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This instrument is part of our 7th annual Contemporary American Makers Exhibition, 2024 William (Bill) Robert Scott, with over 40 years of violinm...

This publication provides the first assessment of Scott's work since his death - or rather reassessment, because Simon Morley's important new study looks afresh at Scott's work outside the framework of modernist theory, within which it has always been contained. It publishes for the first time many previously unseen works, including drawings, which represented an essential element of Scott's practice, one which he described as "exploring not explaining, containing geometry, sex, distortion and correction, forms pure and impure".Accompanying a major exhibition in the Irish Museum of Modern Art in Dublin, organized in association with the Scott Family, this publication discusses and illustrates in colour almost one hundred works by the artist, and also includes biographical details, artist's statements and contemporary reviews.

Life of Elder Walter Scott - with sketches of his fellow-laborers, William Hayden, Adamson Bentley, John Henry, and others is an unchanged, high-quality reprint of the original edition of 1874. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Paris 2022. 1 Volume/1. -- As New / -- Softbound. 28 x 21 cm . ------- 160 pages. ******************** Présentation éditeur : "" Couvrant les trente dernières années de la pratique de William Scott, cette monographie offre la plus vaste sélection de peintures, de dessins, de masques et de modèles architecturaux. Publié à l'occasion de l'exposition de William Scott au Mälmo Konsthall en 2022. "" ***************************

Sir William Scott's thirty years as judge of the High Court of Admiralty provide the basis of his reputation as the greatest of civilian (as opposed to common) lawyers. In this major study, the first for over seventy years, Professor Bourguignon analyzes his work as judge of the admiralty court in the light of the little-known, unpublished body of law which had been developed prior to his appointment. His term of office coincided with the Revolutionary and Napoleonic wars, and thus Scott had to bear and determine hundreds of cases involving the capture of vessels in time of war. These prize cases provided Scott with the opportunity to state and develop many aspects of the international law of war, especially the law of neutral and belligerent rights at sea. He also influenced the development of admiralty law in the cases, which he heard of private disputes concerning maritime commerce.

Exhibition catalog for "Dark Humor: Joyce J. Scott and Peter Williams," which took place at the Center for the Arts Gallery at Towson University February 10-April 1, 2017. The artists featured work in a variety of media to examine issues of racism, sexism, identity, difficult historical realities, and contemporary politics through a lens of humor, satire, and irony. The catalog includes essays by J. Susan Isaacs, curator, Nikki A. Greene, and Tiffany Barber.

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Sir William Scott's thirty years as judge of the High Court of Admiralty provide the basis of his reputation as the greatest of civilian (as opposed to common) lawyers. In this major study, the first for over seventy years, Professor Bourguignon analyzes his work as judge of the admiralty court in the light of the little-known, unpublished body of law which had been developed prior to his appointment. His term of office coincided with the Revolutionary and Napoleonic wars, and thus Scott had to bear and determine hundreds of cases involving the capture of vessels in time of war. These prize cases provided Scott with the opportunity to state and develop many aspects of the international law of war, especially the law of neutral and belligerent rights at sea. He also influenced the development of admiralty law in the cases, which he heard of private disputes concerning maritime commerce.

Sir William Scott's thirty years as judge of the High Court of Admiralty provide the basis of his reputation as the greatest of civilian (as opposed to common) lawyers. In this major study, the first for over seventy years, Professor Bourguignon analyzes his work as judge of the admiralty court in the light of the little-known, unpublished body of law which had been developed prior to his appointment. His term of office coincided with the Revolutionary and Napoleonic wars, and thus Scott had to bear and determine hundreds of cases involving the capture of vessels in time of war. These prize cases provided Scott with the opportunity to state and develop many aspects of the international law of war, especially the law of neutral and belligerent rights at sea. He also influenced the development of admiralty law in the cases, which he heard of private disputes concerning maritime commerce.

