12 products were found matching your search for Esstisch HOME AFFAIRE Weimar in 1 shops:

This is the first comprehensive account of Germany's most enduring film genre, the Heimatfilm, which has offered idyllic variations on the idea that "there is no place like home" since cinema's early days. Charting the development of this popular genre over the course of a century in a work informed by film studies, cultural history, and social theory, Johannes von Moltke focuses in particular on its heyday in the 1950s, a period that has been little studied. Questions of what it could possibly mean to call the German nation "home" after the catastrophes of World War II are anxiously present in these films, and von Moltke uses them as a lens through which to view contemporary discourses on German national identity.

This collection of photographs aims to create a portrait of life in Berlin at the time of the Weimar Republic. It shows Berliners at work, at home, at play, and contrasts a diversity of social settings from the tenements of the very poor to the luxury apartments of the rich. The Weimar years were a time of social upheaval, political instability and great intellectual activity and conflict. This book aims to convey some of the excitement and strangeness of the time.

Universum-Film AG—best known by its signature logo, Ufa—was once the largest film company in Europe. Founded by the German High Command as a propaganda medium during World War I and always central to Germany's nationalistic big-business interests, Ufa was also home to the most innovative talents of the Weimar Republic. Fritz Lang, Marlene Dietrich, Emil Jannings, and Ernst Lubitsch were Ufa stars; Metropolis, The Blue Angel, and Dr. Mabuse were only a few of its finest works. From its dazzling theaters to its state-of-the-art studios and processing labs, from its comprehensive multimedia publicity campaigns to its avant-garde art films, Ufa challenged Hollywood for cultural dominance and market share in Jazz Age Europe. But the story grows darker after the simultaneous advent of sound films and National Socialism. The story of Ufa under Hitler, when technically suberb films continued to be made, is the story of the corruption and destruction of this vital company by the state that brought it into existence.

Liberated, licentious, or merely liberal, the sexual freedoms of Germany’s Weimar Republic have become legendary. The home of the world’s first gay rights movement, the republic embodied a progressive, secular vision of sexual liberation. Immortalized – however misleadingly – in Christopher Isherwood’s Berlin Stories and the musical Cabaret, Weimar’s freedoms have become a touchstone for the politics of sexual emancipation.Yet, as Laurie Marhoefer shows in Sex and Weimar Republic, those sexual freedoms were only obtained at the expense of a minority who were deemed sexually disordered. In Weimar Germany, the citizen’s right to sexual freedom came with a duty to keep sexuality private, non-commercial, and respectable.Sex and the Weimar Republic examines the rise of sexual tolerance through the debates which surrounded “immoral” sexuality: obscenity, male homosexuality, lesbianism, transgender identity, heterosexual promiscuity, and prostitution. It follows the sexual politics of a swath of Weimar society ranging from sexologist Magnus Hirschfeld to Nazi stormtrooper Ernst Röhm. Tracing the connections between toleration and regulation, Marhoefer’s observations remain relevant to the politics of sexuality today.

The German city of Weimar, home to illustrious Renaissance and Baroque artists such as Cranach and Bach, became a major place of pilgrimage in the 18th century. With her famous library and with distinguished literary circles, Duchess Anna Amalia laid the foundations for the flourishing of literary expression in the city. Her son, Duke Karl August, called Herder, Goethe and Schiller to his court. With them, Weimar became the center of German intellectual life, the "city of poets and thinkers"--a reputation Weimar has nurtured to the present day. For her libraries project, Candida Hofer photographed the Duchess Anna Amalia Library in 2004. Shortly afterwards it fell victim to a fire. In summer 2006, she focused on historic interior spaces: the Goethe National Museum, the Residential Palace and other castles, as well as various theaters. Hofer's photographic style perfectly captures Weimar's special aura. Her strictly composed pictures seem to contain the spirit of the Enlightenment.

This collection of photographs aims to create a portrait of life in Berlin at the time of the Weimar Republic. It shows Berliners at work, at home, at play, and contrasts a diversity of social settings from the tenements of the very poor to the luxury apartments of the rich. The Weimar years were a time of social upheaval, political instability and great intellectual activity and conflict. This book aims to convey some of the excitement and strangeness of the time.

Liberated, licentious, or merely liberal, the sexual freedoms of Germany’s Weimar Republic have become legendary. The home of the world’s first gay rights movement, the republic embodied a progressive, secular vision of sexual liberation. Immortalized – however misleadingly – in Christopher Isherwood’s Berlin Stories and the musical Cabaret, Weimar’s freedoms have become a touchstone for the politics of sexual emancipation.Yet, as Laurie Marhoefer shows in Sex and Weimar Republic, those sexual freedoms were only obtained at the expense of a minority who were deemed sexually disordered. In Weimar Germany, the citizen’s right to sexual freedom came with a duty to keep sexuality private, non-commercial, and respectable.Sex and the Weimar Republic examines the rise of sexual tolerance through the debates which surrounded “immoral” sexuality: obscenity, male homosexuality, lesbianism, transgender identity, heterosexual promiscuity, and prostitution. It follows the sexual politics of a swath of Weimar society ranging from sexologist Magnus Hirschfeld to Nazi stormtrooper Ernst Röhm. Tracing the connections between toleration and regulation, Marhoefer’s observations remain relevant to the politics of sexuality today.

