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The Glens of Antrim formed one of the last Irish-speaking areas of Ulster until the early 1900s. Until the opening of the Antrim coast road in the 1850s Irish was universally spoken in the Glens and on Rathlin. The turn of the 19th century saw the Gaelic Revival which in the north of Ireland involved both Unionists and Nationalists in an effort to preserve Irish as a spoken language. It was against this background of cultural renaissance that Feis na nGleann ('The Glens Feis') was founded in 1904 as the first Gaelic cultural festival in east Ulster. That inaugural Feis harnessed the talents of the Glens folk and a group of leading "Big House" figures in the locality, among them Miss Rose Young of Galgorm Castle, Miss Ada McNeill of Cushendun, and Miss Margaret Dobbs. Others included Sir Roger Casement, then a recent convert to Irish nationalism, Eoin MacNeill, Glensman and language revivalist, Francis Joseph Bigger, lawyer and antiquarian, John 'Benmore' Clarke and Joseph Campbell, the Belfast poet. This book traces the origins of Feis na nGleann in that 'crease in time' between Parnell and the 1916 Rising. In a series of scholarly chapters, experts profile the historic founders of the Feis and record the history of Irish in the district. There are special sections on the traditional arts and crafts fostered by the Feis, the once famous Glens toy-making industry, the role of hurling and the rich literary legacy of the Feiseanna. The book is lavishly illustrated with unique contemporary photographs. The result is attractive and readable volume which will appeal to all those interested in the history and culture of the Glens and the fortunes of the Irish language in the north of Ireland.

The Fei High Neck Pullover Organic Cotton Knitwear Sweater in mustard is a stylish and cozy sweater made from premium organic cotton. This sweater features a chic high neckline and a comfortable, relaxed fit that's perfect for layering. The ribbed cuffs and hem provide a snug fit, while the textured knit design adds interest and depth to your outfit. Made with sustainable and eco-friendly 100% organic cotton, this sweater is a responsible choice for the environment. The mustard color adds a pop of color to your wardrobe and is perfect for pairing with your favorite jeans or skirts. Made in Turkey 12502029 100% Organic Cotton Hand wash program only. Wash inside out. Wash with similar colors. Iron inside out. Do NOT tumble dry. Dry flat. Gentle dry cleaning. Do not bleach. Knitwear are delicate and soft textile products. Therefore, we recommend that you follow the washing instructions carefully. Knitwear should not be washed too often. If there is no visible contamination, a ventilation process in the open air will be sufficient to refresh your product. Avoid using sharp-edged accessories that can damage your knitwear. All of our yarns are dyed in accordance with the Oeko-Tex® Standard 100 criteria with techniques compatible with nature. There are no substances harmful to human health in the dyes used. Our cotton threads are also BCI certified. BCI is a voluntary program that enables millions of farmers around the world to produce cotton in healthier conditions. Made in Turkey

The Fei High Neck Pullover Organic Cotton Knitwear Sweater in mustard is a stylish and cozy sweater made from premium organic cotton. This sweater features a chic high neckline and a comfortable, relaxed fit that's perfect for layering. The ribbed cuffs and hem provide a snug fit, while the textured knit design adds interest and depth to your outfit. Made with sustainable and eco-friendly 100% organic cotton, this sweater is a responsible choice for the environment. The mustard color adds a pop of color to your wardrobe and is perfect for pairing with your favorite jeans or skirts. Made in Turkey 12502029 100% Organic Cotton Hand wash program only. Wash inside out. Wash with similar colors. Iron inside out. Do NOT tumble dry. Dry flat. Gentle dry cleaning. Do not bleach. Knitwear are delicate and soft textile products. Therefore, we recommend that you follow the washing instructions carefully. Knitwear should not be washed too often. If there is no visible contamination, a ventilation process in the open air will be sufficient to refresh your product. Avoid using sharp-edged accessories that can damage your knitwear. All of our yarns are dyed in accordance with the Oeko-Tex® Standard 100 criteria with techniques compatible with nature. There are no substances harmful to human health in the dyes used. Our cotton threads are also BCI certified. BCI is a voluntary program that enables millions of farmers around the world to produce cotton in healthier conditions. Made in Turkey

The Fei High Neck Pullover Organic Cotton Knitwear Sweater in mustard is a stylish and cozy sweater made from premium organic cotton. This sweater features a chic high neckline and a comfortable, relaxed fit that's perfect for layering. The ribbed cuffs and hem provide a snug fit, while the textured knit design adds interest and depth to your outfit. Made with sustainable and eco-friendly 100% organic cotton, this sweater is a responsible choice for the environment. The mustard color adds a pop of color to your wardrobe and is perfect for pairing with your favorite jeans or skirts. Made in Turkey 12502029 100% Organic Cotton Hand wash program only. Wash inside out. Wash with similar colors. Iron inside out. Do NOT tumble dry. Dry flat. Gentle dry cleaning. Do not bleach. Knitwear are delicate and soft textile products. Therefore, we recommend that you follow the washing instructions carefully. Knitwear should not be washed too often. If there is no visible contamination, a ventilation process in the open air will be sufficient to refresh your product. Avoid using sharp-edged accessories that can damage your knitwear. All of our yarns are dyed in accordance with the Oeko-Tex® Standard 100 criteria with techniques compatible with nature. There are no substances harmful to human health in the dyes used. Our cotton threads are also BCI certified. BCI is a voluntary program that enables millions of farmers around the world to produce cotton in healthier conditions. Made in Turkey

