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The sculptor Adriaen de Vries (1556-1626) spent much of his life working for the most discerning royal courts of the age, including that of Holy Roman Emperor Rudolf II in Prague. A master of composition and technique, De Vries was relatively unknown until the J. Paul Getty Museum’s groundbreaking 1999 exhibition Adriaen de Vries: Imperial Sculptor, which firmly established the artist’s reputation and afforded a rare opportunity to study in depth a large group of bronzes. This heavily illustrated volume presents the results of the technical study of twenty-five bronzes from the exhibition. Introductory chapters provide background on the artist and technical methodologies. Subsequent chapters present case studies of individual statues, revealing the methods and materials used in their creation. The book will be of great interest to conservators, conservation scientists, art historians, curators, and sculptors. 

Eddie Teeters is simultaneously pursued by three would-be wives and a federal agent who wants Eddie convicted on obscenity charges for his part in a series of explicit sex-counseling videotapes

The sculptor Adriaen de Vries (1556-1626) spent much of his life working for the most discerning royal courts of the age, including that of Holy Roman Emperor Rudolf II in Prague. A master of composition and technique, De Vries was relatively unknown until the J. Paul Getty Museum’s groundbreaking 1999 exhibition Adriaen de Vries: Imperial Sculptor, which firmly established the artist’s reputation and afforded a rare opportunity to study in depth a large group of bronzes. This heavily illustrated volume presents the results of the technical study of twenty-five bronzes from the exhibition. Introductory chapters provide background on the artist and technical methodologies. Subsequent chapters present case studies of individual statues, revealing the methods and materials used in their creation. The book will be of great interest to conservators, conservation scientists, art historians, curators, and sculptors. 

Herman de Vries and the Eschenau Chaos Band Vries, Herman De / Eschenau Chaos Band - LP 769791968844

An illustrated history of the world's most legendary seaborn vessels. Written with the layman in mind, this book introduces the history of sail, and gives a concise description of 40 of the most important sailing ships of the past, mainly from the period between the 16th and 19th centuries.

Ancien livre de bibliothèque. Couverture différente. Edition 2000. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Different cover. Edition 2000. Ammareal gives back up to 15% of this item's net price to charity organizations.

The practice of curanderismo, or Mexican American folk medicine, is part of a historically and culturally important health care system deeply rooted in native Mexican healing techniques. This is the first book to describe the practice from an insider's point of view, based on the authors' three-year apprenticeships with curanderos (healers).Robert T. Trotter and Juan Antonio Chavira present an intimate view of not only how curanderismo is practiced but also how it is learned and passed on as a healing tradition. By providing a better understanding of why curanderos continue to be in demand despite the lifesaving capabilities of modern medicine, this text will serve as an indispensable resource to health professionals who work within Mexican American communities, to students of transcultural medicine, and to urban ethnologists and medical anthropologists.

In the 1950s Art Informel painting showed herman de vries his own way to art; in the 1960s he belonged to the international ZERO movement and worked on his white paintings. From such radical reduction, the artist became fascinated with the interplay between art and nature. de vries' oeuvre comprises paintings, collages, graphic works, text images, sculptures, artist books and installations for public spaces. He has also contributed to art theory as an essayist and philosopher. The 2019 Gerhard-Altenbourg-Preis pays tribute to a body of work based on a comprehensive concept of art. The catalogue includes works from seven decades of de vries' artistic practice. Three different essays concentrate on the subjects of nature, philosophy and art history in de vries' works.

The work of Mannerist sculptor Adriaen de Vries (1556–1626) reached impressive new heights in the last years of his life. Between 1620 and 1626, working in Prague as the court sculptor of the Habsburg emperors, de Vries executed a series of masterful bronzes in which his loose modeling style and his dynamic compositions became fully manifest. This work took place in the midst of a volatile period in the history of Prague, marked by revolts, regime changes, war and a turbulent economy.The recently discovered de Vries sculpture “The Bacchant” (1626), acquired by the Rijksmuseum in 2014 (the most expensive ancient sculpture ever to change hands at auction), is the high point of this period of late work. Based on new research, this publication uses “The Bacchant” as a focal point for exploring the sculptor’s late work and its tumultuous context.

