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Janice Perlman wrote the first in-depth account of life in the favelas, a book hailed as one of the most important works in global urban studies in the last 30 years. Now, in Favela, Perlman carries that story forward to the present. Re-interviewing many longtime favela residents whom she had first met in 1969--as well as their children and grandchildren--Perlman offers the only long-term perspective available on the favelados as they struggle for a better life. Perlman discovers that while educational levels have risen, democracy has replaced dictatorship, and material conditions have improved, many residents feel more marginalized than ever. The greatest change is the explosion of drug and arms trade and the high incidence of fatal violence that has resulted. Yet the greatest challenge of all is job creation--decent work for decent pay. If unemployment and under-paid employment are not addressed, she argues, all other efforts will fail to resolve the fundamental issues. Foreign Affairs praises Perlman for writing "with compassion, artistry, and intelligence, using stirring personal stories to illustrate larger points substantiated with statistical analysis."

In Rio de Janeiro’s favelas, traffickers assert power through conspicuous displays of wealth and force, brandishing high-powered guns, gold jewelry, and piles of cash and narcotics. Police, for their part, conduct raids reminiscent of action films or video games, wearing masks and riding in enormous armored cars called “big skulls.” Images of these spectacles circulate constantly in local, national, and global media, masking everyday forms of violence, prejudice, and inequality. The Spectacular Favela offers a rich ethnographic examination of the political economy of spectacular violence in Rocinha, Rio’s largest favela. Based on more than two years of residence in the community, the book explores how entangled forms of violence shape everyday life and how that violence is, in turn, connected to the market economy. Erika Robb Larkins shows how favela violence is produced as a marketable global brand. While this violence is projected in disembodied form through media, the favela is also sold as an embodied experience through the popular practice of favela tourism. The commodification of the favela becomes a form of violence itself; favela violence is transformed into a commercially viable byproduct of a profit-driven war on drugs, which serves to keep the poor marginalized. This book tells the story of how traffickers, police, cameras, tourists, and even anthropologists come together to create what the author calls the “spectacular favela.”  

In many of Rio de Janeiro’s shanty towns, or favelas, the city’s housing authority, the Secretaria Municipal de Habitação (SMH), is enforcing policies to evict families and demolish their homes--often with little or no notice, and sometimes with use of force--in advance of construction for the 2014 World Cup and the 2016 Olympic Games. Responding to news reports of these evictions, in late 2012 New York–based Marc Ohrem-Leclef (born 1971) set out to portray the people directly and indirectly affected by these evictions, and the residents organizing their neighbors in resistance to SMH’s abuse of power. Photographs of the subjects in their respective environments are complemented by portraits in which they hold an emergency flare, representing their ongoing struggle to avoid the destruction of their homes while using the core symbol of the Olympic Games, also a symbol of liberty and independence.

The residents of Caxambu, a squatter neighborhood in Rio de Janeiro, live in a state of insecurity as they face urban violence. Living with Insecurity in a Brazilian Favela examines how inequality, racism, drug trafficking, police brutality, and gang activities affect the daily lives of the people of Caxambu.  Some Brazilians see these communities, known as favelas, as centers of drug trafficking that exist beyond the control of the state and threaten the rest of the city. For other Brazilians, favelas are symbols of economic inequality and racial exclusion. Ben Penglase’s ethnography goes beyond these perspectives to look at how the people of Caxambu themselves experience violence. Although the favela is often seen as a war zone, the residents are linked to each other through bonds of kinship and friendship. In addition, residents often take pride in homes and public spaces that they have built and used over generations. Penglase notes that despite poverty, their lives are not completely defined by illegal violence or deprivation. He argues that urban violence and a larger context of inequality create a social world that is deeply contradictory and ambivalent. The unpredictability and instability of daily experiences result in disagreements and tensions, but the residents also experience their neighborhood as a place of social intimacy. As a result, the social world of the neighborhood is both a place of danger and safety.  

