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Presents the lives and sayings of some of the most renowned figures in the Islamic Sufi tradition, translated into a contemporary American English from the Persian of the poet Farid al-Din 'Att r.

About the brand: Finely-crafted home furnishings with a unique flair. Color/pattern: green/beige A luxurious addition to any interior, this Farid Throw redefines Victorian elegance for todays contemporary decor. Farids lush green cotton fabric is luxuriously comfortable, and plush beige tassels add a regal touch. Measures 50in x 60in 100% cotton Dry clean only Imported

Presents the lives and sayings of some of the most renowned figures in the Islamic Sufi tradition, translated into a contemporary American English from the Persian of the poet Farid al-Din 'Att r.

Presents the lives and sayings of some of the most renowned figures in the Islamic Sufi tradition, translated into a contemporary American English from the Persian of the poet Farid al-Din 'Att r.

Presents the lives and sayings of some of the most renowned figures in the Islamic Sufi tradition, translated into a contemporary American English from the Persian of the poet Farid al-Din 'Att r.

Thanks largely to the matchless collection of mystical hymns in the local language of Siraiki, Khwaja Ghulam Farid (1845-1901), of Chacharan in the former princely state of Bahawalpur, continues to enjoy an enormous local reputation. In each area of Pakistan, there is one great figure of the literary past who has achieved the status of a patron saint and a symbol of local identity; and in the Siraiki-speaking area, this figure is unquestionably Ghulam Farid. Comprised of a collection of both his teachings and poems, the present translation brings the wider public direct access to one of the greatest figures in the literary and spiritual past of Pakistan.The Teachings, recorded first-hand by the Khwaja’s devoted disciple Rukn ud-Din, capture the unblurred vividness of the Khwaja talking to his disciples in a way that leads the mind gradually and seamlessly into the world of classical Islam. Through these lessons, the Khwaja proves himself to be a scholar with wide intellectual interests as well as a spiritual dignitary of the firmest orthodoxy. A master of the poetic form of the kafi, the present work also exposes the reader to the Khwaja’s sensitivity to beauty and magical ability to handle language through poems which appeal to the emotions as much as they convey religious teaching and profound mystical awareness. The blend of traditional Sufi allegories with the Khwaja’s refreshing originality results in the kind of all-embracing poetic language which can perhaps emerge only once in the history of any given literature.

Umar Ibn al-Farid (b. 576 [hijri date]/1181 CE; d. 632 [hijri date]/1235 is the most venerated mystical poet in Arabic. An accomplished Sufi as well as a respected poet, his poetry blends the two traditions -- classical Arabic poetry and Islamic mysticism -- in a body of work with a distinctly devotional and mystical character.In a major contribution to the critically acclaimed and long lived Classics of Western Spirituality "TM" series, editor Th. Emil Homerin makes available here two of Ibn al-Farid's poems that have long been considered classics of Islamic mystical literature. The Wine Ode, a poem in praise of wine as well as a love poem, can also be seen as an extended meditation on the presence of divine love in the universe. The Poem of the Sufi Way, one of the longest poems ever composed in Arabic, and the most famous one rhyming in "T", begins as a love poem and then explores a number of crucial concerns confronting the seeker on the Sufi path. Both works have been treated for centuries in numerous mystical commentaries. Noteworthy as well in this volume is the addition of the Adorned Proem, a reverential account of Ibn al-Farid's life by his grandson.Individuals interested in the fields of mysticism and spirituality, as well as lovers of poetry, particularly love poetry, will find this to be fascinating reading. It will have great relevance, of course, for scholars and students of Arabic literature, Islam and mysticism.

Text in English and Arabic, preface by Jean-Yves L'Hopital-in French. Published in 2004 by the Institut Francais D'Archeologie Orientale. Light bit of wear to corners. Spine has creasing. Binding remains strong, text unmarked. NOT ex-library. Ships same or next business day from Dinkytown in Minneapolis, Minnesota. Due to the size/weight of this book extra charges may apply for international shipping. "The Diwan of Ibn al-Farid: Readings of its Text throughout History [A Critical Edition by Giuseppe Scattolin] (Textes Arabes et Etudes Islamiques 41)"

Umar Ibn al-Farid (b. 576 [hijri date]/1181 CE; d. 632 [hijri date]/1235 is the most venerated mystical poet in Arabic. An accomplished Sufi as well as a respected poet, his poetry blends the two traditions -- classical Arabic poetry and Islamic mysticism -- in a body of work with a distinctly devotional and mystical character.In a major contribution to the critically acclaimed and long lived Classics of Western Spirituality "TM" series, editor Th. Emil Homerin makes available here two of Ibn al-Farid's poems that have long been considered classics of Islamic mystical literature. The Wine Ode, a poem in praise of wine as well as a love poem, can also be seen as an extended meditation on the presence of divine love in the universe. The Poem of the Sufi Way, one of the longest poems ever composed in Arabic, and the most famous one rhyming in "T", begins as a love poem and then explores a number of crucial concerns confronting the seeker on the Sufi path. Both works have been treated for centuries in numerous mystical commentaries. Noteworthy as well in this volume is the addition of the Adorned Proem, a reverential account of Ibn al-Farid's life by his grandson.Individuals interested in the fields of mysticism and spirituality, as well as lovers of poetry, particularly love poetry, will find this to be fascinating reading. It will have great relevance, of course, for scholars and students of Arabic literature, Islam and mysticism.

