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The description for this book, Farnese Gallery, will be forthcoming.

Add a natural touch to your home with the Merola Tile Farnese Aventino Humo 11-1/2 in. x 11-1/2 in. Porcelain Floor and Wall Tile. Stones of varying sizes are printed in the surface, providing smooth walking and mimicking the look of flattened stones set in concrete. The light gray background resembles a river bottom and a geometric star print adds a modern twist to the rustic design. This tile is ground down to give you precise sizing every time. Designed for both interior and exterior use, it's perfect for kitchens, bathrooms, patios or fireplaces. Color: Humo / Low Sheen.

Add a natural touch to your home with the Merola Tile Farnese Amalfi Azul 11-1/2 in. x 11-1/2 in. Porcelain Floor and Wall Tile. Stones of varying sizes are printed in the surface, providing smooth walking and mimicking the look of cut stones set in concrete. The light blue background resembles a river bottom. This tile is ground down to give you precise sizing every time. Designed for both interior and exterior use, it's perfect for kitchens, bathrooms, patios or fireplaces. Color: Azul / Low Sheen.

Add a natural touch to your home with the Merola Tile Farnese Amalfi Humo 11-1/2 in. x 11-1/2 in. Porcelain Floor and Wall Tile. Stones of varying sizes are printed in the surface, providing smooth walking and mimicking the look of cut stones set in concrete. The light gray background resembles a river bottom. This tile is ground down to give you precise sizing every time. Designed for both interior and exterior use, it's perfect for kitchens, bathrooms, patios or fireplaces. Color: Humo / Low Sheen.

Mimicking the appearance of flattened stones set in concrete, the Merola Tile Farnese Aventino Crema 11-1/2 in. x 11-1/2 in. Porcelain Floor and Wall Tile offers a natural look for virtually any space. With a light beige background reminiscent of a stony river bottom, this tile has a smooth but slip-resistant surface. Varying stones are printed into the surface, offering a level surface for walking on. Geometric stars are printed across the entire surface, offering a modern look to this otherwise rustic design. This large porcelain slab is rectified, or ground down for precise sizing every time. Great for interior and exterior use, this tile can be used in showers, kitchens, and on patios or fireplaces. Color: Crema / Low Sheen.

Add a natural touch to your home with the Merola Tile Farnese Molise Crema 11-1/2 in. x 11-1/2 in. Porcelain Floor and Wall Tile. Stones of varying sizes are printed in the surface, providing smooth walking and mimicking the look of flattened stones set in concrete. The beige background resembles a tranquil river bottom. Ornate old-world designs on each tile create a leafy appearance that accents the stone print. This tile is ground down to give you precise sizing every time. Designed for both interior and exterior use, it's perfect for kitchens, bathrooms, patios or fireplaces. Color: Crema / Low Sheen.

Mimicking the appearance of flattened stones set in concrete, the Merola Tile Farnese Amalfi Grafito 11-1/2 in. x 11-1/2 in. Porcelain Floor and Wall Tile offers a natural look for virtually any space. With a grey background reminiscent of a stony river bottom, this tile has a smooth but slip-resistant surface. Varying stones are printed into the surface, offering a level surface for walking on. This large porcelain slab is rectified, or ground down for precise sizing every time. Great for interior and exterior use, this tile can be used in showers, kitchens, and on patios or fireplaces. Color: Grafito / Low Sheen.

Mimicking the appearance of cut stones set in concrete, the Merola Tile Farnese Amalfi Crema 11-1/2 in. x 11-1/2 in. Porcelain Floor and Wall Tile offers a natural look for virtually any space. With a light beige background reminiscent of a stony river bed, this tile has a smooth but slip-resistant surface. Varying stones are printed into the surface, offering a level surface for walking on. This large porcelain slab is rectified, or ground down for precise sizing every time. Great for interior and exterior use, this tile can be used in showers, kitchens, and on patios or fireplaces. Color: Crema / Low Sheen.

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Jacket edges are lightly worn. Spine is tight. Inside is clean and unmarked.

Book is in NEW condition. 0.95

Avec la collaboration de M.Hochmann, P.Sénéchal. cm.23x31, pp.408, Coll.Le Palais Farnèse,III,3. Roma, Ecole Française de Rome cm.23x31, pp.408, brossura sovraccop.fig. a col. Coll.Le Palais Farnèse,III,3.

Substantial catalogue of an exhibition 17 December 2010 - 27 April 2011. Includes essays and catalogue entries on the history of the Palazzo and its collections. Text in French. 478 pages, ill. (mostly colour) ; 26 cm. Slight shelf wear to edges, previous owner's signature and date on front free endpaper, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Heavy book, will require extra postage for overseas purchase.