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An eye-opening view of the unprecedented global spread of El Sistema―intensive music education that disrupts the cycles of poverty.In some of the bleakest corners of the world, an unprecedented movement is taking root. From the favelas of Brazil to the Maori villages in New Zealand, from occupied Palestine to South Central Los Angeles, musicians with strong social consciences are founding intensive orchestra programs for children in need.In this captivating and inspiring account, authors Tricia Tunstall and Eric Booth tell the remarkable story of the international El Sistema movement. A program that started over four decades ago with a handful of music students in a parking garage in Caracas, El Sistema has evolved into one of classical music’s most vibrant new expressions and one of the world’s most promising social initiatives. Now with more than 700,000 students in Venezuela, El Sistema’s central message―that music can be a powerful tool for social change―has burst borders to grow in 64 countries (and that number increases steadily) across the globe.To discover what makes this movement successful across the radically different cultures that have embraced it, the authors traveled to 25 countries, where they discovered programs thriving even in communities ravaged by poverty, violence, or political unrest. At the heart of each program is a deep commitment to inclusivity. There are no auditions or entry costs, so El Sistema’s doors are open to any child who wants to learn music―or simply needs a place to belong.While intensive music-making may seem an unlikely solution to intractable poverty, this book bears witness to a program that is producing tangible changes in the lives of children and their communities. The authors conclude with a compelling and practicable call to action, highlighting civic and corporate collaborations that have proven successful in communities around the world. 16 pages of illustrations

Sasha Matson: Cooperstown - Jazz Opera in Nine Matson / Adams, Julie / Favela, Daniel / Gilfry, Rod - CD 034061155324

O diário da catadora de papel Carolina Maria de Jesus deu origem à este livro, que relata o cotidiano triste e cruel da vida na favela. A linguagem simples, mas contundente, comove o leitor pelo realismo e pelo olhar sensível na hora de contar o que viu, viveu e sentiu nos anos em que morou na favela do Canindé, em São Paulo, com três filhos. Carolina Maria de Jesus foi protagonista de um fenômeno editorial no país, nos anos 1960. Seu primeiro livro, Quarto de Despejo, teve seus direitos de tradução vendidos para 13 idiomas. Seus leitores de fora do Brasil mantêm viva sua memória. A tradução para o inglês do primeiro livro ainda hoje é adotada em escolas norte-americanas.   PESO 0.440 KgMARCA ÁticaI.S.B.N. 9788508171279ALTURA 21.00 cmLARGURA 14.00 cmPROFUNDIDADE 1.00 cmIDIOMA PortuguêsCÓD. BARRAS 9788508171279

Portuguese language edition. This book chronicles events in the lives of various residents of the infamous City of God, a slum or favela of Rio de Janeiro. The book was made into an Oscar-nominated film in 2002, "Cidade de Deus".

In Rio de Janeiro, the selling points for cocaine are located in the city's six hundred or so shantytowns or favelas that are controlled by well-organized and heavily armed drug gangs. The struggle for control of the massive profits from the drug trade has resulted in what are increasingly violent and deadly confrontations between rival drug gangs and a corrupt and brutal police force that have transformed parts of the city into a war-zone. This book tells the story of Lucia, a poor Brazilian woman who was intimately involved with drug gang life in Rio throughout the 1990s. Through a series of conversations with the author, Lucia tells us, in her own words, what it is like to endure conditions of poverty, violence, and injustice that are simply unimaginable. And, in doing so, she sheds light on why women like her become involved with drugs and gangs.

The notion of poverty scholarship was born in the calles, prisons, street corners, community centers, welfare offices, shelters, tenements, kitchen tables, assembly lines, favelas, projects, and ghettos - all the places people don’t look for educators, experts, leaders, researchers, lecturers, linguists, artists, creative thinkers, writers, and media producers. Poverty skolaz are everywhere. Your mama, your cousin, your elders, your corner-store owner, and your neighborhood recycler may be poverty skolaz. With this book, Tiny aka Lisa Gray-Garcia and other poverty skolaz from the POOR Magazine family insert poverty scholarship into its proper place so that this crucial lived knowledge can be recognized and understood. Poverty Scolarship points to solutions based on poverty skolaz’ vast experiential knowledge of what works and what can work. This is essential reading for anyone seeking to understand, and end, poverty and all forms of anti-poor people criminalization, violence and exploitation.

