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This thin 10" Toca Goat Skin head will give you the resonant, deep bass tones and the piercing highs that are desired on the djembe. Designed to fi...

With the Frezzi FHMS 7' Mini Heavy Duty Stand, you can elevate your photography and videography to new heights. This robust stand, specifically designed for the Dual Head AC/DC SkyLight Kit, is an essential accessory for professionals and enthusiasts alike. Constructed from sturdy, heavy-duty materials, this stand is built to last, offering unparalleled durability and reliability. It's capable of supporting equipment with a load capacity ranging from 5.1 to 8 lbs., making it ideal for holding heavier lighting equipment or other accessories. The Frezzi FHMS 7' Mini Heavy Duty Stand is not just about strength, it's also about flexibility. Its adjustable height feature allows you to tailor your setup to your specific needs, whether you're in a photography studio, on a location shoot, or at a live event. Easy to set up and use, this stand is designed to streamline your workflow and enhance your creative output. Experience the difference in stability and versatility with the Frezzi FHMS 7' Mini Heavy Duty Stand for your Dual Head AC/DC SkyLight Kit.

Hazer Machine with 1 200-watt Heater Core 6 000CFM Variable Continuous Output Low-fluid Sensor Anti-leak Design DMX/Wireless Control and LCD.

Toca tp-fhm14 14 Goat skin head for mechanically tuned Djembe.

FHM-3140 Bridge position - 2 conductorAs featured in many Fernandes Sustainer-equipped guitars, including the legendary FSK-401 Sustainer kit, and...

A rib-cracking collection of the best stories of disaster, embarrassment, and sheer bad luck. You know those stories you hear once a year - the friend's brother whose holiday prank went hilariously wrong and landed him less amusingly in hospital, the colleague's neighbour who got locked out of his hotel room in his underpants in the middle of the night Not enough accident-prone friends or can't wait for the next juicy slip-up story FHM, the UK's best-selling men's magazine, is dedicated to preserving these gems of comedy. Every month the magazine publishes the best true tales heard across the land. And here, collected in one volume for the first time, are over 500 of the most hilarious, each one chronicling the humiliation of an FHM reader for future generations. FHM True Stories is illustrated with a selection of stylish but quirky cartoons to make this your must-have pocket book of laughs at other people's expense, satisfying the vicarious sadist in all of us. The strangest things can go wrong in the funniest way - hopefully to someone else!

FHM-3140 Bridge position - 2 conductorAs featured in many Fernandes Sustainer-equipped guitars, including the legendary FSK-401 Sustainer kit, and...

FHM-3140 Bridge position - 2 conductorAs featured in many Fernandes Sustainer-equipped guitars, including the legendary FSK-401 Sustainer kit, it ...

It's the Smith-Victor FHM 1000W Lamp for 750-SG Quartz Light, a high-quality, frosted, double-ended quartz halogen lamp designed for optimal performance and longevity. This powerful lamp operates at 1000W and 120V, producing an impressive output of approximately 27300 lumens. It's specifically engineered for use with the Smith-Victor 750-SG quartz light, ensuring compatibility and seamless operation. With an average lifespan of 400 hours, this lamp offers consistent, reliable illumination for all your lighting needs. Whether you're a professional photographer or a videographer, the Smith-Victor FHM 1000W Lamp for 750-SG Quartz Light is an essential tool for achieving the perfect lighting conditions.

The Frezzolini Dual Head AC/DC SkyLight Kit contains a pair each of the SkyLight SKY1A (91717), Battery FLB-100 (93900), Charger FLC-1 (93922), Power Supply AC FPS-90 (95113), Stand FHMS (96236), Spot Reflector SPT-R (97130), Filter Pack SLGP (99021) and a single Travel Case TC-8 (96018).The high intensity, daylight-usable LED does not fade in the Sun. The high-output, portable LED lighting with HyLight helps deliver an impressive amount of daylight-balanced light suitable for indoor/outdoor news gathering and field production. It is a portable LED fixture powered by standard broadcast batteries, DC, or AC power. It delivers equivalent light to 650W tungsten or 125 to 200W HMI source, while drawing only 75W of power. The LEDs are fully dimmable with selectable beam angles using quick change reflector technology.

Foundations of Human Memory (FHM) introduces the reader to the scientific study of human memory, from its origins in the early experiments by Ebbinghaus and Muller in the late 19th century, to modern day neural network and computational models that can explain a wide range of memory phenomena.  A distinguishing feature of FHM is its emphasis on the dialogue between theory and experiment, and how this dialogue has led to rapid progress in our understanding of human memory in the last few decades.