New! This book is in the same immaculate condition as when it was published 1.21

in-4, cartonnage de l'éditeur, 229 pp., nombreuses photos en couleurs. Catalogue publié en association avec le Musée Gassendi de Digne-les-Bains. Textes d'Anne Moeglin-Delcroix, Fabien Faure, Nadine Gomez, etc. Très bon état.

In the 1950s Art Informel painting showed herman de vries his own way to art; in the 1960s he belonged to the international ZERO movement and worked on his white paintings. From such radical reduction, the artist became fascinated with the interplay between art and nature. de vries' oeuvre comprises paintings, collages, graphic works, text images, sculptures, artist books and installations for public spaces. He has also contributed to art theory as an essayist and philosopher. The 2019 Gerhard-Altenbourg-Preis pays tribute to a body of work based on a comprehensive concept of art. The catalogue includes works from seven decades of de vries' artistic practice. Three different essays concentrate on the subjects of nature, philosophy and art history in de vries' works.

In 1997 Nancy de Vries accepted the Apology from the Parliament of New South Wales on behalf of all the Indigenous children who had been taken from their families and communities throughout the state's history. It was an honour that recognised she had the courage to speak about a life of pain and loneliness. Nancy tells her story in an unusual and challenging collaboration with Dr Gaynor Macdonald (Anthropology) of the University of Sydney, Associate Professor Jane Mears (Social Policy) of the University of Western Sydney and Dr Anna Nettheim (Anthropology) of the University of Sydney. Situated within its political history, and with an in-depth insight into the impact of social policies, this invaluable text discusses what it means to hear stories if trauma. The official file record of Nancy's life to adulthood provides as discordant voice against Nancy's own story. It took Nancy 50 lonely years to locate her mother, with whom she was able to spend only 10 hours. A disturbing account of the callousness meted out to those who don't fit social expectations, this book is also an inspiring reminder of the tenacity of the human spirit.

Barbara Haveman, Livia Aghova, Burkhard Fritz, Alejandro Marco-Buhrmester, Balint Szabo, Hubert Francis, Fabrice Farina, Rudi de Vries, Roger Smeets, Jeremy White, and Christophe Fel star in this Netherlands' Opera production of the Verdi opera.

In this volume, originally published in English in 1900-it was translated by HENRI DE VRIES (1847-1932)-Abraham Kuyper addresses what he feels is a scarcely discussed topic among theologians and practicing Christians: the person and work of the Holy Spirit. Much had been written about Jesus and the Father, but he found very little about the Holy Spirit, whose job it is to sanctify the soul. Kuyper divides his work into three volumes. Volume One covers the work of the Holy Spirit in the Church; Volumes Two and Three cover the work of the Holy Spirit in the individual. Dutch theologian ABRAHAM KUYPER (1837?1920) was prime minister of the Netherlands from 1901 to 1905. He developed Neo-Calvinism, which emphasizes the sovereignty of Jesus over all mental pursuits and supports the idea that there exists a grace given by God to all things in order to sustain the continued unfolding of creation. Kuyper wrote a number of books including Conservatism and Orthodoxy (1870), The Social Question and the Christian Religion (1891), and Common Grace (1902).

“There are times when parenting seems nothing more than feeding the mouth that bites you.” — Peter De Vries Parenting teenagers can be hard. Maybe you already know that. The question is, does adolescence really need to be a frustrating time for parents and teenagers? If your child isn’t a teenager yet, can you make preparations now to avoid many of the pitfalls parents of adolescents go through? With so much information and differing viewpoints, how can a parent really know that they are "doing it right?” In Feeding The Mouth That Bites You, Dr. Ken Wilgus outlines a clear and practical path through the confusion of parenting adolescents in today’s world. Engaging, accessible, and funny, Feeding The Mouth That Bites You summarizes Dr. Wilgus’s best teachings on how to parent teenagers, collected over twenty-five years of work with adolescents and their families as well as two decades of teaching on parenting. Though trends and technology will always change, the adolescent need for autonomy remains the one foundational issue that is the largest obstacle to a healthy parent/teenager relationship. Feeding The Mouth That Bites You explains this need and the effect it has on a wide range of teenage behavior. Dr. Wilgus clearly outlines his method for safely and effectively meeting this need: Planned Emancipation. Once parents clearly understand adolescents’ needs and know how to respond, parenting a teenager becomes much less frustrating. Even their teenagers join in to help out! Knowing what your teenager needs and being able to provide for that need is truly the art of Feeding The Mouth That Bites You.

