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Released in 1999, Fight Club is David Fincher’s popular adaption of Chuck Palahniuk’s cult novel, and one of the most philosophically rich films of recent years. This is the first book to explore the varied philosophical aspects of the film. Beginning with an introduction by the editor that places the film and essays in context, each chapter explores a central theme of Fight Club from a philosophical perspective. Topics discussed include: Fight Club, Plato’s cave and Descartes’ cogito moral disintegration identity, gender and masculinity visuals and narration. Including annotated further reading at the end of each chapter, Fight Club is essential reading for anyone interested in the film, as well as those studying philosophy and film studies.

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Tecnifibre T-Fight Club 21 Junior Junior Tennis Racquets : The Tecnifibre T-Fight Club 21 Jr is a durable option for rising players. This junior tennis racquet features a reinforced structure with 20% more durability than a standard alloy racquet. Extense bumper technology includes a longer bumper guard to protect the sides of the frame from dings and scratches. Perfect for players using a red ball on a 36 ft. court, the Tecnifibre T-Fight Club 21 Jr comes pre-string and ready to swing!

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Double vinyl LP pressing. Limited Pink Colored Vinyl. Mondo are proud to present the soundtrack to Fight Club on vinyl for the first time in over 15 Years. The Dust Brothers only film score to date, Fight Club is arguably one of the most enjoyable soundtrack albums to come out of the '90s and part of that has to do with the fact that it is one of the best sequenced scores of all time. Weaving all of the films cues from the film into 16 songs, the album winds up feeling like the best instrumental

An underground classic since its first publication in 1996, Fight Club is now recognized as one of the most original and provocative novels published in this decade. Chuck Palahniuk's darkly funny first novel tells the story of a godforsaken young man who discovers that his rage at living in a world filled with failure and lies cannot be pacified by an empty consumer culture. Relief for him and his disenfranchised peers comes in the form of secret after-hours boxing matches held in the basements of bars. Fight Club is the brainchild of Tyler Durden, who thinks he has found a way for himself and his friends to live beyond their confining and stultifying lives. But in Tyler's world there are no rules, no limits, no brakes.

Released in 1999, Fight Club is David Fincher’s popular adaption of Chuck Palahniuk’s cult novel, and one of the most philosophically rich films of recent years. This is the first book to explore the varied philosophical aspects of the film. Beginning with an introduction by the editor that places the film and essays in context, each chapter explores a central theme of Fight Club from a philosophical perspective. Topics discussed include: Fight Club, Plato’s cave and Descartes’ cogito moral disintegration identity, gender and masculinity visuals and narration. Including annotated further reading at the end of each chapter, Fight Club is essential reading for anyone interested in the film, as well as those studying philosophy and film studies.

What makes a man a man? That's a question that most likely doesn't bother photographer Gaz too much. His models can easily convince with hard muscles and the look of a fighter. Strong and hunky they are posing in front of the camera, but Gaz always remains in the role of the wild animal tamer: He's approaching to his models in a respectful but authoritative way; he puts the focus on them but he's still the one who's in control. And yet, on the other hand, he always keeps in mind that these tigers can turn into wild beasts again any second. Sexy and rough-let the fight begin!

Chuck Palahniuk's startling and outrageous debut novel, basis of the hit movie starring Brad Pitt and Edward Norton.THE FIRST RULE about fight club is you don't talk about fight club.Every weekend, in the basements and parking lots of bars across the country, young men with whitecollar jobs and failed lives take off their shoes and shirts and fight each other barehanded just as long as they have to. Then they go back to those jobs with blackened eyes and loosened teeth and the sense that they can handle anything. Fight club is the invention of Tyler Durden, projectionist, waiter, and dark, anarchic genius, and it's only the beginning of his plans for violent revenge on an empty consumer-culture world.

The first rule about fight club is you don't talk about fight club.In his debut novel, Chuck Palahniuk showed himself to be his generation's most visionary satirist. Fight Club's estranged narrator leaves his lackluster job when he comes under the thrall of Tyler Durden, an enigmatic young man who holds secret boxing matches in the basement of bars. There two men fight "as long as they have to." A gloriously original work that exposes what is at the core of our modern world.

It was a fight club—but without the fighting and without the men. Every month, the women would huddle in a friend’s apartment to share sexist job frustrations and trade tips on how best to tackle them. Once upon a time, you might have called it a consciousness-raising group. But the problems of today’s working world are more subtle, less pronounced, harder to identify—and harder to prove—than those of our foremothers. These women weren’t just there to vent. They needed battle tactics. And so the Feminist Fight Club was born.In Feminist Fight Club, acclaimed journalist Jessica Bennett blends the personal stories of her real-life fight club with research, statistics, and no-bullsh*t advice for how to combat today’s sexism (and come out the other side). Part manual, part manifesto, Bennett offers a new vocabulary for the sexist archetypes women encounter every day—such as the Manterrupter, who talks over female colleagues in meetings; or the Bropropriator, who appropriates their ideas—as well as the self-sabotaging behavior women sometimes exhibit themselves. With original illustrations and fascinating historical research as well as a straightforward assessment of the gender gap that continues to plague the workforce, Feminist Fight Club offers practical strategies, stealthy hacks, and much-needed camaraderie for women battling their way through the modern workplace.

