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Created in collaboration with the Smithsonian Institution, this set features hands-on STEAM challenges that are perfect for makerspaces and guide students step-by-step through the engineering design process. Books help make STEAM career connections with career advice from actual Smithsonian employees working in STEAM fields. Book set includes Living in Sunlight Extremes, Making a Mummy, Making Maps, Navigating at Sea, Piecing Art Together, and Saving Culture from Disaster.

Created in collaboration with the Smithsonian Institution, this book set ignites a curiosity about STEAM topics through real-world examples. This set features hands-on STEAM challenges that are perfect for makerspaces and guide students step-by-step through the engineering design process. Books help make STEAM career connections with career advice from actual Smithsonian employees working in STEAM fields. Book set includes Cooling Off, Lighting the Night, Making Music, Staying Afloat, Staying Warm, and Taking Food To-Go.

The Hal Leonard The Martin Book A Complete History of Martin Guitars in excellent condition.

A fun and educational tool to help others learn about important people, places, and events in Black history Features word searches, crosswords, trivia, and matching activities - a total of 13 activities for older students & adults! Puzzle themes include Pioneers In STEM, Entertainers, Athletes, Influential People , and more Large-print text for easy reading Appropriate for middle schoolers to adults 20 pages 25 Books per pack

Teach Students All About Famous Americans And Events With This Exciting Historical Book Set Captivate young readers with interesting facts, compelling anecdotes, black-and-white illustrations, and photographs of people, events, and places, such as Franklin and Eleanor Roosevelt, the Great Depression, and Ellis Island. Time lines and a bibliography enhance students' understanding of each topic. Perfect for readers who are beyond easyto- read but not quite ready for long, detailed nonfiction. 10 softcover books * Size: 5" by 7" each 707225 Who Are Who Was Where Is What Was In American History 707225 Who Are Who Was Where Is What Was In American History

Familiarizes children with the origins and meaning of Black History Month and the key events and individuals in African-American history Includes accounts of Carter G. Woodson, Harriet Tubman, Rosa Parks, Dr. Martin Luther King Jr., Barack Obama, and more history makers Add your personalization to the front cover 16 pages For grades 1-3 Featured on cover: Dr. Carter G. Woodson, Maya Angelou

The Classical Guitar A complete history in very good condition. The back cover shows some storage scuffs. The Classical Guitar tells the complete s...

The symbolism of the grapevine stretches back millennia, finding its roots in the ancient Greeks. Since those mythic beginnings, the grapevine has woven itself through history, evolving into a symbol of fertility, prosperity, and abundance. Our designer pays homage to this profound legacy through meticulous craftsmanship, crafting exquisite silver grapevine earrings adorned with clusters of amethyst. Made with 925 sterling silver and amethyst stones were used in cluster form. Produced in Istanbul Grand Bazaar. Products will be sent in cargo-resistant gift packaging. Keep your jewelry in dry and moisture-free environments in the original boxes you received or in airtight jewelry bags. Keep your jewelry away from contact with substances such as cosmetics, perfume, creams, bleach, water, and seawater. If the product comes into contact with these substances, clean it with a soft cloth. Keep away from direct sunlight and especially humid environments such as bathrooms. Take off your jewelry while swimming, showering, engaging in sports, being active, cleaning, or cooking.

In the summer of 1922, Ezra Pound viewed the church of San Francesco in Rimini, Italy, for the first time. Commonly known as the Tempio Malatestiano, the edifice captured his imagination for the rest of his life. Lawrence S. Rainey here recounts an obsession that links together the whole of Pound's poetic career and thought. Written by Pound in the months following his first visit, the four poems grouped as "The Malatesta Cantos" celebrate the church and the man who sponsored its construction, Sigismondo Malatesta. Upon receiving news of the building's devastation by Allied bombings in 1944, Pound wrote two more cantos that invoked the event as a rallying point for the revival of fascist Italy. These "forbidden" cantos were excluded from collected editions of his works until 1987. Pound even announced an abortive plan in 1958 to build a temple inspired by the church, and in 1963, at the age of eighty, he returned to Rimini to visit the Tempio Malatestiano one last, haunting time. Drawing from hundreds of unpublished materials, Rainey explores the intellectual heritage that surrounded the church, Pound's relation to it, and the interpretation of his work by modern critics. The Malatesta Cantos, which have been called "one of the decisive turning-points in modern poetics" and "the most dramatic moment in The Cantos," here engender an intricate allegory of Pound's entire career, the central impulses of literary modernism, the growth of intellectual fascism, and the failure of critical culture in the twentieth century. Included are two-color illustrations from the 1925 edition of Pound's cantos and numerous black-and-white photographs.

A captivating history of 20th-century Modern American architecture, as seen through the eyes of a legendary photographerIt is impossible to overstate the importance of photography's role in shaping the world's perception of architecture. And towering above the ever-growing crowd of image-makers is Ezra Stoller, an architectural photographer of immeasurable consequence in documenting the history of modern architecture - both known and unknown - in the United States and beyond. This book is one of the first to present the breadth of Stoller's largely unseen archive of images, brought to life through exquisite color and duotone black-and-white reproductions.

