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The XXX Filmography, 1968-1988 features more than 3,000 A to Z entries, covering the historic, artistic, and technical aspects of adult cinema from those years, including 35mm features, 16mm storefront features, and 8mm loops. It provides director, producer, cast, screenwriter, cinematographer, and composer listings, with a detailed synopsis for each film. Production company credits, release dates and running times are also given. A DVD appendix lists all titles currently available on DVD, and complete cast and director indexes make this work the most comprehensive guide to Golden Age triple-X films ever published.

The love affair between boxing and Hollywood began with the dawn of film. As early as the days of Chaplin, the "boxing film" had assumed its place as a subgenre, and over the decades it has taken the forms of biographies, dramas, romances, comedies, and even musicals and westerns. Such well known pictures as The Champ, Body and Soul, Don King: Only in America, Girl Fight, The Irish in Us, The Kid from Brooklyn, Somebody Up There Likes Me, Raging Bull, each of the Rocky movies and When We Were Kings are just a few examples of the feature films included in this filmography. Thoroughly researched, this work examines 98 boxing films from the 1920s through 2003. Each entry provides basic filmographic data (the film's studio, its genre, its length, cast and credits); a detailed synopsis of the film; illuminating commentary on the boxing sequences; and excerpts from contemporary reviews. Most entries also summarize the making of the film, with particular attention to the training of the actors for the boxing scenes. The filmography also includes information on studio publicity releases and advertisements, press books and exhibitor campaign materials for each film.

Nearly 600 films have used Nevada as a backdrop, ranking it in the top five states used as locations. This comprehensive reference work provides information on those works in which the production company physically travelled to Nevada for primary or second-unit filming and the film received a public showing. Arranged alphabetically by title, each entry includes technical information (year of release, MPAA rating, length), production credits, cast and crew, film genre, plot synopsis and information on the locale. Five appendices cover the topics of locations, chronological listings, motion picture awards, alternative titles, films on videocassette, and Nevada themed films.

From Sean Connery to Roy Rogers, from comedy to political satire, films that include espionage as a plot device run the gamut of actors and styles. More than just "spy movies," espionage films have evolved over the history of cinema and American culture, from stereotypical foreign spy themes, to patriotic star features, to the Cold War plotlines of the sixties, and most recently to the sexy, slick films of the nineties.This reference filmography comprehensively catalogs movies involving elements of espionage, from The Abductors to Zotz! Each entry includes release date, running time, alternate titles, cast and crew, a brief synopsis, and commentary. An introduction analyzes the development of these films and their reflection of the changing culture that spawned them.

While many fans remember The Lone Ranger, Ace Drummond and others, fewer focus on the facts that serials had their roots in silent film and that many foreign studios also produced serials, though few made it to the United States. The 471 serials and 100 series (continuing productions without the cliffhanger endings) from the United States and 136 serials and 37 series from other countries are included in this comprehensive reference work. Each entry includes title, country of origin, year, studio, number of episodes, running time or number of reels, episode titles, cast, production credits, and a plot synopsis.

Ridley Scott, the director of such seminal films as Blade Runner, Alien and Thelma & Louise, is one of the most important directors of the last fifty years. Unlike many directors, Scott has been remarkably transparent about his craft, offering the audience glimpses into his creative process. This book explores Scott's oeuvre in depth, devoting a chapter to his 22 primary works, from his first effort, Boy and Bicycle (1962), through Robin Hood (2010). Topics discussed include the critical reception of the films, and the ways in which Scott's works function as cinematic mediators of issues such as religion, women's rights and history.