The Fei High Neck Pullover Organic Cotton Knitwear Sweater in mustard is a stylish and cozy sweater made from premium organic cotton. This sweater features a chic high neckline and a comfortable, relaxed fit that's perfect for layering. The ribbed cuffs and hem provide a snug fit, while the textured knit design adds interest and depth to your outfit. Made with sustainable and eco-friendly 100% organic cotton, this sweater is a responsible choice for the environment. The mustard color adds a pop of color to your wardrobe and is perfect for pairing with your favorite jeans or skirts. Made in Turkey 12502029 100% Organic Cotton Hand wash program only. Wash inside out. Wash with similar colors. Iron inside out. Do NOT tumble dry. Dry flat. Gentle dry cleaning. Do not bleach. Knitwear are delicate and soft textile products. Therefore, we recommend that you follow the washing instructions carefully. Knitwear should not be washed too often. If there is no visible contamination, a ventilation process in the open air will be sufficient to refresh your product. Avoid using sharp-edged accessories that can damage your knitwear. All of our yarns are dyed in accordance with the Oeko-Tex® Standard 100 criteria with techniques compatible with nature. There are no substances harmful to human health in the dyes used. Our cotton threads are also BCI certified. BCI is a voluntary program that enables millions of farmers around the world to produce cotton in healthier conditions. Made in Turkey

This title brings two beautiful collections by one of Ireland's most distinguished poets back into print within one book. These wonderful treasures of modern Irish poetry are made available for re-discovery having lost none of their original brilliance.

From a distance, Yun-Fei Ji's traditional brush paintings hark back to the atmospheric landscapes of the Sung Dynasty painters. Step closer though, and Ji's mists are revealed to be toxic clouds, and his craggy mountains are shown to be piles of overflowing garbage and abandoned vehicles. His misty imagery also includes stylized abstractions that may or may not refer to intestines, explosions or bubbling slime. Using traditional materials (inks, Chinese brushes and handmade mulberry paper) Ji employs age-old methods to illuminate historic and contemporary concerns. This full-color monograph/catalogue includes a new thematic group of six large-scale works made especially for the exhibition. Multi-page gatefolds of these paintings are included.

Livre In-12 broché ( format poche). Présenté et traduit du chinois par Jean Levi. Collection 'Sagesse' Etat : TBE (Ref.: REF100654)

Representative of the Fachia, or Legalist, school of philosophy, the writings of Han Fei Tzu (280?-233 B.C.) confront the issues of preserving and strengthening the state. His lessons remain timely as scholars continue to examine the nature and use of power. Burton Watson provides a new preface and a helpful introduction.

This monograph features Beijing-born artist's acclaimed scrolls, sculptures, and drawings. In his stunning impressionistic works, Yun-Fei Ji takes on the thousand-year-old practice of Chinese scroll painting, employing ink on paper as his primary medium, and landscape as his central subject. Rather than adopting the idealism characteristic of traditional scroll painting, Ji presents the gritty reality of life in contemporary China. In this comprehensive monograph, Ji’s works bridge the gap between modernity and tradition. Essays explore themes of community, dislocation, and environmental degradation as well as Chinese folklore and its rapid decline in his native country’s culture.

No Brave New World!In the interview by Hans Ulrich Obrist accompanying this first comprehensive European publication on her work, the artist, born in 1978 in south China's Guangzhou province, outlines the initial conditions and perceptual requirements for her work. As the daughter of a sculptor, she traveled with her father, who had the privilege of working in Hong Kong and of being able to repeatedly return there, which allowed her to develop quite early on a fundamental interest in Western (pop-) culture, as well as familiarizing her with the corresponding ways of seeing. During her art and film studies, she remained undecided for quite a long time which path she would follow, which is still reflected the hybridity of her work. The book focuses on three of her complex works, which are realized in a both sculptural and cinematic way. With respect to form, Cao Fei delves into the online world of avatars and pop stars, as well as the film world of zombies and the always seemingly rather romantic models, as known from the world of model railways. Produced, in some instances, over several years, the image of a closed oeuvre emerges that taps into a high critical potential—as in »La Town« where in meticulously constructed model parts, plastic figures are cast from one fire disaster to the next; in »Haze and Fog«, where the dead and the living share a city, New Beijing; or in »RMB City«, a »Second World« of artificial set pieces where avatars live, and sometimes even a groovy Marx-figure appears on the scene. In the wake of her invitations to numerous biennials, last in Venice in 2015, Cao Fei’s work has attracted great interest; it represents the artistic awakening of young transnational Chinese art: the latter probably because her perception of the molochs, in this case Chinese cities, coincides with the future prospects of Western societies.