In the summer of 1922, Ezra Pound viewed the church of San Francesco in Rimini, Italy, for the first time. Commonly known as the Tempio Malatestiano, the edifice captured his imagination for the rest of his life. Lawrence S. Rainey here recounts an obsession that links together the whole of Pound's poetic career and thought. Written by Pound in the months following his first visit, the four poems grouped as "The Malatesta Cantos" celebrate the church and the man who sponsored its construction, Sigismondo Malatesta. Upon receiving news of the building's devastation by Allied bombings in 1944, Pound wrote two more cantos that invoked the event as a rallying point for the revival of fascist Italy. These "forbidden" cantos were excluded from collected editions of his works until 1987. Pound even announced an abortive plan in 1958 to build a temple inspired by the church, and in 1963, at the age of eighty, he returned to Rimini to visit the Tempio Malatestiano one last, haunting time. Drawing from hundreds of unpublished materials, Rainey explores the intellectual heritage that surrounded the church, Pound's relation to it, and the interpretation of his work by modern critics. The Malatesta Cantos, which have been called "one of the decisive turning-points in modern poetics" and "the most dramatic moment in The Cantos," here engender an intricate allegory of Pound's entire career, the central impulses of literary modernism, the growth of intellectual fascism, and the failure of critical culture in the twentieth century. Included are two-color illustrations from the 1925 edition of Pound's cantos and numerous black-and-white photographs.

The historical Ezra was sent to Jerusalem as an emissary of the Persian monarch. What was his task? According to the Bible, the Persian king sent Ezra to bring the Torah, the five books of the Laws of Moses, to the Jews. Modern scholars have claimed not only that Ezra brought the Torah to Jerusalem, but that he actually wrote it, and in so doing Ezra created Judaism. Without Ezra, they say, Judaism would not exist.In Ezra and the Law in History and Tradition, Lisbeth S. Fried separates historical fact from biblical legend. Drawing on inscriptions from the Achaemenid Empire, she presents the historical Ezra in the context of authentic Persian administrative practices and concludes that Ezra, the Persian official, neither wrote nor edited the Torah, nor would he even have known it. The origin of Judaism, so often associated with Ezra by modern scholars, must be sought elsewhere.After discussing the historical Ezra, Fried examines ancient, medieval, and modern views of him, explaining how each originated, and why. She relates the stories told about Ezra by medieval Christians to explain why their Greek Old Testament differs from the Hebrew Bible, as well as the explanations offered by medieval Samaritans concerning how their Samaritan Bible varies from the one the Jews use. Church Fathers as well as medieval Samaritan writers explained the differences by claiming that Ezra falsified the Bible when he rewrote it, so that in effect, it is not the book that Moses wrote but something else. Moslem scholars also maintain that Ezra falsified the Old Testament, since Mohammed, the last judgment, and Heaven and Hell are revealed in it. In contrast Jewish Talmudic writers viewed Ezra both as a second Moses and as the prophet Malachi.In the process of describing ancient, medieval, and modern views of Ezra, Fried brings out various understandings of God, God's law, and God's plan for our salvation.

Living history of Israel;: A paraphrase of Joshua, Judges, I and II Samuel, I and II Kings, I and II Chronicles, Ezra, and Nehemiah [Jan 01, 1970] Taylor, Kenneth Nathaniel

Unlike the First and Second Books of the Chronicles, the Books of Ezra and Nehemiah have received considerable attention; partly because their presentation is more attractive, but more importantly because they illuminate a period of history about which very little is known: Jerusalem in the context of the Persian domination of South-West Asia from 539 to 336 B.C. In other respects, however, there are striking similarities between these books, textually, linguistically and theologically: the opening of Ezra repeats the end of 2 Chronicles, suggesting that the works were originally continuous and possibly by the same hand or hands; and there is constantly a theological motivation in the recording of 'historical' events.

One of a series of titles first published by Faber between 1930 and 1990, and in a style and format planned with a view to the appearance of the volumes on the bookshelf. Pound's "Cantos" is an epic achievement which began in 1916 and was left unfinished at his death in 1972.

Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within 0.93

Unread book in perfect condition.

Used in English-speaking countries for more than 35 years. Contains a verse-by-verse English translation of the Chumash, as well as a commentary based on the works of classical biblical scholars. This vast work, painstakingly prepared by scholars under the general editorship of Rabbi Abraham Cohen, contains: THIS VOLUME IS Daniel Ezra Nehemiah the complete Hebrew text an elegant and lucid verse-by-verse translation an illuminating commentary digest based on the works of classical scholars extensive introductions which provide invaluable help in understanding each book's purpose an index and a bibliography in each volume With its compact, practical size and distinctive format, this is the most accessible and complete text for all students of the Bible.

Uriel Simon describes the fascinating controversy that raged from the tenth to the twelfth centuries regarding the theological status and literary genre of the Psalms. Saadiah Gaon, who initiated the controversy, claimed that the Psalter was a second Torah―the Lord’s word to David―and by no means man’s prayer to God. Salmon ben Yerucham and Yefet ben Ali insisted on the Karaite view that the Book of Psalms was the prophetic common prayerbook of Israel. Totally opposing both of these concepts, Rabbi Moses Ibn Giqatilah regarded the Psalms as non-prophetic prayers authored by different poets, beginning with David and ending with the captive Levites in the Babylonian exile. Finally, Rabbi Abraham Ibn Ezra reverted to the belief held by the Talmudic sages―that the Psalms were Israel’s divinely inspired and most sacred poetry.The book also includes the full text of a previously unknown introduction to Ibn Ezra’s lost commentary on the Psalms, which is much more elaborate and revealing than the introduction to his familiar classical commentary.

In a day of ungodly leadership, political unrest, and strong opposition to Biblical truth, people need hope. Ezra, Zerubbabel, Zechariah, and Haggai lived in our kind of world. As you study the Biblical record of their lives, the goal is that you will commit to being a woman of unshakable faith unafraid to take action, boldly proclaiming God's truth, and watching for the mighty acts of our sovereign God.6 lessons