This book is a comprehensive introduction to the life and work of the important British abstract painter William Scott (1913–1989). After studying at Belfast College of Art and the Royal Academy of Arts in London, Scott began his painting career in 1946 while teaching at Bath Academy of Art, concentrating on still lifes of household objects. By 1951, the forms had begun to take on a life of their own, sometimes as metaphors of erotic encounters between male and female. Moving back and forth between abstract and representational styles, Scott gained international renown and has been the subject of exhibitions around the world, including a major retrospective at Tate in 1972.

This publication provides the first assessment of Scott's work since his death - or rather reassessment, because Simon Morley's important new study looks afresh at Scott's work outside the framework of modernist theory, within which it has always been contained. It publishes for the first time many previously unseen works, including drawings, which represented an essential element of Scott's practice, one which he described as "exploring not explaining, containing geometry, sex, distortion and correction, forms pure and impure".Accompanying a major exhibition in the Irish Museum of Modern Art in Dublin, organized in association with the Scott Family, this publication discusses and illustrates in colour almost one hundred works by the artist, and also includes biographical details, artist's statements and contemporary reviews.

Exhibition catalog for "Dark Humor: Joyce J. Scott and Peter Williams," which took place at the Center for the Arts Gallery at Towson University February 10-April 1, 2017. The artists featured work in a variety of media to examine issues of racism, sexism, identity, difficult historical realities, and contemporary politics through a lens of humor, satire, and irony. The catalog includes essays by J. Susan Isaacs, curator, Nikki A. Greene, and Tiffany Barber.

William James is known today strictly as a philosopher of pragmatism. Williams James: Politics in the Pluriverse challenges this understanding. Kennan Ferguson argues that James should instead be known as the progenitor of pluralism, one of the most influential and durable American political philosophies of the twentieth century. James contended that engagement with the foreign, the difficult, and the uncomfortable makes us who we are. Rather than mitigating differences or attempting to resolve conflicts, he embraced them, wholeheartedly advocating the opportunity to be transformed. Pluralism, in the mind of the thinker who popularized the term, led to a more complex, more contentious, and far more interesting world. Ferguson traces the historical importance and contemporary possibilities of pluralism's original political insight. In this important work he examines the trajectory of pluralism in the United States and England, the mutual influences of turn-of-the-century American and European philosophical traditions, and the relationship between pluralism and James's active anti-imperialism. James's unexpected political concepts and commitments both illuminate political philosophy of the 20th century and challenge contemporary assumptions about the desirability of unanimity. Pluralism, not unity, should be the goal of both politics and philosophy.

Once a highly influential preacher in the Elizabethan Church and the international Reformed world, William Perkins (1558"€"1602) has become a rather surprisingly neglected figure in the history of the church. In this book, Joel Beeke, Sinclair Ferguson, Greg Salazar, Geoff Thomas, and Stephen Yuille seek to recover the importance of Perkins by situating his life, priorities, ministry challenges, and influence within their original seventeenth-century context. They help readers "to peer behind the veil" to see the real Perkins as he contended for the faith and attempted to shepherd God's people in the midst of profound challenges. In this way, this volume will be both a reservoir of theological and practical truth and will foster a greater experiential knowledge of and love for the great God who William Perkins proclaimed and served.

William James is known today strictly as a philosopher of pragmatism. Williams James: Politics in the Pluriverse challenges this understanding. Kennan Ferguson argues that James should instead be known as the progenitor of pluralism, one of the most influential and durable American political philosophies of the twentieth century. James contended that engagement with the foreign, the difficult, and the uncomfortable makes us who we are. Rather than mitigating differences or attempting to resolve conflicts, he embraced them, wholeheartedly advocating the opportunity to be transformed. Pluralism, in the mind of the thinker who popularized the term, led to a more complex, more contentious, and far more interesting world. Ferguson traces the historical importance and contemporary possibilities of pluralism's original political insight. In this important work he examines the trajectory of pluralism in the United States and England, the mutual influences of turn-of-the-century American and European philosophical traditions, and the relationship between pluralism and James's active anti-imperialism. James's unexpected political concepts and commitments both illuminate political philosophy of the 20th century and challenge contemporary assumptions about the desirability of unanimity. Pluralism, not unity, should be the goal of both politics and philosophy.

