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About Eugene Tsui and evolutionary architecture . "Eugene Tsui is a polymath, a kind of genius.. His evolutionary ideas fit my image of a desirable, feasible future. The 21st century needs ideas like his that conserve space, energy, and materials without offending aesthetics." -Dr. Richard MeierProfessor of Architecture, Planning, and Environmental Design University of California, Berkeley "[Tsui's] drawings, models, and buildings look like buildings from a Spielberg film, circa 3000.. Eugene Tsui's designs defy the imagination. He is bringing a different view to architecture." -Rocky Leplin The Associated Press "Welcome to the evolutionary architecture of Eugene Tsui.a place where everything is possible, and the mind is constantly being tested and stimulated to open and explore yet another new opportunity.. Tsui's philosophy of architectural design goes against practically everything people have come to know about architecture." -Beverly R. Picache Asian Week Newspaper

About Eugene Tsui and evolutionary architecture . "Eugene Tsui is a polymath, a kind of genius.. His evolutionary ideas fit my image of a desirable, feasible future. The 21st century needs ideas like his that conserve space, energy, and materials without offending aesthetics." -Dr. Richard MeierProfessor of Architecture, Planning, and Environmental Design University of California, Berkeley "[Tsui's] drawings, models, and buildings look like buildings from a Spielberg film, circa 3000.. Eugene Tsui's designs defy the imagination. He is bringing a different view to architecture." -Rocky Leplin The Associated Press "Welcome to the evolutionary architecture of Eugene Tsui.a place where everything is possible, and the mind is constantly being tested and stimulated to open and explore yet another new opportunity.. Tsui's philosophy of architectural design goes against practically everything people have come to know about architecture." -Beverly R. Picache Asian Week Newspaper

The Aesthetic Brain takes the reader on a wide-ranging journey through the world of beauty, pleasure, and art. Chatterjee uses neuroscience to probe how an aesthetic sense is etched in our minds and evolutionary psychology to explain why aesthetic concerns feature centrally in our lives. Along the way, Chatterjee addresses fundamental questions: What is beauty? Is beauty universal? How is beauty related to pleasure? What is art? Should art be beautiful? Do we have an instinct for art? Chatterjee starts by probing the reasons that we find people, places, and even numbers beautiful. At the root of beauty, he finds, is pleasure. He then examines our pleasures by dissecting why we want and why we like food, sex, and money and how these rewards relate to aesthetic encounters. His ruminations on beauty and pleasure prepare him and the reader to face art. He wanders through the problems of defining art, understanding contemporary art, and interpreting ancient art. He explores why art, something that seems so useless, also feels fundamental to our humanity. Replete with facts, anecdotes, and analogies, this empirical guide to aesthetics offers scientific answers without deflating the wonders of beauty and art.

The Aesthetic Brain takes readers on an exciting journey through the world of beauty, pleasure, and art. Using the latest advances in neuroscience and evolutionary psychology, Anjan Chatterjee investigates how an aesthetic sense is etched into our minds, and explains why artistic concerns feature centrally in our lives. Along the way, Chatterjee addresses such fundamental questions as: What is beauty? Is it universal? How is beauty related to pleasure? What is art? Should art be beautiful? Do we have an instinct for art?Early on, Chatterjee probes the reasons why we find people, places, and even numbers beautiful, highlighting the important relationship between beauty and pleasure. Examining our pleasures allows him to reveal why we enjoy things like food, sex, and money, and how these rewards relate to our aesthetic encounters. Chatterjee's detailed discussion of beauty and pleasure equips readers to confront essential questions about the nature of art, the problems of defining it, and the challenges of interpreting its modern, non-traditional forms. Replete with facts, anecdotes, and analogies, this lively empirical guide to aesthetics offers scientific answers to fundamental questions without deflating the intrinsic wonders of beauty and art in an affordable paperback edition.

"Dissanayake argues that art was central to human evolutionary adaptation and that the aesthetic faculty is a basic psychological component of every human being. In her view, art is intimately linked to the origins of religious practices and to ceremonies of birth, death, transition, and transcendence. Drawing on her years in Sri Lanka, Nigeria, and Papua New Guinea, she gives examples of painting, song, dance, and drama as behaviors that enable participants to grasp and reinforce what is important to their cognitive world."―Publishers Weekly"Homo Aestheticus offers a wealth of original and critical thinking. It will inform and irritate specialist, student, and lay reader alike."―American AnthropologistA thoughtful, elegant, and provocative analysis of aesthetic behavior in the development of our species―one that acknowledges its roots in the work of prior thinkers while opening new vistas for those yet to come. If you're reading just one book on art anthropology this year, make it hers."―Anthropology and Humanism

The Art Instinct combines two of the most fascinating and contentious disciplines, art and evolutionary science, in a provocative new work that will revolutionize the way art itself is perceived. Aesthetic taste, argues Denis Dutton, is an evolutionary trait, and is shaped by natural selection. It's not, as almost all contemporary art criticism and academic theory would have it, "socially constructed." The human appreciation for art is innate, and certain artistic values are universal across cultures, such as a preference for landscapes that, like the ancient savannah, feature water and distant trees. If people from Africa to Alaska prefer images that would have appealed to our hominid ancestors, what does that mean for the entire discipline of art history? Dutton argues, with forceful logic and hard evidence, that art criticism needs to be premised on an understanding of evolution, not on abstract "theory." Sure to provoke discussion in scientific circles and an uproar in the art world, The Art Instinct offers radical new insights into both the nature of art and the workings of the human mind.

Martindale develops an evolutionary theory of aesthetic history based upon computer analyses and quantitative experiments with human subjects. 411p. Index. References. Illustrated with tables and figures.