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As twin agents of creative expression fashion and music have long shared a powerful mutual attraction: from the Sex Pistols to Madonna, Kylie Minogue to Lady Gaga, fashion has consistently amplified our understanding of the band (and in many cases the brand) – fuelling the fantasy, giving context to the sound and adding depth to artists' wider agendas. From pop videos to editorial shoots, via the evolution of some of the industry's most significant and era-defining pairings/collaborations this book will focus on the power of fashion as a make-or-break tool within the music industry's creative process – making it an essential reference point for anyone interested in fashion's role as a medium with which to innovate, communicate and build enduring brands. Providing fascinating insights and behind-the-curtain journeys into the usually closed world of the fashion/music industry it will include original interviews with stylists, photographers, video directors, record label reps, hair & make-up artists, graphic designers and the artists themselves.

Experience superior sound with our Bluetooth Speaker USB Wired Fashion Desktop Computer, designed to deliver rich stereo music and deep bass with its built-in subwoofer. Perfectly complementing any desktop setup with its sleek black finish, this speaker doubles as a stylish decor piece. Whether for work or leisure, enjoy crisp audio and seamless connectivity via Bluetooth or USB, making it an essential addition to your PC or laptop.

The relationship between popular music and fashion has been a culturally significant one since the 1950s, and this book explores how music and musicians play a key role in the shaping of identity, taste and consumption. Using a range of historical and contemporary examples, this book uncovers the way in which fashion and music have worked to shape contemporary attitudes to bodies and identities.Focusing on performers as much as fans, on the mainstream as much as the underground, Fashion and Music provides a lens through which to examine themes of gender, sexuality, ageing and youth, ethnicity, body image, consumer culture, fandom and postmodernity.

As twin agents of creative expression fashion and music have long shared a powerful mutual attraction: from the Sex Pistols to Madonna, Kylie Minogue to Lady Gaga, fashion has consistently amplified our understanding of the band (and in many cases the brand) – fuelling the fantasy, giving context to the sound and adding depth to artists' wider agendas. From pop videos to editorial shoots, via the evolution of some of the industry's most significant and era-defining pairings/collaborations this book will focus on the power of fashion as a make-or-break tool within the music industry's creative process – making it an essential reference point for anyone interested in fashion's role as a medium with which to innovate, communicate and build enduring brands. Providing fascinating insights and behind-the-curtain journeys into the usually closed world of the fashion/music industry it will include original interviews with stylists, photographers, video directors, record label reps, hair & make-up artists, graphic designers and the artists themselves.

Burning Love Women's Black Faux Leather Belt Bag Featuring Black & White Photos Of Elvis Presley With A Black Enameled Music Note Zipper Pull Charm - With his powerful voice and iconic dance moves, Elvis Presley™ became a memorable rock and roll legend to millions of people across the world. Now, the legacy of Elvis™ lives on in a rockin' officially licensed fanny pack. Introducing the Burning Love Belt Bag, a fashion design original only from The Bradford Exchange. This Elvis Presley fashion accessory celebrates the King of Rock 'N' Roll™ with three iconic photos. Best of all, it can be worn in several ways for a versatile style that's as irresistible as Elvis. Wear it around your waist as a hip pack, around your back or across your chest for hands-free convenience.Expertly crafted of black faux leather with gold-tone hardware accents, the belt bag features three handsome black-and-white photos of the King of Rock 'N' Roll on the front for a triple dose of the music legend, complemented by the words "Burning Love" in gold-tone script. With a main zipper closure, three interior credit card slots, and one interior zippered pocket, you can keep all your essentials at your fingertips. Plus, the adjustable strap allows for a comfortable fit no matter which way you wear it. A black-enameled music note zipper pull charm completes the stylish look. Strong demand is expected for this women's bag, so don't delay. Order now!

