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XVIII, 440 pp. Fig. Gr. 8°. Orig. cloth with gold-stamping and DJ. Condition: DJ satisfactory, few red underlinings, else very good; altogether still good. (Prentice-Hall Series in Automatic Computation)

From Frank Herbert, creator of the Dune series, comes two classic works of science fictionThe Dosadi ExperimentGenerations of a tormented human-alien people, caged on a toxic planet, conditioned by constant hunger and war-this is the Dosadi Experiment, and it has succeeded too well. The Dosadi have bred for vengeance and they have learned how to pass through the shimmering God Wall to visit their wrath on the Universe that created them.The Eyes of HeisenbergPublic Law 10927 is clear and direct. Parents are permitted to watch the genetic alterations of their gametes by skilled surgeons... only no one has ever requested it. But when Lizbeth and Harvey Durant invoke the Law the consequences could be catastrophic.

From author Frank Herbert, creator of the Dune series, comes this classic science fiction of a sadistic experiment created by a interstellar civilization ... THE DOSADI EXPERIMENTBeyond the God WallGenerations of a tormented human-alien people, caged on a toxic planet, conditioned by constant hunger and war-this is the Dosadi Experiment, and it has succeeded too well. For the Dosadi have bred for Vengeance as well as cunning, and they have learned how to pass through the shimmering God Wall to exact their dreadful revenge on the Universe that created them . . .

When Dr Ron Jones joined the staff of National Women's Hospital in Auckland in 1973 as a junior obstetrician and gynecologist, Professor Herbert Green's study into the natural history of carcinoma in-situ of the cervix (CIS) – later called 'the unfortunate experiment' – had been in progress for seven years. By the mid-1960s there was almost universal agreement among gynecologists and pathologists worldwide that CIS was a precursor of cancer, requiring complete removal. Green, however, believed otherwise, and embarked on a study of women with CIS, without their consent, that involved merely observing, rather than definitively treating them. Many women subsequently developed cancer and some died. In 1984 Jones and senior colleagues Dr Bill McIndoe and Dr Jock McLean published a scientific paper that exposed the truth, and the disastrous outcome of Green's experiment.

When Dr Ron Jones joined the staff of National Women's Hospital in Auckland in 1973 as a junior obstetrician and gynecologist, Professor Herbert Green's study into the natural history of carcinoma in-situ of the cervix (CIS) – later called 'the unfortunate experiment' – had been in progress for seven years. By the mid-1960s there was almost universal agreement among gynecologists and pathologists worldwide that CIS was a precursor of cancer, requiring complete removal. Green, however, believed otherwise, and embarked on a study of women with CIS, without their consent, that involved merely observing, rather than definitively treating them. Many women subsequently developed cancer and some died. In 1984 Jones and senior colleagues Dr Bill McIndoe and Dr Jock McLean published a scientific paper that exposed the truth, and the disastrous outcome of Green's experiment.

These five hundred photographs are a unique and exuberant record of Bauhaus activities and experiments during the 1920s and early 1930s. Significantly, most of the photographs were taken by artists-painters like Fritz Kuhr and Werner Siedhoff, designers Heinz Loew and Herbert Bayer, Bauhaus masters Hannes Meyer and Joosst Schmidt - who were not self-conscious photographers but who wanted to work with a new technological product. The results constitute the largest and most comprehensive photographic archive currently available on the Bauhaus, supplementing visual material already published in Hans Wingler's monumental Bauhaus and presenting the school's more human side. Some of these photographs have never been published, while others have not been published since the period in which they were made. Part I consists of over 100 "artistic" images, a listing of Bauhaus photography exhibits, an example of a Dessau Bauhaus lesson plan, including photography, and essays on various aspects of photography by Peterhans, Moholy, Vordemberge-Gildewart, Ernst Kallai, Fritz Kuhr, Willi Baumeister, Adolf Behne, Max Burchartz, Will Grohmann, and Ludwig Kassack. There is also a section on the use of photography with typography. Part II is a Bauhaus album - nearly 400 illustrations of applied photography documenting the Bauhaus buildings, classroom projects, or day-today activities of students and faculty. Egidio Marzona has assembled the world's foremost collection of works on paper documenting the revolutionary efforts of the Bauhaus. Marzona is also a well-known publisher of books on Russian Constructivism, Futurism, De Stijl, Dadaism, and a host of other movements and figures of the 20th-century avant-garde.

Mr. Wizard (a.k.a. Don Herbert) presents more than 100 super-simple, simply sensational science experiments and tricks using everyday items available in the supermarket. Kids learn how to turn water into wine, use their finger to boil water, plunge a straw through a raw potato, slice the inside of a banana without slicing the outside, and much, much more!

Dr. Herbert West, The Reanimator, returns! Setting up shop in New Orleans, the brilliant Dr. West continues his life's work: the revival of the dead by purely chemical means. To accomplish this task, he recruits Susan Greene, a young and wide-eyed pharmacologist fascinated by his macabre experiments. Initially unfazed by West's unorthodox practices (including how he funds his research - by selling zombie brain fluid as a narcotic), Susan may regret her scientific curiosity as sinister forces - those aligned with Elder Gods and Haitian Voodoo - begin to align against the Reanimator. Dynamite Entertainment proudly resurrects H.P Lovecraft's notorious mad scientist in a fear-fraught tale of Cthulhu tentacle terror and backwater Louisianan superstition! Bonus features include a thorough "History of The Reanimator" prose introduction by writer Keith Davidsen, an insightful and meticulously researched appendix of Lovecraftian references and creator commentary, never-before-seen design illustrations from artist Randy Valiente, and a complete cover gallery featuring the work of Francesco Francavilla, Jae Lee, Andrew Mangum, Nacho Tenorio, and Tim Seeley.

These five hundred photographs are a unique and exuberant record of Bauhaus activities and experiments during the 1920s and early 1930s. Significantly, most of the photographs were taken by artists-painters like Fritz Kuhr and Werner Siedhoff, designers Heinz Loew and Herbert Bayer, Bauhaus masters Hannes Meyer and Joosst Schmidt - who were not self-conscious photographers but who wanted to work with a new technological product. The results constitute the largest and most comprehensive photographic archive currently available on the Bauhaus, supplementing visual material already published in Hans Wingler's monumental Bauhaus and presenting the school's more human side. Some of these photographs have never been published, while others have not been published since the period in which they were made. Part I consists of over 100 "artistic" images, a listing of Bauhaus photography exhibits, an example of a Dessau Bauhaus lesson plan, including photography, and essays on various aspects of photography by Peterhans, Moholy, Vordemberge-Gildewart, Ernst Kallai, Fritz Kuhr, Willi Baumeister, Adolf Behne, Max Burchartz, Will Grohmann, and Ludwig Kassack. There is also a section on the use of photography with typography. Part II is a Bauhaus album - nearly 400 illustrations of applied photography documenting the Bauhaus buildings, classroom projects, or day-today activities of students and faculty. Egidio Marzona has assembled the world's foremost collection of works on paper documenting the revolutionary efforts of the Bauhaus. Marzona is also a well-known publisher of books on Russian Constructivism, Futurism, De Stijl, Dadaism, and a host of other movements and figures of the 20th-century avant-garde.

Once again tampering with mother nature to disastrous results, Dr. Herbert West (Jeffrey Combs) continues his research in director Brian Yuzna's second sequel to the 1985 splatter classic Re-Animator. Currently serving time in a maximum security prison for his previous exploits, West's limited prison-cell experiments are suddenly interrupted by the arrival of Howard Phillips (Jason Barry), the new prison doctor and the brother of the girl who suffered from West's experiments 13 years earlier. Kn