A sweeping and absorbing biography of Brazil, from the sixteenth century to the presentFor many Americans, Brazil is a land of contradictions: vast natural resources and entrenched corruption; extraordinary wealth and grinding poverty; beautiful beaches and violence-torn favelas. Brazil occupies a vivid place in the American imagination, and yet it remains largely unknown. In an extraordinary journey that spans five hundred years, from European colonization to the 2016 Summer Olympics, Lilia M. Schwarcz and Heloisa M. Starling’s Brazil offers a rich, dramatic history of this complex country. The authors not only reconstruct the epic story of the nation but follow the shifting byways of food, art, and popular culture; the plights of minorities; and the ups and downs of economic cycles. Drawing on a range of original scholarship in history, anthropology, political science, and economics, Schwarcz and Starling reveal a long process of unfinished social, political, and economic progress and struggle, a story in which the troubled legacy of the mixing of races and postcolonial political dysfunction persist to this day.

A sweeping and absorbing biography of Brazil, from the sixteenth century to the presentFor many Americans, Brazil is a land of contradictions: vast natural resources and entrenched corruption; extraordinary wealth and grinding poverty; beautiful beaches and violence-torn favelas. Brazil occupies a vivid place in the American imagination, and yet it remains largely unknown. In an extraordinary journey that spans five hundred years, from European colonization to the 2016 Summer Olympics, Lilia M. Schwarcz and Heloisa M. Starling’s Brazil offers a rich, dramatic history of this complex country. The authors not only reconstruct the epic story of the nation but follow the shifting byways of food, art, and popular culture; the plights of minorities; and the ups and downs of economic cycles. Drawing on a range of original scholarship in history, anthropology, political science, and economics, Schwarcz and Starling reveal a long process of unfinished social, political, and economic progress and struggle, a story in which the troubled legacy of the mixing of races and postcolonial political dysfunction persist to this day.

Deep in the heart of Rio, a new gang has emerged in the favelas. A gang with a sinister reputation, heavy-duty weaponry and a seemingly limitless drug supply. Recruited by the shady organization Trojan Industries, teenage tearaway Luiz Alves must gain initiation, infiltrate the gang and find out who's backing them. But with guns on every street corner and the threat of exposure - and brutal death - hanging over his head, Luiz's mission of discovery isn't his biggest problem. Staying alive is.

A global tour de force, Creative Economy Entrepreneurs takes readers on a journey through the landscape of breakneck innovation and wild uncertainty that is today's creative industries. From entrepreneurs in Brazilian favelas to founders on Malaysian beaches, creative entrepreneurs are driving unprecedented value in economies. Creative industries entrepreneurs are repurposing bowling alleys in rural North America and 3D printing rechargeable hair dryers in Lagos. They're building new markets, inventing new technologies, and solving the challenges of the Fourth Industrial Revolution. Creative Economy Entrepreneurs is the first accessible in-depth introduction to these creative industries entrepreneurs shaping the 21st century. Featuring the stories of disruptive startups across the globe, Creative Economy Entrepreneurs explores and explains why creative industries entrepreneurs are uniquely equipped to tackle a range of problems--including job creation, youth engagement, and economic resilience. You'll meet entrepreneurs working in fashion technology, education, entertainment, design, animation, music distribution, and more. Providing a lively exploration of approaches to nurturing startups, attracting private investment, and generating resilient, sustainable economies, Creative Economy Entrepreneurs makes the case for investing in creative ecosystems and entrepreneurs. With specific examples and advice from global creative economy leader Creative Startups, this book is useful for anyone working to build dynamic, adaptive economies. Come for the stories of a market space filled with technological disruption, cultural reinvention, and unexpected wealth creation. Stay for the practical, how-to tips for supporting your creative entrepreneurs to build tomorrow's economic ecosystems today.