Discusses the cantonese cuisine, and shares recipes for rice, noodles, vegetables, fruit, fish, seafood, poultry, meat, and sauces

No Brave New World!In the interview by Hans Ulrich Obrist accompanying this first comprehensive European publication on her work, the artist, born in 1978 in south China's Guangzhou province, outlines the initial conditions and perceptual requirements for her work. As the daughter of a sculptor, she traveled with her father, who had the privilege of working in Hong Kong and of being able to repeatedly return there, which allowed her to develop quite early on a fundamental interest in Western (pop-) culture, as well as familiarizing her with the corresponding ways of seeing. During her art and film studies, she remained undecided for quite a long time which path she would follow, which is still reflected the hybridity of her work. The book focuses on three of her complex works, which are realized in a both sculptural and cinematic way. With respect to form, Cao Fei delves into the online world of avatars and pop stars, as well as the film world of zombies and the always seemingly rather romantic models, as known from the world of model railways. Produced, in some instances, over several years, the image of a closed oeuvre emerges that taps into a high critical potential—as in »La Town« where in meticulously constructed model parts, plastic figures are cast from one fire disaster to the next; in »Haze and Fog«, where the dead and the living share a city, New Beijing; or in »RMB City«, a »Second World« of artificial set pieces where avatars live, and sometimes even a groovy Marx-figure appears on the scene. In the wake of her invitations to numerous biennials, last in Venice in 2015, Cao Fei’s work has attracted great interest; it represents the artistic awakening of young transnational Chinese art: the latter probably because her perception of the molochs, in this case Chinese cities, coincides with the future prospects of Western societies.

· Feisbooks provide a convenient place to easily keep track of feis placements, apparel, purchases, travel notes and more. There are enough pages for 50 feiseanna, plus record of apparel pages and notes. Their handy 6 x 9 inch size fits in purses and dance bags.· Feisbooks are available in two versions: Grades Level (Beginner/Novice/Prizewinner) & Champion Level (Preliminary/Open). The title page of each book features the quote, “And the merry love the fiddle, and the merry love to dance.”, by Irish poet William Butler Yeats.· Whether it is your dancers first feis or a seasoned champion, FeisBooks make the perfect accessory and gift for the Irish dancer in your life.· FeisBooks have been sold worldwide since 2001.

· Feisbooks provide a convenient place to easily keep track of feis placements, apparel, purchases, travel notes and more. There are enough pages for 50 feiseanna, plus record of apparel pages and notes. Their handy 6 x 9 inch size fits in purses and dance bags.· Feisbooks are available in two versions: Grades Level (Beginner/Novice/Prizewinner) & Champion Level (Preliminary/Open). The title page of each book features the quote, “And the merry love the fiddle, and the merry love to dance.”, by Irish poet William Butler Yeats.· Whether it is your dancers first feis or a seasoned champion, FeisBooks make the perfect accessory and gift for the Irish dancer in your life.· FeisBooks have been sold worldwide since 2001.

Han Fei, who died in 233 BC, was one of the primary philosophers of China’s classical era, a reputation still intact despite recent neglect. This edited volume on the thinker, his views on politics and philosophy, and the tensions of his relations with Confucianism (which he derided) is the first of its kind in English.Featuring contributions from specialists in various disciplines including religious studies and literature, this new addition to the Dao Companions to Chinese Philosophy series includes the latest research. It breaks new ground with studies of Han Fei’s intellectual antecedents, and his relationship as a historical figure with Han Feizi, the text attributed to him, as well as surveying the full panoply of his thought. It also includes a chapter length survey of relevant scholarship, both in Chinese and Japanese.

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Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.72

Han Fei, who died in 233 BC, was one of the primary philosophers of China’s classical era, a reputation still intact despite recent neglect. This edited volume on the thinker, his views on politics and philosophy, and the tensions of his relations with Confucianism (which he derided) is the first of its kind in English.Featuring contributions from specialists in various disciplines including religious studies and literature, this new addition to the Dao Companions to Chinese Philosophy series includes the latest research. It breaks new ground with studies of Han Fei’s intellectual antecedents, and his relationship as a historical figure with Han Feizi, the text attributed to him, as well as surveying the full panoply of his thought. It also includes a chapter length survey of relevant scholarship, both in Chinese and Japanese.

Mo Tzu, Hsün Tzu, and Han Fei Tzu were three of the most important philosophers in ancient China. This collection of their basic writings points to three very different positions within in the spectrum of Chinese thought and reveals the diversity of of the Chinese intellectual tradition.Presenting the principle doctrines of Mo Tzu (470­391 B.C.) and his followers, early rivals of the Confucian school, this section includes writings on music, fatalism, Confucians, and "universal love"―the cornerstone of Mo-ist philosophy―Hsün Tzu (born ca. 312 B.C.) provided the dominant philosophical system of his day. Although basically Confucian, he differed with Mencius by asserting that the original nature of man is evil, and also expounded on such subjects as good government, military affairs, Heaven, and music.Representative of the Fachia, or Legalist, school of philosophy, the writings of Han Fei Tzu (280?­233 B.C.) confront the issues of preserving and strengthening the state through strict laws of punishment and reward. His lessons remain timely as scholars continue to examine the nature and use of power.