy?s central themes. This interdisciplinary collection offers a normative critique of societal evil, a holistic and pluralist conception of truth, and a call for both religion and science to serve the common good. Illustrating the connections between philosophy, religion, and culture, and daring to think outside the box, Religion, Truth, and Social Transformation gives a voice to hope in a climate of despair.

Distinguished music theorist and composer David Lewin (1933-2003) applies the conceptual framework he developed in his earlier, innovative Generalized Musical Intervals and Transformations to the varied repertoire of the twentieth century in this stimulating and illustrative book. Analyzing the diverse compositions of four canonical composers--Simbolo from Dallapiccola's Quaderno musicale di Annalibera ; Stockhausen's Klavierstuck III ; Webern's Op. 10, No. 4; and Debussy's Feux d'articifice --Lewin brings forth structures which he calls "transformational networks" to reveal interesting and suggestive aspects of the music. In this complementary work, Lewin stimulates thought about the general methodology of musical analysis and issues of large-scale form as they relate to transformational analytic structuring. Musical Form and Transformation , first published in 1993 by Yale University Press, was the recipient of an ASCAP Deems Taylor Award.

Collected here are sixteen essays on poets and poetry, the writing life, and a host of fascinating topics that come into the wide range of Marianne Boruch’s attention. She examines how the imagination works with mystery and surprise in a variety of poets from Elizabeth Bishop to Theodore Roethke, from Russell Edson to Larry Levis, from Walt Whitman to Eavan Boland. Combining a richly associative personal style with original insights on poetic texts and historical and cultural musing, Boruch considers how the atomic bomb changed William Carlos Williams’s deepest ambition for poetry, and how Edison’s listening, through his famous deafness, informs our sense of the poetic line. Other essays explore how the car its danger and solitude helps us understand American poetry or how Dvorak and Whitman shared darker things than their curious love for trains. Poetry transforms, changing over time in the work of individual poets as well as changing us as we read it or write it.Boruch’s writing has a musical, incantatory style, creating a mood in which many of her subjects are immersed. Her approach isn’t meant to fix or crystallize her ideas in any hard and fast light, but rather to present the music of her thinking.

Texts ineluctably transform. They undergo transformation as they are recopied, displaced, rebound, reshelved, quoted, summarized, translated, canonized, decanonized, and variously appropriated. And they transform the people who read them, the contexts they enter, the catalogues that list them, the institutions that house them, and the cultures that claim them. Their identity over time is perhaps nothing other than the sum of their transformations. The authors in this collection, who are some of the most esteemed scholars of our time, interrogate moments in the long history of East Asian writing at which turning points in the lives of texts become perceptible. Taking Victor Mair’s multidisciplinary research as a common thread, they assess the transforming effect of stories, customs, and “outside” ideas on Chinese civilization over a nearly two-thousand-year period.

Transformation and Tradition in the Sciences presents a sampling of work in the history of science by colleagues and former students and associates of I. Bernard Cohen, one of the most influential figures in the rise of the history of science as a scholarly discipline. The volume is divided into four parts: the history and philosophy of the exact sciences and mathematics; the eighteenth-century tradition; science in America; and scientific ideas in their cultural context. These major themes, each of which has been a subject of study by Professor Cohen, will interest a range of historians interested in the development of science and the history of ideas.

Palmer, Gabrielle G., Pierce, Donna

Without pronounced commitment to one or another of the parties involved, scholars distinguished in the fields of political science, history, sociology, and law reexamine, in this volume, the history and development of Palestine during the mandate period and the issues underlying the Arab-Israeli conflict. While these complex problems have often been explored and analyzed, the escalation of the conflict entitles the reader to an understanding of why, despite well-intentioned efforts, the issues have eluded reasonable solution. Such an understanding can be derived only from scholarship that is without reference to the passions that surround even the most rational discussions of the Arab-Israeli conflict.

Reformational philosophy rests on the ideas of nineteenth-century educator, church leader, and politician Abraham Kuyper, and it emerged in the early twentieth century among Reformed Protestant thinkers in the Netherlands. Combining comprehensive criticisms of Western philosophy with robust proposals for a just society, it calls on members of religious communities to transform harmful cultural practices, social institutions, and societal structures. Well known for his work in aesthetics and critical theory, Lambert Zuidervaart is a leading figure in contemporary reformational philosophy. In Religion, Truth, and Social Transformation ? the first of two volumes of original essays from the past thirty years ? he forges new interpretations of art, politics, rationality, religion, science, and truth. In dialogue with modern and contemporary philosophers, among them Immanuel Kant, G.F.H Hegel, Martin Heidegger, Theodor Adorno, Jürgen Habermas, and reformational thinkers such as Herman Dooyeweerd, Dirk Vollenhoven, and Hendrik Hart, Zuidervaart explains and expands on reformational philosophy?s central themes. This interdisciplinary collection offers a normative critique of societal evil, a holistic and pluralist conception of truth, and a call for both religion and science to serve the common good. Illustrating the connections between philosophy, religion, and culture, and daring to think outside the box, Religion, Truth, and Social Transformation gives a voice to hope in a climate of despair.

Some film and novel revisions go so far beyond adaptation that they demand a new designation. This critical collection explores movies, plays, essays, comics and video games that supersede adaptation to radically transform their original sources. Fifteen essays investigate a variety of texts that rework everything from literary classics to popular children's books, demonstrating how these new, stand-alone creations critically engage their sources and contexts. Particular attention is paid to parody, intertextuality, and fairy-tale transformations in the examination of these works, which occupy a unique narrative and creative space.

The essays in this book challenge the long-held belief that Africa was culturally and economically dormant before the advent of colonialism. A shift is traced from hunter-gatherers to food production and cattle pastoralism, with the development of precolonial urbanism, trading links and even iron-working technology. The contributors assess also the impact of climatic change on settlement and production, and the consequences of African-European interaction. This is an indispensible venture into rarely charted territory, which should prompt further research into Africa's past.

Transformation and Tradition in the Sciences presents a sampling of work in the history of science by colleagues and former students and associates of I. Bernard Cohen, one of the most influential figures in the rise of the history of science as a scholarly discipline. The volume is divided into four parts: the history and philosophy of the exact sciences and mathematics; the eighteenth-century tradition; science in America; and scientific ideas in their cultural context. These major themes, each of which has been a subject of study by Professor Cohen, will interest a range of historians interested in the development of science and the history of ideas.

H.P. Lovecraft, one of the twentieth century’s most important writers in the genre of horror fiction, famously referred to Edgar Allan Poe as both his “model” and his “God of Fiction.” While scholars and readers of Poe’s and Lovecraft’s work have long recognized the connection between these authors, this collection of essays is the first in-depth study to explore the complex literary relationship between Lovecraft and Poe from a variety of critical perspectives. Of the thirteen essays included in this book, some consider how Poe’s work influenced Lovecraft in important ways. Other essays explore how Lovecraft’s fictional, critical, and poetic reception of Poe irrevocably changed how Poe’s work has been understood by subsequent generations of readers and interpreters. Addressing a variety of topics ranging from the psychology of influence to racial and sexual politics, the essays in this book also consider how Lovecraft’s interpretations of Poe have informed later adaptations of both writers’ works in films by Roger Corman and fiction by Stephen King, Thomas Ligotti, and Caitlin R. Kiernan. This collection is an indispensable resource not only for those who are interested in Poe’s and Lovecraft’s work specifically, but also for readers who wish to learn more about the modern history and evolution of Gothic, horror, and weird fiction.