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The triptych ' The War ' (1929-1932) by Otto Dix from the holdings of the Galerie Neue Meister in Dresden is one of the key works of German realistic painting in the 20th century . Hardly any other artist has studied so intensively the First World War as Otto Dix. The band opens the four-part paintings in fascinating detail shots . The preparatory drawings and boxes provide an insight into the years of development process of the triptych . So far unpublished source material for combat of the artist as well as reflections on the processing of their experiences after the war, which illuminate the contemporary historical context.

The famous “Historisches Grünes Gewölbe” returns to the residential palace for the first time after 60 years in September 2006. The beautifully illustrated catalogue takes the reader on a fascinating tour through this unique “Gesamtkunstwerk”. The "Grünes Gewölbe" was founded in 1550 by Elector August of Saxony as the state treasury, "Geheime Verwahrung." Augustus the Strong converted it into a publicly accessible Schatzkunst museum in 1729. His idea was unrivalled: the eight display rooms with their exquisite interiors and the highly impressive mise en scène of the collection were designed to inspire amazement. The extravagant profusion of precious objects in gold, silver, enamel and precious stones, the ivories, bronzes and jewellery proclaimed the wealth and artistic taste of the Saxon dynasty. In 1942 the collection was closed and taken into storage at Königstein fortress. The museum's exterior and three of the eight rooms were severely damaged during the war. From 1974 a part of the collection could be seen again, but it was not until 2004 when the "Neues Grünes Gewölbe" was reopened with exhibits from the Renaissance to Neo-Classicism. The book introduces the masterpieces of this fascinating collection and provides an insight into the brilliant concept of the museum's founder, from which the inspiration for this presentation has been drawn.

The famous “Historisches Grünes Gewölbe” returns to the residential palace for the first time after 60 years in September 2006. The beautifully illustrated catalogue takes the reader on a fascinating tour through this unique “Gesamtkunstwerk”. The "Grünes Gewölbe" was founded in 1550 by Elector August of Saxony as the state treasury, "Geheime Verwahrung." Augustus the Strong converted it into a publicly accessible Schatzkunst museum in 1729. His idea was unrivalled: the eight display rooms with their exquisite interiors and the highly impressive mise en scène of the collection were designed to inspire amazement. The extravagant profusion of precious objects in gold, silver, enamel and precious stones, the ivories, bronzes and jewellery proclaimed the wealth and artistic taste of the Saxon dynasty. In 1942 the collection was closed and taken into storage at Königstein fortress. The museum's exterior and three of the eight rooms were severely damaged during the war. From 1974 a part of the collection could be seen again, but it was not until 2004 when the "Neues Grünes Gewölbe" was reopened with exhibits from the Renaissance to Neo-Classicism. The book introduces the masterpieces of this fascinating collection and provides an insight into the brilliant concept of the museum's founder, from which the inspiration for this presentation has been drawn.

From the Publisher: "This illustrated book is published to coincide with the exhibition War and Medicine, organized by Wellcome Collection, London, in collaboration with the Deutsches Hygiene-Museum, Dresden. It explores the complex and fascinating relationship between war and medicine, and the ways in which they have influenced each other throughout the modern period. As civilizations develop more sophisticated and destructive technologies with which to wage war, medicine evolves to meet the needs of resulting casualties. This in turn informs advances in civilian medicine and social policy. War and Medicine charts this complex process and the ethical, political and personal issues raised." From the sometimes counterintuitive and ethically challenging principles of triage, to the recent arguments over whether and how post-traumatic stress can be clinically diagnosed, it reveals how humankind's desire to repair and heal has tried, with varying degrees of success, to keep pace with its capacity to maim and kill. The result is an engrossing history of war and medicine in the modern era.

The triptych ' The War ' (1929-1932) by Otto Dix from the holdings of the Galerie Neue Meister in Dresden is one of the key works of German realistic painting in the 20th century . Hardly any other artist has studied so intensively the First World War as Otto Dix. The band opens the four-part paintings in fascinating detail shots . The preparatory drawings and boxes provide an insight into the years of development process of the triptych . So far unpublished source material for combat of the artist as well as reflections on the processing of their experiences after the war, which illuminate the contemporary historical context.