Susan Stewart, "The Bowerbirds" Robert Coover, "On Mrs. Willie Masters" Bradford Morrow, "A Girandole for Mr. Gass" Mary Caponegro "Lookin' with Gass" Rikki Ducornet "A Dream" Heide Ziegler "Three Encounters with Germany: Goethe, Holderlin, Rilke" Michael Eastman "Photographs" Joanna Scott "Homage to Bill Gass" John Barth "As Sinuous and Tough as Ivy" Ingo Schulze "Toast or Corn? Notes I made for This Speech and Then Discarded" Heather McHugh "To His Health" Richard Watson "Second Is Last" Diane Ackerman "One Beautiful Mind" Lorin Cuoco "Page 399?" Ethan Shaskan Bumas "William H. Gass Meets the -ba particle" Paul West "At-Swim among the Noble Gasses" Joan Elkin "Portrait" Walter Abish "Even Vienna could not forever endure this struggle" Walter Abish "Even Vienna could not forever endure this struggle" Michael Silverblatt "Review Essays: The Tunnel: A Small Apartment in Hell"

This first ever collection of selected interviews with one of America's most prolific and eclectic authors, William T. Vollmann. Editor Scott Rhodes collects eighteen interviews that covers the span of this important writer's expansive career.

“Dante and Shakespeare divide the modern world between them; there is no third.” Understanding Dante attempts to explain and justify T. S. Eliot’s bold claim. John Scott offers readers at all levels a critical overview of Dante’s writings: five chapters deal with his New Life of love and poetry (Vita Nova), the Banquet of knowledge (Convivio), his Latin treatise on language and poetics (De Vulgari Eloquentia), Italian lyrics (Rime), and his blueprint for world government (Monarchia). The next five chapters concentrate on Dante’s masterpiece, the Comedy: its structure, Dante’s worldview (still relevant today), and the Comedy examined as a poem. Much has been written on Dante’s moral, political, and religious ideas; important as these are, however, such discussions are perforce limited. It is above all as a work of poetry that the Divine Comedy maintains its appeal and fascination to readers of all backgrounds and beliefs. /// Firmly grounded in the latest advances of Dante scholarship, Understanding Dante offers an original and uniquely detailed, global analysis of Dante as poet of the Comedy that will be welcomed by those who read the poem in translation as well as by those who study the original Italian text. At the same time, Scott’s book will be welcome for its rich and insightful analysis of the whole corpus of Dante’s writings, as well as Scott’s mastery of the vast sea of critical literature in various languages. Scott bridges the gap that often exists between Dante studies in English-speaking countries and the great tradition of Dante scholarship in the poet’s homeland. No work in English about the great Italian poet can rival Understanding Dante’s scope in both depth and breadth of close reading and critical vision.

William Merritt Chase: Summers at Shinnecock 1891-1902 by Atkinson, D. Scott and Nicolai Cikovsky. 8vo.

In this landmark book, Scott Page redefines the way we understand ourselves in relation to one another. The Difference is about how we think in groups--and how our collective wisdom exceeds the sum of its parts. Why can teams of people find better solutions than brilliant individuals working alone? And why are the best group decisions and predictions those that draw upon the very qualities that make each of us unique? The answers lie in diversity--not what we look like outside, but what we look like within, our distinct tools and abilities.The Difference reveals that progress and innovation may depend less on lone thinkers with enormous IQs than on diverse people working together and capitalizing on their individuality. Page shows how groups that display a range of perspectives outperform groups of like-minded experts. Diversity yields superior outcomes, and Page proves it using his own cutting-edge research. Moving beyond the politics that cloud standard debates about diversity, he explains why difference beats out homogeneity, whether you're talking about citizens in a democracy or scientists in the laboratory. He examines practical ways to apply diversity's logic to a host of problems, and along the way offers fascinating and surprising examples, from the redesign of the Chicago "El" to the truth about where we store our ketchup.Page changes the way we understand diversity--how to harness its untapped potential, how to understand and avoid its traps, and how we can leverage our differences for the benefit of all.