A "cidade partida" do título deste livro é o Rio de Janeiro, cenário de uma verdadeira guerra: a da sociedade contra os bandidos.Durante dez meses, Zuenir Ventura, autor de 1968: o ano que não terminou , freqüentou a favela de Vigário Geral (tristemente famosa pela chacina de 21 pessoas em agosto de 1993), convivendo com o outro lado da cidade, onde a vida não vale nada e a violência é a linguagem do cotidiano. Ao mesmo tempo, acompanhava ativamente a mobilização da sociedade civil contra a violência, que resultou no movimento Viva Rio. Este livro é o impressionante relato, muitas vezes emocionado, deste correspondente de uma guerra de lances surpreendentes e heróis inusitados, cuja solução não consiste meramente em destruir um suposto inimigo, mas em incorporar a massa de excluídos à sociedade.Prêmio Jabuti 1995 de Melhor Reportagem

Las islas urde un entramado de relatos que se desarrollan en la localidad de São Clemente, en Brasil. Cada cuento explora un mundo distinto, el prostíbulo, el morro, el clan de una favela, la relación entre amantes, el sueño de la muerte; pero todos esos mundos están entrelazados por puentes y túneles, por zurcidos invisibles que hacen que los personajes de un relato transiten por el resto de la narración. Carlos Yushimito nos distrae con la naturalidad de sus palabras, que, como los pulpos, “se disfrazan para llegar hasta nosotros. Se arrastran, nos atrapan cuando nos hallamos más indefensos y entonces nos echan todo lo que esconden encima”.

In August 1960 the publication of Quarto de Despejo (Child of the Dark) created a sensation in Brazil—and in the rest of the world—as it appeared in translations in fourteen languages. That diary of a poor black woman from a favela on the outskirts of São Paulo became the best-selling book in Brazilian history. In it, Carolina Maria de Jesus chronicled her life as an unemployed, single parent of three children, eking out a precarious existence selling scrap paper and other detritus found in the city streets. She described how she wrote at night on the scavenged scraps. Her remarkable diary—angry, proud, wretched, and hopeful—was found and published by an enterprising journalist. The book’s success permitted Carolina to leave her flimsy shack in triumph and move into the cinder-block house of her fantasy. I’m Going to Have a Little House is de Jesus’s second diary. It covers the first year following her rise to fame. In it she recounts her struggles with celebrity, middle-class expectations, and the racial and social tensions her success had exacerbated. This work, never previously translated into English, tells the rest of the story—the grim truth that favela life doesn’t prepare one for middle-class "respectability" and that the fall back into poverty is as easy as the struggle to escape it is difficult. Carolina Maria de Jesus died in 1977, forgotten and in poverty.

During the 1990s Rio de Janeiro earned the epithet of 'divided city', an image underscored by the contrast between its upper-class buildings and nearby hillside 'favelas.' The city's cultural production, however, has been shaped by porous boundaries and multi-ethnic encounters. Drawing on a broad range of historical, theoretical and literary sources, Porous City generates new ways of understanding Rio's past, its role in the making of Brazilian culture, and its significance to key global debates about modernity and urban practices.This book offers an original perspective on Rio de Janeiro that focuses on the New City, one of the most compelling spaces in the history of modern cities. Once known as both a 'Little Africa' and as a 'Jewish Neighborhood,' the New City was an important reference for prominent writers, artists, pioneering social scientists and foreign visitors (from Christian missionaries to Orson Welles). It played a crucial role in foundational narratives of Brazil as 'the country of carnival' and as a 'racial democracy.' Going back to the neighborhood's creation by royal decree in 1811, this study sheds light on how initially marginalized practices - like samba music - became emblematic of national identity.A critical crossroads of Rio, the New City was largely razed for the construction of a monumental avenue during World War II. Popular musicians protested, but 'progress' in the automobile age had a price. The area is now being rediscovered due to developments spurred by the 2016 Olympics. At another moment of transition, Porous City revisits this fascinating metropolis.