“The world Watson depicts is so skillfully captured, giving an undeniable pull to these pictures....” —FHM What started off as a small collection of photographs the 14-year-old Gavin Watson would take of his family and friends in Wycombe, middle England, in the 1970s and 80s would grow into one of the most important and influential photographic youth culture books of the last 20 years. Skins, published in 1994 and hailed by The Times of London as “a modern classic,” has shown its influence in such photographers as Terry Richardson, Juergen Teller, and Ryan McGinley, as well as pretty much every kind of “youth” photography popular today. Last year, having persuaded him to begin working again after a long period of self-seclusion, VICE Books was bequeathed Watson’s lost archives, hundreds of photos reaching deep into the lives of the subjects of his first book. Each photograph reveals an understanding and sensitivity that belies the sometimes brutal subject matter. Skins & Punks is a singular retrospective complete with commentaries and oral histories. The stories behind the shots are shocking, hilarious, severe, and heartbreaking, and each gets behind what it was really like to be a rebellious workingclass youth growing up in the 1980s. This is documentary photography at its best, a stunningly intimate window into a cultural movement. “Watson photographed from the inside, the only member of a provincial and isolated gang with a camera, only occasionally aware that his friends were part of a larger moment.... Some of his photographs are funny, some are tender, some are domestic. Many of them show skinheads smiling, others display a great vulnerability: young boys struggling for their place in an adult world. If there is aggression it is playful and uncertain. And in the background sits an unbeautified England of the 80s, a harsh depiction of extreme disunity.” —The Observer

'If they existed, they would be here' ENRICO FERMI. In the second volume in Stephen Baxter's epic Manifold Series Reid Malenfant inhabits the universe Malenfant kick-started in TIME ('science fiction at its best' FHM) -- and 'they' are here. When Nemoto, a Japanese researcher on the Moon, discovers evidence of extraterrestrial intelligence in the solar system, the Fermi Paradox provokes both Malenfant and Nemoto to question why now? Because, suddenly, there are signs of intelligent life in deep space in all directions. Deeper layers of Fermi's paradox unravel as robot-like aliens, the Gaijin, seem to be e-mailing themselves from star to star, and wherever telescopes point, far away, other alien races are destroying worlds!

Adam Sandler movies, HBO's Entourage, and such magazines as Maxim and FHM all trade in and appeal to one character—the modern boy-man. Addicted to video games, comic books, extreme sports, and dressing down, the boy-man would rather devote an afternoon to Grand Theft Auto than plan his next career move. He would rather prolong the hedonistic pleasures of youth than embrace the self-sacrificing demands of adulthood. When did maturity become the ultimate taboo? Men have gone from idolizing Cary Grant to aping Hugh Grant, shunning marriage and responsibility well into their twenties and thirties. Gary Cross, renowned cultural historian, identifies the boy-man and his habits, examining the attitudes and practices of three generations to make sense of this gradual but profound shift in American masculinity. Cross matches the rise of the American boy-man to trends in twentieth-century advertising, popular culture, and consumerism, and he locates the roots of our present crisis in the vague call for a new model of leadership that, ultimately, failed to offer a better concept of maturity.Cross does not blame the young or glorify the past. He finds that men of the "Greatest Generation" might have embraced their role as providers but were confused by the contradictions and expectations of modern fatherhood. Their uncertainty gave birth to the Beats and men who indulged in childhood hobbies and boyish sports. Rather than fashion a new manhood, baby-boomers held onto their youth and, when that was gone, embraced Viagra. Without mature role models to emulate or rebel against, Generation X turned to cynicism and sensual intensity, and the media fed on this longing, transforming a life stage into a highly desirable lifestyle. Arguing that contemporary American culture undermines both conservative ideals of male maturity and the liberal values of community and responsibility, Cross concludes with a proposal for a modern marriage of personal desire and ethical adulthood.

'If they existed, they would be here' ENRICO FERMI. In the second volume in Stephen Baxter's epic Manifold Series Reid Malenfant inhabits the universe Malenfant kick-started in TIME ('science fiction at its best' FHM) - and 'they' are here. When Nemoto, a Japanese researcher on the Moon, discovers evidence of extraterrestrial intelligence in the solar system, the Fermi Paradox provokes both Malenfant and Nemoto to question why now? Because, suddenly, there are signs of intelligent life in deep space in all directions. Deeper layers of Fermi's paradox unravel as robot-like aliens, the Gaijin, seem to be e-mailing themselves from star to star, and wherever telescopes point, far away, other alien races are destroying worlds...

Adam Sandler movies, HBO's Entourage, and such magazines as Maxim and FHM all trade in and appeal to one character—the modern boy-man. Addicted to video games, comic books, extreme sports, and dressing down, the boy-man would rather devote an afternoon to Grand Theft Auto than plan his next career move. He would rather prolong the hedonistic pleasures of youth than embrace the self-sacrificing demands of adulthood. When did maturity become the ultimate taboo? Men have gone from idolizing Cary Grant to aping Hugh Grant, shunning marriage and responsibility well into their twenties and thirties. Gary Cross, renowned cultural historian, identifies the boy-man and his habits, examining the attitudes and practices of three generations to make sense of this gradual but profound shift in American masculinity. Cross matches the rise of the American boy-man to trends in twentieth-century advertising, popular culture, and consumerism, and he locates the roots of our present crisis in the vague call for a new model of leadership that, ultimately, failed to offer a better concept of maturity.Cross does not blame the young or glorify the past. He finds that men of the "Greatest Generation" might have embraced their role as providers but were confused by the contradictions and expectations of modern fatherhood. Their uncertainty gave birth to the Beats and men who indulged in childhood hobbies and boyish sports. Rather than fashion a new manhood, baby-boomers held onto their youth and, when that was gone, embraced Viagra. Without mature role models to emulate or rebel against, Generation X turned to cynicism and sensual intensity, and the media fed on this longing, transforming a life stage into a highly desirable lifestyle. Arguing that contemporary American culture undermines both conservative ideals of male maturity and the liberal values of community and responsibility, Cross concludes with a proposal for a modern marriage of personal desire and ethical adulthood.