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Discussions of the use and limits of randomized control trials, considering the power of theory, external validity, gaps in knowledge, and what issues matter.The practice of development economics has undergone something of a revolution as many economists have adopted new methods to answer perennial questions about the effectiveness of anti-poverty programs. In this book, prominent development economists discuss the use and impact of one of the most significant of these new methods, randomized control trials (RCTs) and field experiments. In extended interviews conducted over a period of several years, they explain their work and their thinking and consider the broader issues of how we learn about the world and how we can change it for the better.These conversations offer specialists and nonspecialists alike a unique opportunity to hear economists speak in their own words, free of the confines of a particular study or econometric esoterica. The economists describe how they apply research findings in the way they think about the world, revealing their ideas about the power of theory, external validity, gaps in knowledge, and what issues matter. Also included are interviews with RCT observers, critics, sponsors, consumers, and others. Each interview provides a brief biography of the interviewee. Thorough annotations offer background and explanations for key ideas and studies referred to in the conversations.ContributorsAbhijit Banerjee, Nancy Birdsall, Chris Blattman, Alex Counts, Tyler Cowen, Angus Deaton, Frank DeGiovanni, Esther Duflo, Pascaline Dupas, Xavi Gine, Rachel Glennerster, Judy Gueron, Elie Hassenfeld, Dean Karlan, Michael Kremer, David McKenzie, Jonathan Morduch, Lant Pritchett, Jonathan Robinson, Antoinette Schoar, Dean Yang

This exciting new text is devoted to the investigation of experimental group performance types, featuring readers theatre and chamber theatre as well as ethnographic studies, conversation analysis, and personal narratives. Author Judy Yordon captures the creativity and diversity of group performance while offering students a wealth of practical information. She describes and defines the theories behind these experimental theater forms, but focuses primarily on the methods and techniques involved in creating scripts and staging productions. Thus, readers are provided with the tools they need to formulate their own unique productions. Experimental Theatre: Creating and Staging Texts features sparkling examples from a variety of literary sources as well as abundant exercises designed to stimulate creative thinking and enhance readers' understanding of the content.

(Amadeus). Olivier Messiaen is widely revered as a great 20th-century composer. His distinctive music was born of his fascination with experimental modes, complex rhythms, metallic sonorities, and above all, bird songs. In these conversations, Messiaen talks candidly about his sources of inspiration, musical methods, and aesthetic views.

Mean Streets, Taxi Driver, Raging Bull, The Last Temptation of Christ, Kundun, The Departed, The Aviator, Shutter Island: these are just a few of the critically acclaimed films, startling experimental works, and spectacular commercial blockbusters with which Martin Scorsese has forever enriched American cinema. Here is a rare and wonderfully insightful chance to experience all of these films, and the history and process of moviemaking in general, through the words and wit of the master director. Richard Schickel’s canny and intelligent interviews guide us through Scorsese’s life and work, from the child who escaped the realities of Little Italy in the 1950s through movies to the man whose increasingly encyclopedic knowledge of film shaped his ambitions and art. Scorsese reveals which films are most autobiographical and which have been forays into unknown territory in content or aesthetics. He talks about his lesser-known movies, those already considered classics, his documentaries, and his influences. He explains his personal style, the close attention he pays to detail, and his attraction to genre films. And he discusses what being a lifelong student of film has taught him about acting, directing, music, and camerawork, among many other topics. The result is a vivid, immensely enlightening history of modern Hollywood seen through the eyes of one intrepid filmmaker. We see audiences’ expectations tested by what Scorsese was willing to put on the screen in explorations of prostitution, institutionalized violence, and religion. We see the unavoidable frustrations and exhilarating rewards of filming live concerts for The Band and at Woodstock. And we see many of the rewarding artistic and personal relationships of Scorsese’s career, including collaborations with Robert De Niro, Harvey Keitel, Jack Nicholson, and Leonardo DiCaprio. An invaluable appreciation of one of our most admired film directors.

Orphaned at the age of nine, Mikey Cuddihy left the U.S. to board at an experimental British school. A vivid and intense memoir of coming of age amidst the unraveling social experiment of the late 1960s. When Mikey Cuddihy was orphaned at the age of nine, her life exploded. She and her siblings were sent from New York to board at experimental Summerhill School, in England, and abandoned there. The setting was idyllic, lessons were optional, pupils made the rules. Joan Baez visited and taught Mikey guitar. The late 1960s were in full swing, but with total freedom came danger. Mikey navigated this strange world of permissiveness and neglect, forging an identity almost in defiance of it. 

