14 products were found matching your search for Feigned in 2 shops:

"Somebody commissioned to design the perfect writing mentor would probably come back with Fred Stenson. Stenson is wise, funny, and blessedly enthusiastic about the craft of writing. This is a book real writers are going to use, again and again."--Curtis Gillespie, Playing Through and The Progress of an Object in Motion"In Thing Feigned or Imagined, Stenson takes his readers into the workshop of the writer, examining both basic and seldom-considered aspects of the craft of fiction. The result is illuminating: a book that writers of all levels of expertise will cherish."--Merna Summers

Ships SAME or NEXT business day. We Ship to APO/FPO addr. Choose EXPEDITED shipping and receive in 2-5 business days within the United States. See our member profile for customer support contact info. We have an easy return policy.

New Book. Shipped from UK. Established seller since 2000.

Aphra Behn (1640-89) was both successful and controversial in her own lifetime; her achievements are now recognized less equivocally and her plays, often revived, demonstrate wit, compassion and remarkable range. This edtion brings together her most important comedies in a single volume: The Rover, her best-known play; The Feigned Courtesans, a lively comedy of intrigue; The Lucky Chance, a comedy with a bitter edge, which takes a satirical look at marriage customs; and the dazzling and popular farce, The Emperor of the Moon. All the plays have been newly edited and are presented with modernized spelling and punctuation.

From fake potions and feigned emotions to the follies of youth and the vulnerability of age, this set brings together two of Donizetti's greatest comedies, L'elisir d'amore and Don Pasquale, charming works packed with musical wit in which the composer looks beyond the archetypes of the Buffa tradition to create complex, highly individual characters. Both operas are brought to life in sparkling Glyndebourne productions, with first-class singing from such noted artists as Alessandro Corbelli, Dani

Peasant rebellions are uncommon. "Everyday Forms of Peasant Resistance" explores peasants' foot dragging, feigned ingorance, false compliance, manipulation, flight, slander, theft, arson, sabotage, and similar prosaic forms of struggle. These kinds of resistance stop well short of collective defiance, a strategy usually suicidal for the subordinate. The central argument about peasant resistance is presented in the opening chapter by James Scott in which he summarizes and extends the thesis of his book on Malaysia's peasantry, "Weapons of the Weak". Scott's ideas are employed and refined in the ensuing seven country studies of peasant resistance: Poland, India, Egypt, Colombia, China, Nicaragua and Zimbabwe.

Beautiful, cunning Miss Beatrice Stoubridge sees nothing wrong with leading on the wealthy Duke of Gynde to further the social prospects of the daughters of the Duke's enemies, but her feigned interest turns into true love--and big trouble

From fake potions and feigned emotions to the follies of youth and the vulnerability of age, this set brings together two of Donizetti's greatest comedies, L'elisir d'amore and Don Pasquale, charming works packed with musical wit in which the composer looks beyond the archetypes of the Buffa tradition to create complex, highly individual characters. Both operas are brought to life in sparkling Glyndebourne productions, with first-class singing from such noted artists as Alessandro Corbelli, Dani

This book examines the nature of unmasking in social theory, in revolutionary movements and in popular culture. Unmasking is not the same as scientific refutation or principled disagreement. When people unmask, they claim to rip off a disguise, revealing the true beneath the feigned. The author distinguishes two basic types of unmasking. The first, aimed at persons or groups, exposes hypocrisy and enmity, and is a staple of revolutionary movements. The second, aimed at ideas, exposes illusions and ideologies, and is characteristic of radical social theory since the eighteenth-century Enlightenment. The Unmasking Style in Social Theory charts the intellectual origins of unmasking, its shifting priorities, and its specific techniques in social theory. It also explores sociology’s relationship to the concept of unmasking through an analysis of writers who embrace, adapt or reshape its meaning. Such sociologists include Vilfredo Pareto, Karl Mannheim, Raymond Aron, Peter Berger, Pierre Bourdieu, Luc Boltanski and Christian Smith. Finally, taking conspiracy theories, accusations of social phobia and new concepts such as micro-aggression as examples of unmasking techniques, the author shows how unmasking contributes to the polarization and bitterness of much public discussion. Demonstrating how unmasking is baked into modern culture, yet arguing that alternatives to it are still possible, this book is, in sum, a compelling study of unmasking and its impact upon modern political life and social theory.

In the host clubs of Tokyo's Kabuki-chō red-light district, ambitious young men seek their fortunes by selling love, romance, companionship, and sometimes sex to female consumers for exorbitant sums of money. Staged Seduction reveals a world where all intimacies and feigned feelings are fair game for the hosts who employ feathered bangs, polished nails, fine European suits, and the sensitivity of the finest salesmen to create a fantasy for wealthy women seeking an escape from the everyday. Akiko Takeyama's investigation of this beguiling underground "love business" provides an intimate window into Japanese host clubs and the lives of hosts, clients, club owners, and managers. The club is a place where fantasies are pursued and the art of seduction isn't merely about romance; a complex set of transactions emerges. Like a casino of love, the host club is a site of desperation, aspiration, and hope, in which both hosts and clients are eager to roll the dice. Takeyama reveals the aspirational mode not only of the host club, but also of a Japanese society built on the commercialization of aspiration, seducing its citizens out of the present and into a future where hopes and dreams are imaginable―and billions of dollars can be made.

Details the origins of the Iran-Contra scandal, the roles of Reagan, Bush, CIA Director Casey, and others, and argues that President Reagan clearly set the policy then feigned ignorance to escape blame

This book examines the nature of unmasking in social theory, in revolutionary movements and in popular culture. Unmasking is not the same as scientific refutation or principled disagreement. When people unmask, they claim to rip off a disguise, revealing the true beneath the feigned. The author distinguishes two basic types of unmasking. The first, aimed at persons or groups, exposes hypocrisy and enmity, and is a staple of revolutionary movements. The second, aimed at ideas, exposes illusions and ideologies, and is characteristic of radical social theory since the eighteenth-century Enlightenment. The Unmasking Style in Social Theory charts the intellectual origins of unmasking, its shifting priorities, and its specific techniques in social theory. It also explores sociology’s relationship to the concept of unmasking through an analysis of writers who embrace, adapt or reshape its meaning. Such sociologists include Vilfredo Pareto, Karl Mannheim, Raymond Aron, Peter Berger, Pierre Bourdieu, Luc Boltanski and Christian Smith. Finally, taking conspiracy theories, accusations of social phobia and new concepts such as micro-aggression as examples of unmasking techniques, the author shows how unmasking contributes to the polarization and bitterness of much public discussion. Demonstrating how unmasking is baked into modern culture, yet arguing that alternatives to it are still possible, this book is, in sum, a compelling study of unmasking and its impact upon modern political life and social theory.

Details the origins of the Iran-Contra scandal, the roles of Reagan, Bush, CIA Director Casey, and others, and argues that President Reagan clearly set the policy then feigned ignorance to escape blame

Women performers and writers gained unprecedented access to the stage with the restoration of Charles II to the English throne in 1660. This volume gathers the best work of professional female dramatists of the period: The Feigned Courtesans (1679) by Aphra Behn, She Ventures and He Wins (1695) by "Ariadne," The Beau Defeated (1700) by Mary Pix, The Basset Table (1705) and The Busybody (1709) by Susanna Centlivre.