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This anthology includes four outstanding translations of Euripides’ plays: Medea, Bacchae, Hippolytus, and Heracles. These translations remain close to the original, with extensive introductions, interpretive essays, and footnotes. This series is designed to provide students and general readers with access to the nature of Greek drama, Greek mythology, and the context of Greek culture, as well as highly readable and understandable translations of four of Euripides most important plays. Focus also publishes each play as an individual volume.

Jason, in exile in Corinth, is marrying the king's daughter. It looks as though his problems are over, though it's hard on Medea, who has betrayed her family for him, followed him all the way from Colchis, killed for him, and borne him two sons.

Each page of this volume contains 15 lines of Greek text, Gilbert Murray's edition of Medea, with all corresponding vocabulary and grammatical commentary arranged below. Once readers have memorized the core vocabulary list, they will be able to read the Greek and consult all relevant vocabulary and commentary without turning a page.

Euripides' "Medea" is one of the greatest and most influential Greek tragedies. This book outlines the development of the Medea myth before Euripides and explores his uniquely powerful version from various angles. There are chapters on the play's relationship to the gender politics of fifth-century Athens, Medea's status as a barbarian, and the complex moral and emotional impact of her revenge. Particular attention is paid to the tragic effect of Medea's great monologue and the significance of her role as a divine avenger. The book ends by considering the varied and fascinating reception of Euripides' play from antiquity to the present day.

Euripides' Medea comes alive in this new translation that will be useful for both academic study and stage production. Diane J. Rayor's accurate yet accessible translation reflects the play's inherent theatricality and vibrant poetry. She provides an analytical introduction and comprehensive notes. The book includes an essay by director Karen Libman. The play begins after Medea, a princess in her own land, has sacrificed everything for Jason: she helped him in his quest for the Golden Fleece, eloped with him to Greece, and bore him sons. When Jason breaks his oath to her and betrays her by marrying the king's daughter - his ticket to the throne - Medea contemplates the ultimate retribution. What happens when words deceive and those you trust most do not mean what they say? Euripides' most enduring Greek tragedy is a fascinating and disturbing story of how far a woman will go to take revenge in a man's world.

The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander.This volume includes translations by Eleanor Wilner with Inés Azar (Medea), Marilyn Nelson (Hecuba), Donald Junkins (Andromache), and Daniel Mark Epstein (The Bacchae).

AUTHOR HAS INSCRIBED THIS COPY! Otherwise, no other pen markings in the book. Pages are clean and in great condition.

The text of the Greek playwright's work is presented together with extensive notes and critical commentary

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By looking at aspects of Medea that are largely overlooked in the criticism, this book aims at an open and multiple reading. It shows that stories presented in the drama of 5th century Athens are not unrelated to human beings who actually exist.

The original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background — all to help you gain greater insight into great works you're bound to study for school or pleasure.In CliffsNotes on Euripides' Electra & Medea, you explore two classic Greek tragedies by Euripides and discover how the playwright introduced many innovations into the drama of his time. Electra and Medea present enlightening psychological examinations of characters under extreme stress — namely the title characters: Electra, the daughter of Agamemnon who seeks revenge on her mother and uncle for murdering her father and forcing her to live in poverty; and Media, who seeks revenge against her husband Jason for betraying her and marrying another woman.In this study guide, you'll find Life of the Playwright, as well as character lists and Summaries and Commentaries of each play. You'll also find critical essays on the following topics:The background of the Greek tragedyAristotle on tragedyOther works by EuripidesNotes on the main characters of each playClassic literature or modern-day treasure — you'll understand it all with expert information and insight from CliffsNotes study guides.

"Paul Roche...must be ranked among the great translators of the Greek dramas in our century."―Robert W. Corrigan Here are three of Euripides' finest tragedies offered in vivid, modern translations.

Euripides of Athens (ca. 485–406 BCE), famous in every age for the pathos, terror, surprising plot twists, and intellectual probing of his dramatic creations, wrote nearly ninety plays. Of these, eighteen (plus a play of unknown authorship mistakenly included with his works) have come down to us from antiquity. In this first volume of a new Loeb edition of Euripides David Kovacs gives us a freshly edited Greek text of three plays and an accurate and graceful translation with explanatory notes.Alcestis is the story of a woman who agrees, in order to save her husband's life, to die in his place. Medea is a tragedy of revenge in which Medea kills her own children, as well as their father's new wife, to punish him for his desertion. The volume begins with Cyclops, a satyr play—the only complete example of this genre to survive. Each play is preceded by an introduction.In a general introduction Kovacs demonstrates that the biographical tradition about Euripides—parts of which view him as a subverter of morality, religion, and art—cannot be relied on. He argues that this tradition has often furnished the unacknowledged starting point for interpretation, and that the way is now clear for an unprejudiced consideration of the plays themselves.