Umar Ibn al-Farid (b. 576 [hijri date]/1181 CE; d. 632 [hijri date]/1235 is the most venerated mystical poet in Arabic. An accomplished Sufi as well as a respected poet, his poetry blends the two traditions -- classical Arabic poetry and Islamic mysticism -- in a body of work with a distinctly devotional and mystical character.In a major contribution to the critically acclaimed and long lived Classics of Western Spirituality "TM" series, editor Th. Emil Homerin makes available here two of Ibn al-Farid's poems that have long been considered classics of Islamic mystical literature. The Wine Ode, a poem in praise of wine as well as a love poem, can also be seen as an extended meditation on the presence of divine love in the universe. The Poem of the Sufi Way, one of the longest poems ever composed in Arabic, and the most famous one rhyming in "T", begins as a love poem and then explores a number of crucial concerns confronting the seeker on the Sufi path. Both works have been treated for centuries in numerous mystical commentaries. Noteworthy as well in this volume is the addition of the Adorned Proem, a reverential account of Ibn al-Farid's life by his grandson.Individuals interested in the fields of mysticism and spirituality, as well as lovers of poetry, particularly love poetry, will find this to be fascinating reading. It will have great relevance, of course, for scholars and students of Arabic literature, Islam and mysticism.

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An art scarf inspired by The Met collection. The lively motif featured on both sides of this scarf comes from an illustrated manuscript (ca. 1600) of Farid al-Din Attar's mystical poem Language of the Birds. The text comprises a series of parables narrated by a hoopoe, a crested bird that leads a flock representing individual souls on a journey to find the mythic simurgh, a benevolent winged creature symbolizing spiritual unity. This scarf reimagines the illustration decorating "The Concourse of the Birds," a charming folio added to the manuscript in the early 17th century. Signed by Habiballah of Sava (Iranian, active ca. 1590-1610), the painting depicts the hoopoe addressing his avian companions before they depart on their quest.

Tip Top is the latest delightful concoction from French fabulist Serge Bozon (La France). It is a dizzying mash-up of screwball comedy and police procedural that reckons with France's colonialist legacy. Farid, an Algerian informant for the French police, is found murdered in a small French town. Two offbeat and unethical female investigators (a fiercely authoritarian Isabelle Huppert paired with an inquisitive and voyeuristic Sandrine Kiberlain) are brought in to investigate the possibility of

In Moral Empowerment: In Quest of a Pedagogy, Dr. Sona Farid-Arbab’s illuminating work is carried out on the basis of two central premises: that we live in an age of transition from humanity’s childhood to its maturity, and that a fundamental characteristic of this age is the growing consciousness of the oneness of humankind. Taking these premises to heart, Farid-Arbab explores a philosophical framework capable of guiding educational programs seeking the moral empowerment of students.

A modern retelling of the Sufi parable, "The Conference of the Birds," a poem written in the thirteenth century by Farid ud-Din Attar. In this retelling, the birds of the Earth, led by the Hoopoe, respond to Her call for help and set out on a journey to find the Great Being over the edge of time. In the course of this journey they encounter and overcome the power of the seven invisible monsters who are threatening the life of the planet.

One of the best commentaries of Quran ever written in English. Malik Ghulam Farid Sahihb compiled the Dictionary of Holy Quran (http://a.co/dSguAjc) also available on amazon before writing this short commentary. This commentary also has subject wise index plus cross references. It has more than 2000 pages. It was published here in USA in 2017 and font size was increased for easy reading.

This book consists largely of records of meetings between President Nasser of Egypt and various world figures - Podgorny, Tito, King Faisal, King Husain - from 22 June 1967, following the Arab-Israeli war, to 27 September 1970, the day before Nasser died. Farid intersperses the records with his own observations in an unobtrusive manner leaving statesmen to speak for themselves, thus presenting a unique insight into the attitudes and personalities of those involved in these crucial talks. A highly original and eminently readable book, it is also an indispensable reference for students of contemporary Middle Eastern history and politics.

Farid El Atrache was a Syrian-Egyptian singer-songwriter, oud virtuoso and actor, born on October 19, 1910 in Soueda and died on December 26, 1974 in Beirut. Along with Oum Kalthoum, Fayrouz, Mohammed Abdel Wahab and Abdel Halim Hafez, he is one of the most important names in Arab music of the XX? century.

The Conference of Birds is the most widely known and influential work of Farid Ud-Din Attar, a twelfth-century Persian poet and mystic of the school of Islamic mysticism known as Sufism. The poem starts with the Hoopoe addressing a gathering of birds, urging them to journey to visit his king, Simorgh. Simorgh, he claims, is the ultimate king and ruler of them all. The subsequent journey is an allegory of the soul's search for unity with the divine. In Sufism the relationship between the seeker and God is similar to that between a lover and the beloved. In this consuming and transcendent love, the distinctions between self and the divine fall away. The stories in The Conference of Birds have captivated generations of readers, inspiring them to take their own spiritual journeys.