The German city of Weimar, home to illustrious Renaissance and Baroque artists such as Cranach and Bach, became a major place of pilgrimage in the 18th century. With her famous library and with distinguished literary circles, Duchess Anna Amalia laid the foundations for the flourishing of literary expression in the city. Her son, Duke Karl August, called Herder, Goethe and Schiller to his court. With them, Weimar became the center of German intellectual life, the "city of poets and thinkers"--a reputation Weimar has nurtured to the present day. For her libraries project, Candida Hofer photographed the Duchess Anna Amalia Library in 2004. Shortly afterwards it fell victim to a fire. In summer 2006, she focused on historic interior spaces: the Goethe National Museum, the Residential Palace and other castles, as well as various theaters. Hofer's photographic style perfectly captures Weimar's special aura. Her strictly composed pictures seem to contain the spirit of the Enlightenment.

No nineteenth-century composer had more diverse ties to his contemporary world than Franz Liszt (1811-1886). At various points in his life he made his home in Vienna, Paris, Weimar, Rome, and Budapest. In his roles as keyboard virtuoso, conductor, master teacher, and abbé, he reinvented the concert experience, advanced a progressive agenda for symphonic and dramatic music, rethought the possibilities of church music and the oratorio, and transmitted the foundations of modern pianism. The essays brought together in Franz Liszt and His World advance our understanding of the composer with fresh perspectives and an emphasis on historical contexts. Rainer Kleinertz examines Wagner's enthusiasm for Liszt's symphonic poem Orpheus; Christopher Gibbs discusses Liszt's pathbreaking Viennese concerts of 1838; Dana Gooley assesses Liszt against the backdrop of antivirtuosity polemics; Ryan Minor investigates two cantatas written in honor of Beethoven; Anna Celenza offers new insights about Liszt's experience of Italy; Susan Youens shows how Liszt's songs engage with the modernity of Heinrich Heine's poems; James Deaville looks at how publishers sustained Liszt's popularity; and Leon Botstein explores Liszt's role in the transformation of nineteenth-century preoccupations regarding religion, the nation, and art. Franz Liszt and His World also includes key biographical and critical documents from Liszt's lifetime, which open new windows on how Liszt was viewed by his contemporaries and how he wished to be viewed by posterity. Introductions to and commentaries on these documents are provided by Peter Bloom, José Bowen, James Deaville, Allan Keiler, Rainer Kleinertz, Ralph Locke, Rena Charnin Mueller, and Benjamin Walton.

Between 1914 and 1922, millions of Europeans left their homes as a result of war, postwar settlements, and revolution. After 1918, the immense movement of people across Germany's eastern border posed a sharp challenge to the new Weimar Republic. Ethnic Germans flooded over the border from the new Polish state, Russian émigrés poured into the German capital, and East European Jews sought protection in Germany from the upheaval in their homelands. Nor was the movement in one direction only: German Freikorps sought to found a soldiers' colony in Latvia, and a group of German socialists planned to settle in a Soviet factory town.In The Impossible Border, Annemarie H. Sammartino explores these waves of migration and their consequences for Germany. Migration became a flashpoint for such controversies as the relative importance of ethnic and cultural belonging, the interaction of nationalism and political ideologies, and whether or not Germany could serve as a place of refuge for those seeking asylum. Sammartino shows the significance of migration for understanding the difficulties confronting the Weimar Republic and the growing appeal of political extremism.Sammartino demonstrates that the moderation of the state in confronting migration was not merely by default, but also by design. However, the ability of a republican nation-state to control its borders became a barometer for its overall success or failure. Meanwhile, debates about migration were a forum for political extremists to develop increasingly radical understandings of the relationship between the state, its citizens, and its frontiers. The widespread conviction that the democratic republic could not control its "impossible" Eastern borders fostered the ideologies of those on the radical right who sought to resolve the issue by force and for all time.

The life of Wilhelm Busch progressed from a Christian home, through conversion amidst the horrors of the First World War, to student life against the background of the crushing inflation of the Weimar Republic period. Then followed the Nazi period, times of suffering lived out against the background of falling bombs. This is Wilhelm Busch's story in his own words, but more than that it is a dramatic record of the power and faithful love of the Lord Jesus Christ.

Between 1914 and 1922, millions of Europeans left their homes as a result of war, postwar settlements, and revolution. After 1918, the immense movement of people across Germany's eastern border posed a sharp challenge to the new Weimar Republic. Ethnic Germans flooded over the border from the new Polish state, Russian émigrés poured into the German capital, and East European Jews sought protection in Germany from the upheaval in their homelands. Nor was the movement in one direction only: German Freikorps sought to found a soldiers' colony in Latvia, and a group of German socialists planned to settle in a Soviet factory town.In The Impossible Border, Annemarie H. Sammartino explores these waves of migration and their consequences for Germany. Migration became a flashpoint for such controversies as the relative importance of ethnic and cultural belonging, the interaction of nationalism and political ideologies, and whether or not Germany could serve as a place of refuge for those seeking asylum. Sammartino shows the significance of migration for understanding the difficulties confronting the Weimar Republic and the growing appeal of political extremism.Sammartino demonstrates that the moderation of the state in confronting migration was not merely by default, but also by design. However, the ability of a republican nation-state to control its borders became a barometer for its overall success or failure. Meanwhile, debates about migration were a forum for political extremists to develop increasingly radical understandings of the relationship between the state, its citizens, and its frontiers. The widespread conviction that the democratic republic could not control its "impossible" Eastern borders fostered the ideologies of those on the radical right who sought to resolve the issue by force and for all time.