The Hero of Italy examines a salient episode in Italy's Thirty Years' War with Spain and France, whereby the young duke Odoardo Farnese of Parma embraced the French alliance, only to experience defeat and occupation after two tumultuous years (1635-1637). Gregory Hanlon stresses the narrative of events unfolding in northern Italy, examining the participation of the little state in these epic European events. The first chapter describes the constitution of Cardinal Richelieu's anti-Habsburg alliance and Odoardo's eagerness to be part of it. A chapter on the Parman professional army, based on an extraordinary collection of company roster-books, sheds light on the identity of over 13,000 individuals, soldier by soldier, the origin and background of their officers, the conditions of their lodgings, and the good state of their equipment. Chapter three follows the first campaign of 1635 alongside French and Savoyard contingents at the failed siege of Valenza, and the logistical difficulties of organizing such large-scale operations. Another chapter examines the financial expedients the duchy adopted to fend off incursions on all its borders in 1636, and how militia contingents on both sides were drawn into the fighting. A final chapter relates the Spanish invasion and occupation which forced duke Odoardo to make a separate peace. The volume includes a detailed assessment of the impact of war on civilians based on parish registers for city and country. The application of the laws of war was largely nullified by widespread starvation, disease and routine sex-selective infanticide. These quantitative analyses, supported by maps and tables, are among the most detailed anywhere in Europe in the era of the Thirty Years' War.

English Text.Photographies by Zeno Colantoni.Milano, 2007; paperback, pp. 96, col. ill., cm 16,5x24,5. Una guida breve e ricca di dettagli iconografici dedicata per la prima volta a palazzo Farnese sede dell'Ambasciata francese in Italia.Palazzo Farnese è uno degli edifici più emblematici del Rinascimento e uno dei palazzi più celebri di Roma. Intimamente legato alla figura di papa Paolo III Farnese, edificato e decorato per esaltare la gloria della famiglia, il palazzo riunisce i più grandi artisti del Cinquecento e rappresenta, quindi, una tappa irrinunciabile della storia dell'arte.È stato costruito tra il 1513 e il 1589 da quattro dei più illustri architetti, Antonio da Sangallo il giovane, Michelangelo,Vignola e Guglielmo della Porta.La decorazione interna è opera dei più grandi pittori italiani, Daniele da Volterra, Salviati, Zuccari, e infine il Carracci, che ha donato a Roma alcuni dei suoi affreschi più belli, in particolare la celebre Galleria.Palazzo Farnese è sede dell'Ambasciata di Francia dal 1874 e dell'Ecole Française di Roma dal 1875. Solo alcune stanze sono accessibili alle sei visite guidate settimanali in francese e in italiano proposte dall'Ambasciata e solo su prenotazione; tuttavia non si riesce a soddisfare la grandissima richiesta del pubblico.

New, unopened book, still in plastic shrink wrap.

During much of the sixteenth century, Rome was the artistic centre of the known world, and Cardinal Alessandro Farnese, the wealthy and powerful grandson of Pope Paul III, was the city's most important individual patron of the visual arts. For over fifty years Farnese commissioned buildings and paintings of the highest quality from the major artists active in the city.Using a wealth of hitherto unpublished material, Clare Robertson provides the first thorough reconstruction of Farnese's development and influence as a patron, at the same time, raising important questions about the attitudes and motives of Renaissance patrons and challenging a number of current art-historical assumptions about patronage. She shows how Farnese began his patronage with costly works of decorative art and thus embarked on an extensive campaign of secular commissions from artists such as Titian, Vasari, and Taddeo Zuccaro. His secular patronage culminated with his magnificent villa at Caprarola, designed by Vignola. Only in the 1560s, after some thirty years as a Cardinal, did he turn to commissions for religious works, mainly in response to Counter Reformation pressures and because of his fervent desire to become Pope. The emphasis of his patronage then changed dramatically as he embarked on building an impressive number of new churches, including the Gesu, the most influential church of the late sixteenth century.This handsomely illustrated study of a major artistic figure will be indispensable to students and scholars of sixteenth-century Italy and its art.

Colorno, Palazzo Ducale, 19 settembre- 29 novembre 1998Num Pagine 241

italiano Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone

The Hero of Italy examines a salient episode in Italy's Thirty Years' War with Spain and France, whereby the young duke Odoardo Farnese of Parma embraced the French alliance, only to experience defeat and occupation after two tumultuous years (1635-1637). Gregory Hanlon stresses the narrative of events unfolding in northern Italy, examining the participation of the little state in these epic European events. The first chapter describes the constitution of Cardinal Richelieu's anti-Habsburg alliance and Odoardo's eagerness to be part of it. A chapter on the Parman professional army, based on an extraordinary collection of company roster-books, sheds light on the identity of over 13,000 individuals, soldier by soldier, the origin and background of their officers, the conditions of their lodgings, and the good state of their equipment. Chapter three follows the first campaign of 1635 alongside French and Savoyard contingents at the failed siege of Valenza, and the logistical difficulties of organizing such large-scale operations. Another chapter examines the financial expedients the duchy adopted to fend off incursions on all its borders in 1636, and how militia contingents on both sides were drawn into the fighting. A final chapter relates the Spanish invasion and occupation which forced duke Odoardo to make a separate peace. The volume includes a detailed assessment of the impact of war on civilians based on parish registers for city and country. The application of the laws of war was largely nullified by widespread starvation, disease and routine sex-selective infanticide. These quantitative analyses, supported by maps and tables, are among the most detailed anywhere in Europe in the era of the Thirty Years' War.