Conversations in the Cognitive Neurosciences is a brief, informative yet informal guide to recent developments in the cognitive neurosciences by the scientists who are in the thick of things."Getting a fix on important questions and how to think about them from an experimental point of view is what scientists talk about, sometimes endlessly. It is those conversations that thrill and motivate," observes Michael Gazzaniga. Yet all too often these exciting interactions are lost to students, researchers, and others who are "doing" science. Conversations in the Cognitive Neurosciences brings together a series of interviews with prominent individuals in neuroscience, linguistics, philosophy, and psychology that have appeared over the past few years in the Journal of Cognitive Neuroscience.The ten interviews are divided into five sections: basic neuroscience approaches to cognition (Floyd Bloom and Mark Raichle), attentional and perceptual processes (Michael I. Posner and William T. Newsome), neural basis of memory (Randy Gallistel and Endel Tulving), language (Steven Pinker and Alfonso Caramazza), and imagery and consciousness (Stephen M. Kosslyn and Daniel C. Dennett).A Bradford Book

Recently, the idea of “presence” has returned to the arts, humanities, and social sciences. In February 2013, in Zurich's historical Cabaret Voltaire, which was central to the Dada movement almost a hundred years ago, an experimental international symposium took place that put presence under the microscope.Presence: A Conversation at Cabaret Voltaire, Zurich is not a traditional post-conference publication but is conceived as a theatrical discussion of ideas between different speakers, both on and offstage. In contrast to transcribed conversations, monologues are interspersed throughout the book, acting like small, performative interruptions. The lively juxtaposition of both individual speech and colloquy is enhanced by theatrical conventions: characters enter and exit; stage directions mirror those found in the cabaret.ContributorsElisabeth Bronfen, Hans Ulrich Gumbrecht, Michael Hampe, Mark Jarzombek, Amelia Jones, Tom Levin, Dieter Mersch, Rebecca Schneider, Peter Zumthor

A key figure in modern science fiction and fantasy, Samuel R. Delany (b. 1942) is also one of the most acclaimed figures in contemporary literary theory and gay/lesbian literature. As a gay African American writer, Delany's cerebral, experimental prose crosses lines of genre, gender, sexuality, and class. Several of his works--Dhalgren, The Einstein Intersection, Babel-17, Stars in My Pocket like Grains of Sand, and the Nevéryon quartet are considered landmarks of "new wave" science fiction. His essays and critical works approach a wide variety of subjects from a perspective that is both resolutely philosophical and deeply provocative. Conversations with Samuel R. Delany collects interviews with the writer from 1980 to 2007. Delany considers the interview an especially fruitful form for the generation of ideas, and he has made it an integral part of his own work. In fact, two of his critical works are collections of interviews and correspondence. He insists that all interviews with him be written correspondence so that he is allowed the time and space to deliberate on each response. As a result, the conversations presented here are as rigorously constructed, elusive, and intellectually stimulating as his essays.

(Amadeus). Olivier Messiaen is widely revered as a great 20th-century composer. His distinctive music was born of his fascination with experimental modes, complex rhythms, metallic sonorities, and above all, bird songs. In these conversations, Messiaen talks candidly about his sources of inspiration, musical methods, and aesthetic views.

Brain Dead is forever keeping conversations flowing with its thought provoking experimental graphics. This season, the spotlight is on 'Hidden Tech', with the eclectic LA-based brand adorning both sides of this t-shirt with captivating retro tech artwork. 100% Cotton, Ribbed Crewneck, Printed Branding, Brain Dead. Brain Dead Men's Hidden Tech T-Shirt in Black, Size Small

Over the past twenty-five years, Scott MacDonald's kaleidoscopic explorations of independent cinema have become the most important chronicle of avant-garde and experimental film in the United States. In this collection of thematically related personal essays and conversations with filmmakers, he takes us on a fascinating journey into many under-explored territories of cinema. MacDonald illuminates topics including race and avant-garde film, the political implications of the nature film, the inventive single shot films of the late 1960s and early 1970s, why men use pornography and what they are looking at when they do, poetry and the poetic in avant-garde film, the widespread failure of film studies academicians to honor those who keep film exhibition alive, and other topics.Several of the interviews--those with Korean filmmaker Gina Kim, French nature filmmakers Claude Nuridsany and Marie Pérennou (Microcosmos), Canadian media artist Clive Holden, formalist/conceptualist David Gatten, and New York's Film Forum director Karen Cooper--are the first substantial conversations with these filmmakers available in English.

In 1966-67 Martin Heidegger and Eugen Fink conducted an extraordinary seminar on the fragments of Heraclitus. Heraclitus Seminar records those conversations, documenting the imaginative and experimental character of the multiplicity of interpretations offered and providing an invaluable portrait of Heidegger involved in active discussion and explication.Heidegger's remarks in this seminar illuminate his interpretations not only of pre-Socratic philosophy, but also of figures such as Hegel and Holderllin. At the same time, Heidegger clarifies many late developments in his own understanding of truth, Being, and understanding. Heidegger and Fink, both deeply rooted in the Freiburg phenomenological tradition, offer two competing approaches to the phenomenological reading of the ancient text-a kind of reading that, as Fink says, is "not so much concerned with the philological problematic ... as with advancing into the matter itself, that is, toward the matter that must have stood before Heraclitus's spiritual view."

In this frank and provocative conversation, Thom Andersen and William E. Jones explore an expansive number of topics in relation to their respective film and art practices, among them: the advent of HD technology, experimental filmmakers and their strategies, Los Angeles, "militant nostalgia," Jesus as revolutionary, the limitations of the art world, art criticism, gay culture, William Morris, and "the Reagans at church."