With all things vintage enjoying a boom worldwide, swing dancing has well and truly swung back into fashion. From vintage festivals and tea dances to weekend socials and hundreds of weekly classes held around the world, multiple forms of the dance that was created in 1930s Harlem by Frankie Manning are growing ever more popular. This beautiful photographic overview explores the vibrant contemporary swing-dancing scene, looking at the different dance styles and the associated culture, community and fashion. Illustrated with vintage and contemporary photography, as well as specially commissioned step-by-step guides, it provides everything you need to know, whether you fancy kicking up your heels in the Charleston or mastering the Lindy Hop ‘swing out’. â??The four major dance styles are covered – Charleston, Collegiate Shag, Balboa and Lindy Hop, including the Strolls, which are guaranteed to fill the dance floor. With an overview of the fascinating evolution of the dance style at the start of each chapter, the book examines the fashions for guys and girls, including hair and make-up, and a clothing, shoes and accessories checklist, as well as suggesting top ten tunes to practice to. There's a breakdown of the basic step patterns upon which the dance is built, a guide to some of the key moves plus insider tips from old-timers and today’s leading swing dancers. Video demonstrations of the dances produced exclusively for the book are embedded in the pages and easily accessible via scannable QR codes. This book is all you need to get your dancing shoes on and start swing dancing!

Which is more important to New York City's economy, the gleaming corporate office--or the grungy rock club that launches the best new bands? If you said "office," think again. In The Warhol Economy, Elizabeth Currid argues that creative industries like fashion, art, and music drive the economy of New York as much as--if not more than--finance, real estate, and law. And these creative industries are fueled by the social life that whirls around the clubs, galleries, music venues, and fashion shows where creative people meet, network, exchange ideas, pass judgments, and set the trends that shape popular culture.The implications of Currid's argument are far-reaching, and not just for New York. Urban policymakers, she suggests, have not only seriously underestimated the importance of the cultural economy, but they have failed to recognize that it depends on a vibrant creative social scene. They haven't understood, in other words, the social, cultural, and economic mix that Currid calls the Warhol economy.With vivid first-person reporting about New York's creative scene, Currid takes the reader into the city spaces where the social and economic lives of creativity merge. The book has fascinating original interviews with many of New York's important creative figures, including fashion designers Zac Posen and Diane von Furstenberg, artists Ryan McGinness and Futura, and members of the band Clap Your Hands Say Yeah.The economics of art and culture in New York and other cities has been greatly misunderstood and underrated. The Warhol Economy explains how the cultural economy works-and why it is vital to all great cities.

Which is more important to New York City's economy, the gleaming corporate office--or the grungy rock club that launches the best new bands? If you said "office," think again. In The Warhol Economy, Elizabeth Currid argues that creative industries like fashion, art, and music drive the economy of New York as much as--if not more than--finance, real estate, and law. And these creative industries are fueled by the social life that whirls around the clubs, galleries, music venues, and fashion shows where creative people meet, network, exchange ideas, pass judgments, and set the trends that shape popular culture. The implications of Currid's argument are far-reaching, and not just for New York. Urban policymakers, she suggests, have not only seriously underestimated the importance of the cultural economy, but they have failed to recognize that it depends on a vibrant creative social scene. They haven't understood, in other words, the social, cultural, and economic mix that Currid calls the Warhol economy. With vivid first-person reporting about New York's creative scene, Currid takes the reader into the city spaces where the social and economic lives of creativity merge. The book has fascinating original interviews with many of New York's important creative figures, including fashion designers Zac Posen and Diane von Furstenberg, artists Ryan McGinness and Futura, and members of the band Clap Your Hands Say Yeah. The economics of art and culture in New York and other cities has been greatly misunderstood and underrated. The Warhol Economy explains how the cultural economy works-and why it is vital to all great cities.

Angela McRobbie's new collection of essays considers the social consequences of cultural proliferation and the social basis of aesthetic innovation.

In all its forms from hardcore to trance, Techno has moved from its small underground club beginnings to connect with the pulse of today's youth. Moreover techno has moved beyond the music to create its own distinct cultural identity. This book charts the development of the Techno movement and celebrates the graphics and fashion that it has given rise to. Works of Peter Saville, The Designers Republic, KM7 and Jaffa, The Unknown are recorded. Accordingly an overall synthesis is presented of a music form, which like Punk in the 70's and Rock in the 60's, has come to mark the age.

