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About the brand: Bold, modern, and wearable style. Julia T-Shirt in off white and navy Approximately 20.5in from shoulder to hem 100% cotton Machine wash Made in the USA

About the brand: Bold, modern, and wearable style. Julia T-Shirt in off white and navy Approximately 20.5in from shoulder to hem 100% cotton Machine wash Made in the USA

About the brand: Bold, modern, and wearable style. Julia T-Shirt in off white and navy Approximately 20.5in from shoulder to hem 100% cotton Machine wash Made in the USA

Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.35

About the brand: Bold, modern, and wearable style. Julia T-Shirt in off white and navy Approximately 20.5in from shoulder to hem 100% cotton Machine wash Made in the USA

Our new Julia Blouse is a future classic inspired by styles from the 1940’s. With its styled collar, grown on sleeves and classic button-down front, the Julia Blouse has a slightly boxy fit so it can be worn both tucked in or out. Made from 100% cotton Turn inside out and Machine wash at 30°C with similar colours Do not tumble dry. Dry away from direct heat and sunlight Cool iron on reverse Do not bleach

Our new Julia Blouse is a future classic inspired by styles from the 1940’s. With its styled collar, grown on sleeves and classic button-down front, the Julia Blouse has a slightly boxy fit so it can be worn both tucked in or out. Made from 100% cotton Turn inside out and Machine wash at 30°C with similar colours Do not tumble dry. Dry away from direct heat and sunlight Cool iron on reverse Do not bleach

Our new Julia Blouse is a future classic inspired by styles from the 1940’s. With its styled collar, grown on sleeves and classic button-down front, the Julia Blouse has a slightly boxy fit so it can be worn both tucked in or out. Made from 100% cotton Turn inside out and Machine wash at 30°C with similar colours Do not tumble dry. Dry away from direct heat and sunlight Cool iron on reverse Do not bleach

Our new Julia Blouse is a future classic inspired by styles from the 1940’s. With its styled collar, grown on sleeves and classic button-down front, the Julia Blouse has a slightly boxy fit so it can be worn both tucked in or out. Made from 100% cotton Turn inside out and Machine wash at 30°C with similar colours Do not tumble dry. Dry away from direct heat and sunlight Cool iron on reverse Do not bleach

Our new Julia Blouse is a future classic inspired by styles from the 1940’s. With its styled collar, grown on sleeves and classic button-down front, the Julia Blouse has a slightly boxy fit so it can be worn both tucked in or out. Made from 100% cotton Turn inside out and Machine wash at 30°C with similar colours Do not tumble dry. Dry away from direct heat and sunlight Cool iron on reverse Do not bleach

Our new Julia Blouse is a future classic inspired by styles from the 1940’s. With its styled collar, grown on sleeves and classic button-down front, the Julia Blouse has a slightly boxy fit so it can be worn both tucked in or out. Made from 100% cotton Turn inside out and Machine wash at 30°C with similar colours Do not tumble dry. Dry away from direct heat and sunlight Cool iron on reverse Do not bleach

, 247 pages, with illustrations throughout, text in German

Zustand: Hervorragend Seiten: 367 Sprache: Deutsch Produktart: Bücher

Gegenstand des Buches ist die Edition der altenglischen Interlinearversion zu De vittiis et peccatis, die zusammen mit dem lateinischen Text in der Hs. British Library, Royal 7 C. iv überliefert ist und sehr wahrscheinlich im 11. Jh. in Christ Church, Canterbury, geschrieben wurde. Zuerst werden die handschriftliche Überlieferung und die zugrundeliegenden lateinischen Quellen Ecclesiasticus und Isidors Sententiae behandelt. Das Hauptgewicht der Untersuchung liegt auf einer eingehenden Analyse der altenglischen Übersetzung in Bezug auf Phonologie, Morphologie, Lexikologie und die Glossierungstechnik. Ein Glossar und verschiedene Indizes schließen die Ausgabe ab.

