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The first major study of mock-documentary – one of a number of screen forms that play with the assumed boundaries between 'fact' and 'fiction'. Examines mock-documentary through the specific relationship which the form has with documentary. Part of a wider discussion of the increasingly fragile association between factual codes and conventions and the discourses which underpin the documentary genre. Includes detailed discussions of a number of key mock-documentary texts, ranging from Woody Allen's Zelig, Peter Greenaway's The Falls, and the Beatles spoof The Rutles through to such classic examples as Bob Roberts, This is Spinal Tap and Man Bites Dog. Opens out this relatively new media form and by doing so throws light on the status of the documentary itself.

Stone maps the force, vivacity, and stories within our most mundane matter, stone. For too long stone has served as an unexamined metaphor for the “really real”: blunt factuality, nature’s curt rebuke. Yet, medieval writers knew that stones drop with fire from the sky, emerge through the subterranean lovemaking of the elements, tumble along riverbeds from Eden, partner with the masons who build worlds with them. Such motion suggests an ecological enmeshment and an almost creaturely mineral life. Although geological time can leave us reeling, Jeffrey Jerome Cohen argues that stone’s endurance is also an invitation to apprehend the world in other than human terms. Never truly inert, stone poses a profound challenge to modernity’s disenchantments. Its agency undermines the human desire to be separate from the environment, a bifurcation that renders nature “out there,” a mere resource for recreation, consumption, and exploitation. Written with great verve and elegance, this pioneering work is notable not only for interweaving the medieval and the modern but also as a major contribution to ecotheory. Comprising chapters organized by concept —“Geophilia,” “Time,” “Force,” and “Soul”—Cohen seamlessly brings together a wide range of topics including stone’s potential to transport humans into nonanthropocentric scales of place and time, the “petrification” of certain cultures, the messages fossils bear, the architecture of Bordeaux and Montparnasse, Yucca Mountain and nuclear waste disposal, the ability of stone to communicate across millennia in structures like Stonehenge, and debates over whether stones reproduce and have souls. Showing that what is often assumed to be the most lifeless of substances is, in its own time, restless and forever in motion, Stone fittingly concludes by taking us to Iceland⎯a land that, writes the author, “reminds us that stone like water is alive, that stone like water is transient.”

For more than two hundred years controversy has raged over the reliability of the Old Testament. Questions about the factuality of its colorful stories of heroes, villains, and kings, for example, have led many critics to see the entire Hebrew Bible as little more than pious fiction. In this fascinating book, noted ancient historian K. A. Kitchen takes strong issue with today's "revisionist" critics and offers a firm foundation for the historicity of the biblical texts. In a detailed, comprehensive, and entertaining manner, Kitchen draws on an unprecedented range of historical data from the ancient Near East -- the Bible's own world -- and uses it to soundly reassess both the biblical record and the critics who condemn it. Working back from the latest periods (for which hard evidence is readily available) to the remotest times, Kitchen systematically shows up the many failures of favored arguments against the Bible and marshals pertinent permanent evidence from antiquity's inscriptions and artifacts to demonstrate the basic honesty of the Old Testament writers.  Enhanced with numerous tables, figures, and maps, On the Reliability of the Old Testament is a must-read for anyone interested in the question of biblical truth.

For more than two hundred years controversy has raged over the reliability of the Old Testament. Questions about the factuality of its colorful stories of heroes, villains, and kings, for example, have led many critics to see the entire Hebrew Bible as little more than pious fiction. In this fascinating book, noted ancient historian K. A. Kitchen takes strong issue with today's "revisionist" critics and offers a firm foundation for the historicity of the biblical texts. In a detailed, comprehensive, and entertaining manner, Kitchen draws on an unprecedented range of historical data from the ancient Near East -- the Bible's own world -- and uses it to soundly reassess both the biblical record and the critics who condemn it. Working back from the latest periods (for which hard evidence is readily available) to the remotest times, Kitchen systematically shows up the many failures of favored arguments against the Bible and marshals pertinent permanent evidence from antiquity's inscriptions and artifacts to demonstrate the basic honesty of the Old Testament writers.  Enhanced with numerous tables, figures, and maps, On the Reliability of the Old Testament is a must-read for anyone interested in the question of biblical truth.

By calling his book the true story of the Vatican Council of 1870, Cardinal Manning (1808-1892) aimed at dissipating a dark cloud of fase notions. In its lucid simplicity and factuality his book remains the best concise account of what was debated and defined at Vatican I and of its importance for the Church in the modern world. As Archbishop of Westminster, Manning, one of the foremost converts from Anglicanism, was in the very center of those debates. In fact, without him papal infallibility might not have come up for debate at Vatican I. Called by some of his antagonists "the devil of the council", he was a providential and prophetic voice there. Manning's formulation of the alternative, "It is Rome or licence of thought and will," should seem particularly relevant in these decades of runaway social disintegration within which only Rome's voice remains clear, unbending, and consistent-in witness to its infallibility. In the Introduction by Fr. Stanley L. Jaki, Cardinal Manning's book is put in the context of social as well as theological issues. Fr. Jaki, a world-renowned historian of science, is also widely known for his monograph, Les tendances nouvelles de l'ecclesiologie (reprinted during Vatican II), and his books on the papacy: And on this Rock: The Witness of One Land and Two Covenants and The Keys of the Kingdom: A Tool's Witness to Truth. He is an honorary member of the Pontifical Academy of Sciences and the recipient of the Templeton Prize for 1987.

The poems in this evocative and moving collection tell, through the subject's own voice, the story of Ross McInerney, a small farmer on the western slopes of New South Wales. A whole world of factuality and feeling is presented to the reader's mind, and with his humour, ruefulness, honesty and wisdom, Ross himself is established as that rare thing: a great human poetic creation.