The definitive monograph of the visionary design team, celebrating their twentieth anniversary. Michael Amzalag and Mathias Augustyniak are among the most distinctive and influential voices in contemporary graphic design. Through close associations with the music, fashion, and art worlds, M/M have developed one of the most original and striking visual languages in the world. Originally working for independent music labels, M/M caught the attention of the fashion world, working for Calvin Klein, Jil Sander, Kenzo, Givenchy, Yohji Yamamoto, and Nicolas Ghesquière at Balenciaga, eventually landing them the art directorship of Interview and French Vogue, as well as rich long-term collaborations with independent producers and music artists, notably Madonna and Björk. Although print and an illustrative approach to typography lie at the heart of M/M’s work, they have also produced unexpected three-dimensional designs for the stage, restaurants, and the perfume industry. Featuring interviews with key collaborators and design by the cutting-edge Graphic Design Facility, this ambitious monograph is a rare insight into the world’s most intriguing—and iconoclastic—image-makers. About the book's organization: The alphabet is a recurring theme in the work of M/M (Paris), which provided an appropriate motif to create a "dictionary" of the projects that appear in these pages. Like the cutting and restacking of a pack of cards, the book has been rearranged so that it opens with the letter M for "Michael" and closes with the letter M for "Mathias". Accordingly, it opens on page 311 and concludes on page 310. Contributions for this book include Hans Ulrich Obrist, Bjork, Inex van Lamsweerde, Glenn O'Brien, Sarah Morris, Philippe Parreno, and Pierre Huyghe.

The scene surrounding independent guitar-based music of 1980s Britain has been largely overlooked until now. This critically acclaimed book excavates the looks and sounds of the era, featuring hundreds of unpublished photographs of bands including My Bloody Valentine, The Jesus and Mary Chain, the Smiths, and Primal Scream.

The bible of indie culture. index A to Z celebrates the uncompromising personalities, humor, and DIY brilliance of the indie generation and captures the spirit of the era with sections like F for Fashion, featuring designers Kate Spade and Marc Jacobs; I for Indie with Harmony Korine and John Waters; and others such as Royalty, Vanished, and X-Rated. Paying homage to Generation X's "It" glossy, this volume is packed with index's most memorable interviews and greatest photographs of the time, including previously unpublished outtakes and party pictures. Beginning as a low-budget, oversized fanzine in 1996, index magazine quickly became one of the most influential small publications in the United States. With a smart and irreverent voice that epitomized the late '90s indie ethos, the magazine brought together some of the most relevant cultural figures who were at that time young and often unknown, and who have since become cultural icons or celebrities, including Bjork, Scarlett Johansson, Alexander McQueen, and Ryan McGinley, to name just a few. New interviews with founders Peter Halley and Bob Nickas, a reminiscence by Bruce LaBruce, and a historical overview by Wendy Vogel offer further looks behind the scenes.

Youth subculture in twentieth-century Britain was a unique phenomenon. Throughout the decades, young people sought to define themselves sartorially, reflecting their identity in terms of regionalism, class and crucially, musical taste, through their clothes. This book is a comprehensive survey of forty-five "tribes" that roamed the streets of Britain from the '60s to the '90s. From Mod to Skinhead and Rocker to Rudeboy, the look of each movement is captured in meticulously researched, previously unpublished archive photography.Explanatory texts by Sam Knee as well as an illustrated "look-book" appendix make this an important resource for fashion students, musos and cultural historians.

Examining and illustrating the art scene surrounding the birth of modernism and its simultaneous rise among the burgeoning working class Mod scene of the Sixties, Paul Anderson's Mod Art is the definitive work on the visual culture of Mod. With interviews from key artists, scene members and a rich understanding of the how the collision of high art and mass culture formed, Mod Art will appeal to fans of history, music, fashion and art. Gorgeously illustrated with a treasure trove of hundreds of colour photographs of famous, rediscovered and rare images from the era, Mod Art will be read and re-read for years to come. Paul Anderson's previous book, Mods: The New Religion, is a best seller in the genre and considered a defining work on the subculture.

Youth subculture in twentieth-century Britain was a unique phenomenon. Throughout the decades, young people sought to define themselves sartorially, reflecting their identity in terms of regionalism, class and crucially, musical taste, through their clothes. This book is a comprehensive survey of forty-five "tribes" that roamed the streets of Britain from the '60s to the '90s. From Mod to Skinhead and Rocker to Rudeboy, the look of each movement is captured in meticulously researched, previously unpublished archive photography.Explanatory texts by Sam Knee as well as an illustrated "look-book" appendix make this an important resource for fashion students, musos and cultural historians.