Paperback. Charged with female agency, Medea is a powerful story of betrayal, desperation, and horrifying revenge. The classic Greek tragedy is brought to life in this lyrical translation by Augusta Webster. Medea has lived in the shadows her entire life, but when her husband, Jason, commits the ultimate act of betrayal and leaves her for another woman, she refuses to be quietly side-lined. Consumed by sorrow and rage, Medea devises a chilling and urgent plan for revenge, targeting the only thing she knows Jason loves: their children. Originally written by Euripides, one of the greatest Greek tragedians, this edition of Medea is re-imagined by Augusta Webster, the first woman to translate the resonant drama. Now known as a compelling feminist text, this 1868 translation revives the Ancient Greek play through a feminine lens. Featuring an insightful introduction from Gilbert Murray's 1912 translation, alongside Augusta Webster's poignant poem, 'Medea in Athens', this new edition of Medea explores the divine feminine, delving into themes of power, vengeance, and the complexities of love. Charged with female agency, Medea is a powerful story of betrayal, desperation, and horrifying revenge. The classic Greek tragedy is brought to life in this lyrical translation by Augusta Webster. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

"Paul Roche...must be ranked among the great translators of the Greek dramas in our century."—Robert W. CorriganHere are three of Euripides' finest tragedies offered in vivid, modern translations.

Published in the new Methuen Classical Dramatists series.Always controversial, Euripides' plays are now celebrated for the subtlety of their characterisation and their unorthodox dramatic style. This volume contains three of his finest tragedies: Medea, the abandoned wife, who murders her own children; The Phoenician Women, a further twist in the story of Oedipus and Jocasta; and Bacchae, a macabre and complex play, about the power and irrationality of Dionysos. These translations are by David Thompson and J. Michael Walton.With an introduction by J. Michael Walton

Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals.This volume collects Euipides' Alcestis (translated by William Arrowsmith), a subtle drama about Alcestis and her husband Admetos, which is the oldest surviving work by the dramatist; Medea (Michael Collier and Georgia Machemer), a moving vengeance story and an excellent example of the prominence and complexity that Euripides gave to female characters; Helen (Peter Burian), a genre breaking play based on the myth of Helen in Egypt; and Cyclops (Heather McHugh and David Konstan), a highly lyrical drama based on a celebrated episode from the Odyssey. This volume retains the informative introductions and explanatory notes of the original editions and adds a single combined glossary and Greek line numbers.

Filmed in the Soviet Union and never seen before by Western audiences, this extraordinary one-act ballet, Medea, freely interprets the classic drama of Euripides. Through music and dance it reveals the ancient story of a powerful woman's revenge upon her faithless husband and the younger rival who has stolen him away from her. Written and directed by Georgiy Aleksidze and Elgudja Zhgenti and with a score by Revaz Gabichvadze, Medea is an important discovery that should be in every dance library.

Kennely, Brendan. Euripides' Medea. A New Version by Brendan Kennelly. Newcastle upon Tyne, Bloodaxe Books, 1991. 14 cm x 21,5 cm. 80 pages. Original Softcover. Very good condition with only minor signs of external wear. Loosely inserted is an original press-release for this publication. Brendan Kennelly (born 1936) is an Irish poet and novelist. Now retired from teaching, he was Professor of Modern Literature at Trinity College, Dublin until 2005. Since his retirement he has been titled Professor Emeritus by Trinity College. He is father to one daughter, Doodle Kennelly and is also grandfather to Doodle's three daughters: Meg, Hannah and Grace. (Wikipedia).

From the dawn of European literature, the figure of Medea--best known as the helpmate of Jason and murderer of her own children--has inspired artists in all fields throughout all centuries. Euripides, Seneca, Corneille, Delacroix, Anouilh, Pasolini, Maria Callas, Martha Graham, Samuel Barber, and Diana Rigg are among the many who have given Medea life on stage, film, and canvas, through music and dance, from ancient Greek drama to Broadway. In seeking to understand the powerful hold Medea has had on our imaginations for nearly three millennia, a group of renowned scholars here examines the major representations of Medea in myth, art, and ancient and contemporary literature, as well as the philosophical, psychological, and cultural questions these portrayals raise. The result is a comprehensive and nuanced look at one of the most captivating mythic figures of all time. Unlike most mythic figures, whose attributes remain constant throughout mythology, Medea is continually changing in the wide variety of stories that circulated during antiquity. She appears as enchantress, helper-maiden, infanticide, fratricide, kidnapper, founder of cities, and foreigner. Not only does Medea's checkered career illuminate the opposing concepts of self and other, it also suggests the disturbing possibility of otherness within self. In addition to the editors, the contributors include Fritz Graf, Nita Krevans, Jan Bremmer, Dolores M. O'Higgins, Deborah Boedeker, Carole E. Newlands, John M. Dillon, Martha C. Nussbaum, Christiane Sourvinou-Inwood, and Marianne McDonald.