NAMED A BEST BOOK OF 2016 BY:Chicago Tribune, Refinery 29, Forbes, Bust, CEO ReadsPart manual, part manifesto, Feminist Fight Club is a hilarious yet incisive guide to navigating subtle sexism at work, providing real-life career advice and humorous reinforcement for a new generation of professional women.It was a fight club—but without the fighting and without the men. Every month, the women would huddle in a friend’s apartment to share sexist job frustrations and trade tips for how best to tackle them. Once upon a time, you might have called them a consciousness-raising group. But the problems of today’s working world are more subtle, less pronounced, harder to identify—and harder to prove—than those of their foremothers. These women weren’t just there to vent. They needed battle tactics. And so the fight club was born. Hard-hitting and entertaining, Feminist Fight Club blends personal stories with research, statistics, and no-bullsh*t expert advice. Bennett offers a new vocabulary for the sexist workplace archetypes women encounter everyday—such as the Manterrupter who talks over female colleagues in meetings or the Himitator who appropriates their ideas—and provides practical hacks for navigating other gender landmines in today’s working world. With original illustrations, Feminist Mad Libs, a Negotiation Cheat Sheet, and fascinating historical research, Feminist Fight Club tackles both the external (sexist) and internal (self-sabotaging) behaviors that plague women in the workplace—as well as the system that perpetuates them.

Anna Kornbluh provides an overview of Marxist approaches to film, with particular attention to three central concepts in Marxist theory in general that have special bearing on film: “the mode of production,” “ideology,” and “mediation.” In explaining how these concepts operate and how they have been used and misused in film studies, the volume employs a case study to exemplify the practice of Marxist film theory.Fight Club is an exceptionally useful text with which to explore these three concepts because it so vividly and pedagogically engages with economic relations, ideological distortion, and opportunities for transformation. At the same time, it is a very typical film in terms of the conditions of its production, its marketing, and its popularity. Adapted from a novel by Chuck Palahniuk, the film is a contemporary classic that has lent itself to significant re-interpretation with every shift in the political economic landscape since its debut.Marxist Film Theory and Fight Club models a detailed cinematic interpretation that students can practice with other films, and furnishes a set of ideas about cinema and society that can be carried into other kinds of study, giving students tools for analyzing culture broadly defined.

Anna Kornbluh provides an overview of Marxist approaches to film, with particular attention to three central concepts in Marxist theory in general that have special bearing on film: “the mode of production,” “ideology,” and “mediation.” In explaining how these concepts operate and how they have been used and misused in film studies, the volume employs a case study to exemplify the practice of Marxist film theory.Fight Club is an exceptionally useful text with which to explore these three concepts because it so vividly and pedagogically engages with economic relations, ideological distortion, and opportunities for transformation. At the same time, it is a very typical film in terms of the conditions of its production, its marketing, and its popularity. Adapted from a novel by Chuck Palahniuk, the film is a contemporary classic that has lent itself to significant re-interpretation with every shift in the political economic landscape since its debut.Marxist Film Theory and Fight Club models a detailed cinematic interpretation that students can practice with other films, and furnishes a set of ideas about cinema and society that can be carried into other kinds of study, giving students tools for analyzing culture broadly defined.

Pursuit of Happiness turned out to be a fantastic theme for this Left Bank Book, number eight in the series. From Linny Stovall's foreword: "I became intrigued by the idea of happiness for a Lef Bank theme after reading Steve Erickson's Arcd'X, a novel that time-travels with a Jeffersonian character and explores America's ambivalence about happiness. While we thrive on developing ideologies that aspire to the common good, we stalk hedonist dreams And yet, "the pursuit of happiness," so long a home in our history, originates from the most noble of instincts--revolt against tyranny. A startling declaration, a radical promise of entitlement to all citizens (or nearly all). "But what does it mean? What constitutes happiness? And how do we pursue it?" Now for a story about this book. When we decided on a theme for a new book in the series, we first sought out several well-known authors to provide cornerstones. Then, we put out a general call to writers and artists for submissions. Third, our interns stripped the authors' names from their pieces so that we would read them without prejudice. In truth, we often recognized the distinctive voices of some writers, even without names attached, and we got good at grouping submissions by those writers who studied with certain masters or in certain writing programs. Such was the case with aspiring writers who participated in the Dangerous Writing groups lead by wonderful author Tom Spanbauer (Man Who Fell in Love with the Moon). It helped, of course, that Tom's students were always hitting us hard with submissions. One of Spanbauer's students worked for Blue Heron. As noted in an earlier review/publisher's note, this person introduced us to another Spanbauer acolyte, Chuck Palahniuk, who she invited to dinner at our house. Later, reading it without his name on it, we acquired his story Fight Club and gave him his first publication.

Fight Club in the Street: Volume 1: Krav Maga - Street Boxing - GlobalDefense System - Sambo - Kajukenbo - DVD 874482005767

Rebel against all odds! There is always a possibility of changing your life. The only thing you have to do is to kill off your past. The first rule of Fight Club is, you do not talk about Fight Club. The second rule of Fight Club is, that you do not talk about Fight Club. It’s a strong reminder of keeping secrets from the writer of the novel, Palahniuk. If you feel you need the support of your inner energy in fighting your inner demons or outside circumstances, this plaster piece of art is there to help you. Placing the sculpture in your living or working environment will be a powerful message to yourself and the outsiders. Do not be numb, fight! Make sure to keep indoor. That’s it!

Fight Club in the Street 6: Krav Maga - Street - DVD 874482005972

Fight Club in the Street: Volume 2: Krav Maga - Street Boxing - GlobalDefense System - Sambo - Kajukenbo - DVD 874482005774

Fight Club in the Street 5: Krav Maga - Street - DVD 874482005965