Drawing on hitherto unseen archival material and interviews, “They Thought It Was a Marvel” sketches an unforgettable portrait of British pioneer filmmaker Arthur Melbourne-Cooper. Tjitte de Vries and Ati Mul sift through several of Melbourne-Cooper’s films, emphasizing his contributions to early cinema while simultaneously arguing their case that Melbourne-Cooper’s Matches Appeal is the first animated film. Accompanying the book is a DVD that features the six surviving animated films made by Melbourne-Cooper.  

MVRDV is a Rotterdam-based architecture and urban design practice founded in 1993 (its name is an acronym for founding members Winy Maas, Jacob van Rijs and Nathalie de Vries). In cooperation with Ilka and Andreas Ruby, MVRDV assembled a monographic overview of 20 years of architectural practice, MVRDV Buildings, now available in a new, updated edition. Featuring user testimonies, journalistic articles, and previously unpublished images and drawings, MVRDV Buildings surveys the realized work to date of one of the world’s top architecture bureaus. Acclaimed for its visionary research and thought-provoking projects such as Pig City (a high-rise landscape designed to solve lack-of-space problems for the pig meat industry in the Netherlands) and Grand Paris (a proposal to join Paris and its suburbs into a high-density "post-Kyoto city" by 2030), MVRDV has realized a stunning portfolio of buildings and urban plans. This volume includes MVRDV’s famous projects, such as Villa VPRO (Hilversum), WoZoCo (Amsterdam), Balancing Barn (Suffolk, UK) and Edificio Mirador (Madrid), and explores these with a characteristically inquisitive attitude. How do these buildings perform? What is life like in a blue house (in Didden Village, near Rotterdam), on an orange tribune (The Why Factory, situated within a courtyard at Delft University of Technology), in a vertical shopping street (the Gyre Shopping Center in Tokyo) or inside a mountain of books (the Book Mountain library in Spijkenisse)?

Gr.-8vo. 784 S. Mit Portrait. Mit XXVI S. Abb. Originaler Verlagskarton (mit OUmschlag). (St.a.Tbrückseite, Rückenschild mit Transparentstreifen um Buchdeckel). In französischer Sprache. Mit Beiträgen von G. Sanders, J. Brunschwig, C. J. de Vogel, G. J. de Vries, K. Gaiser, H. Gundert, R. Loriaux, J. Mansfeld, J. B. Skemp, Enrico Berti, Victor Goldschmidt, S. Mansion u. a. Sprache: französisch.

In European Urbanization Jan de Vries provides a comprehensive data base for understanding the nature of the changes that took place in European cities from 1500 to 1800. The book is based on an immense systematic survey of the population history of 379 European cities with 10,000 or more inhabitants analysed at fifty-year intervals. Using a wide range of economic, demographic and geographic models, Professor de Vries illustrates the patterns of urban growth, draws conclusions about the significance of migratory behaviour and shows the effects of urbanization on the history of Europe as a whole. Presenting these broad measures in urbanization the book makes the case that the cities of Europe gradually came to form a single urban system. The properties of this system are analysed with the use of several different geographical concepts: rank-size distribution, transition matrices and potential surfaces, among others. This examination of the fortunes of cities of different sizes and regions and the economic and political factors that affected their development is fundamentally important for understanding modern Europe and contemporary problems of urban development. Jan de Vries mines these rich, complex data to give us a balanced view of the dynamics of change in urban, pre-industrial society. This book was first published in 1984.