From original beachcomber personalities like the Waikiki Beachboys to the rise of Venice Beach as a creative center for music, art, and film, Pop Surf Culture traces the roots of the surf boom and explores its connection to the Beat Generation and 1960s pop culture. Through accounts of key figures both obscure and popular, the book illustrates why surf culture is a vital art movement of the 20th century.Pop Surf Culture includes essays about the popular beach” movies of the 1950s and ’60s, which featured such stars as Annette Funicello and Frankie Avalon and the music of Dick Dale & His Del-Tones, Brian Wilson, the Pyramids, Gary Usher, James Brown, and Little Stevie Wonder.Sixties art figures Michael Dormer and Rick Griffin as well as the surf magazines which promoted their art are featured alongside the progenitors of surf music,” from the little known (the Centurians) to the wildly popular (the Beach Boys). Duke Kahanamoku, the Gas House, Gidget, surfing on television, the bohemian surf aesthetic, surf music hot spots, Mickey Da Cat” Dora . . . the entire spectrum of pop surf culture is covered within these colorfully illustrated pages.

From original beachcomber personalities like the Waikiki Beachboys to the rise of Venice Beach as a creative center for music, art, and film, Pop Surf Culture traces the roots of the surf boom and explores its connection to the Beat Generation and 1960s pop culture. Through accounts of key figures both obscure and popular, the book illustrates why surf culture is a vital art movement of the 20th century.Pop Surf Culture includes essays about the popular beach” movies of the 1950s and ’60s, which featured such stars as Annette Funicello and Frankie Avalon and the music of Dick Dale & His Del-Tones, Brian Wilson, the Pyramids, Gary Usher, James Brown, and Little Stevie Wonder.Sixties art figures Michael Dormer and Rick Griffin as well as the surf magazines which promoted their art are featured alongside the progenitors of surf music,” from the little known (the Centurians) to the wildly popular (the Beach Boys). Duke Kahanamoku, the Gas House, Gidget, surfing on television, the bohemian surf aesthetic, surf music hot spots, Mickey Da Cat” Dora . . . the entire spectrum of pop surf culture is covered within these colorfully illustrated pages.

Grit and Glamour features an incredible range of photography by famed artist Allan Tannenbaum covering the styles and fashions of the iconic decade, including stars and artists such as the Rolling Stones, John Lennon, and Andy Warhol.Take a journey back to the decadent decade of the 1970s with this dazzling collection of photographs from award-winning photographer Allan Tannenbaum. Grit and Glamour offers a tour-de-force journey into the visual glories of this exuberantly fashionable time. Iconic black-and-white and color photos from the Big Apple’s glamorous era paint an immersive picture of how the fashion gurus and stylish personalities of the decade influenced the way everyone dressed in public life. With photographs of the Stones, John Lennon, Andy Warhol, and the myriad celebrities and scene-makers that surrounded them, Tannenbaum’s lens provides an insider’s look at the wild fashions, flamboyant clothes and accessories of the 70s. Each section of the book focuses on a different aspect of the decade—from nightlife, fashion, and street scene to arts and entertainment and music, accompanied by insightful commentary and revealing anecdotes.

Ariel Leve and Robin Morgan's oral history 1963: The Year of the Revolution is the first book to recount the kinetic story of the twelve months that witnessed a demographic power shift—the rise of the Youth Quake movement, a cultural transformation through music, fashion, politics, and the arts. Leve and Morgan detail how, for the first time in history, youth became a commercial and cultural force with the power to command the attention of government and religion and shape society.While the Cold War began to thaw, the race into space heated up, feminism and civil rights percolated in politics, and JFK’s assassination shocked the world, the Beatles and Bob Dylan would emerge as poster boys and the prophet of a revolution that changed the world.1963: The Year of the Revolution records, documentary-style, the incredible roller-coaster ride of those twelve months, told through the recollections of some of the period’s most influential figures—from Keith Richards to Mary Quant, Vidal Sassoon to Graham Nash, Alan Parker to Peter Frampton, Eric Clapton to Gay Talese, Stevie Nicks to Norma Kamali, and many more.