Vollständige Ausgabe im Original-Verlagseinband: gelbes Ganzleinen / Leinen / OLn / Ln 8vo im Format 13 x 21 cm mit Rückentitel und dem Original-Schutzumschlag, 648 Seiten mit Personenregister. - Erstausgabe in guter Erhaltung Versand an Institutionen auch gegen Rechnung Sprache: Deutsch Gewicht in Gramm: 2000

The story of the success of French Impressionism would have been unthinkable without the artists’ friend and collector Victor Chocquet (1821 - 1891). He was a patron of Renoir and Cézanne and an early apologist for their art, and he set the stage for their fame. The Oskar Reinhart Collection in Winterthur dedicates a world-class retrospective to this congenial and modest man.

The single greatest source of solo recorder music is the mid seventeeth century Der Fluyten Lust-hof by the blind Utrecht carillonneur Jacob van Eyck. The heart and bulk of this book is a tune by tune examination of the medlodies which underpin the Lust-hof's virtuosic variations. The discussion of each melody includes its origin, bistory, origninal and or adopted text (all with English translations), extent of its distribution in the Netherlands, a musical example, and lists of settings of the same tune by other composers and for other instruments. This central work is garnished by chapters covering Van Eyck's life and printed works; the Lust-hof's variation style and intended instrument; appendices including a Lust-hof bibliography and discography; and more than 50 figures and 75 musical examples.

In 1865, The Christian Recorder, the national newspaper of the African Methodist Episcopal Church, serialized The Curse of Caste; or The Slave Bride, a novel written by Mrs. Julia C. Collins, an African American woman living in the small town of Williamsport, Pennsylvania. The first novel ever published by a black American woman, it is set in antebellum Louisiana and Connecticut, and focuses on the lives of a beautiful mixed-race mother and daughter whose opportunities for fulfillment through love and marriage are threatened by slavery and caste prejudice. The text shares much with popular nineteenth-century women's fiction, while its dominant themes of interracial romance, hidden African ancestry, and ambiguous racial identity have parallels in the writings of both black and white authors from the period. Begun in the waning months of the Civil War, the novel was near its conclusion when Julia Collins died of tuberculosis in November of 1865. In this first-ever book publication of The Curse of Caste; or The Slave Bride, the editors have composed a hopeful and a tragic ending, reflecting two alternatives Collins almost certainly would have considered for the closing of her unprecedented novel. In their introduction, the editors offer the most complete and current research on the life and community of an author who left few traces in the historical record, and provide extensive discussion of her novel's literary and historical significance. Collins's published essays, which provide intriguing glimpses into the mind of this gifted but overlooked writer, are included in what will prove to be the definitive edition of a major new discovery in African American literature. Its publication contributes immensely to our understanding of black American literature, religion, women's history, community life, and race relations during the era of United States emancipation.

In 1865, The Christian Recorder, the national newspaper of the African Methodist Episcopal Church, serialized The Curse of Caste; or The Slave Bride, a novel written by Mrs. Julia C. Collins, an African American woman living in the small town of Williamsport, Pennsylvania. The first novel ever published by a black American woman, it is set in antebellum Louisiana and Connecticut, and focuses on the lives of a beautiful mixed-race mother and daughter whose opportunities for fulfillment through love and marriage are threatened by slavery and caste prejudice. The text shares much with popular nineteenth-century women's fiction, while its dominant themes of interracial romance, hidden African ancestry, and ambiguous racial identity have parallels in the writings of both black and white authors from the period. Begun in the waning months of the Civil War, the novel was near its conclusion when Julia Collins died of tuberculosis in November of 1865. In this first-ever book publication of The Curse of Caste; or The Slave Bride, the editors have composed a hopeful and a tragic ending, reflecting two alternatives Collins almost certainly would have considered for the closing of her unprecedented novel. In their introduction, the editors offer the most complete and current research on the life and community of an author who left few traces in the historical record, and provide extensive discussion of her novel's literary and historical significance. Collins's published essays, which provide intriguing glimpses into the mind of this gifted but overlooked writer, are included in what will prove to be the definitive edition of a major new discovery in African American literature. Its publication contributes immensely to our understanding of black American literature, religion, women's history, community life, and race relations during the era of United States emancipation.

About the brand: Bold, modern, and wearable style. Julia T-Shirt in off white and navy Approximately 20.5in from shoulder to hem 100% cotton Machine wash Made in the USA