The Sasquatch film genre, devoted to the legendary and notoriously elusive creature also known as Bigfoot, and its Himalayan counterpart, the Yeti, is the focus of this illustrated reference guide. Here is a fascinatingly detailed look at the cinematic history of Sasquatch, from the earliest trick films of Georges Melies to the most up-to-date CGI efforts. Critical insights regarding the genre's development are offered, along with an exhaustively researched filmography that gathers every known film or television appearance (including ads!) of Sasquatch, Bigfoot and Yeti in both fictitious and documentary formats. Included are in-depth interviews with such filmmakers as Kevin Tenney, Adam Muto, Ryan Schifrin, Tim Skousen and Michael Worth, as well as reproductions of rare movie stills, posters, lobby cards and behind-the-scenes production photos. Renowned cryptozoologist Loren Coleman (no relation) provides an insightful foreword.

From classics like King Kong, to beloved B–movies like The Beast from 20,000 Fathoms, to blockbusters like Jurassic Park, it’s easy to see that filmmakers and audiences alike love to see dinosaurs on the screen. This comprehensive filmography, arranged alphabetically by title, contains entries that include basic facts (year of release, country of origin, studio, and running time), followed by a concise plot summary, the author’s critical commentary, information on the production and the people behind it, and secrets of the often-ingenious special effects. Three useful appendices feature films with minor dinosaur content, planned but unfinished dinosaur movies, and the quasi-dinosaurs of Toho Studios. To be included, a movie must depict one or more representations of a “prehistoric reptile.” Inaccurate portrayals are included, as long as the intent is to represent a real or fictional dinosaur. Not eligible are films featuring prehistoric mammals, prehistoric humans or humanoids, and beasts of mythology—unless, of course, the movie also has a dinosaur.

The love affair between boxing and Hollywood began with the dawn of film. As early as the days of Chaplin, the "boxing film" had assumed its place as a subgenre, and over the decades it has taken the forms of biographies, dramas, romances, comedies, and even musicals and westerns. Such well known pictures as The Champ, Body and Soul, Don King: Only in America, Girl Fight, The Irish in Us, The Kid from Brooklyn, Somebody Up There Likes Me, Raging Bull, each of the Rocky movies and When We Were Kings are just a few examples of the feature films included in this filmography. Thoroughly researched, this work examines 98 boxing films from the 1920s through 2003. Each entry provides basic filmographic data (the film's studio, its genre, its length, cast and credits); a detailed synopsis of the film; illuminating commentary on the boxing sequences; and excerpts from contemporary reviews. Most entries also summarize the making of the film, with particular attention to the training of the actors for the boxing scenes. The filmography also includes information on studio publicity releases and advertisements, press books and exhibitor campaign materials for each film.

Nearly 600 films have used Nevada as a backdrop, ranking it in the top five states used as locations. This comprehensive reference work provides information on those works in which the production company physically travelled to Nevada for primary or second-unit filming and the film received a public showing. Arranged alphabetically by title, each entry includes technical information (year of release, MPAA rating, length), production credits, cast and crew, film genre, plot synopsis and information on the locale. Five appendices cover the topics of locations, chronological listings, motion picture awards, alternative titles, films on videocassette, and Nevada themed films.

This is a complete reference work to the history of Batman big screen works, from the 1940s serials through the campy 1960s TV show and film, and up through the series of Warner Bros. summer blockbusters that climaxed with Christopher Nolan's 2012 film The Dark Knight Rises. Chapters on each Batman feature include extensive film and production credits, a production history, and a critical analysis of the movie relative to the storied history of the Batman character. The book also examines the Batman-related works and events that took place in the years between the character's film exploits.

This is a complete reference work to the history of Batman big screen works, from the 1940s serials through the campy 1960s TV show and film, and up through the series of Warner Bros. summer blockbusters that climaxed with Christopher Nolan's 2012 film The Dark Knight Rises. Chapters on each Batman feature include extensive film and production credits, a production history, and a critical analysis of the movie relative to the storied history of the Batman character. The book also examines the Batman-related works and events that took place in the years between the character's film exploits.

From classics like King Kong, to beloved B–movies like The Beast from 20,000 Fathoms, to blockbusters like Jurassic Park, it’s easy to see that filmmakers and audiences alike love to see dinosaurs on the screen. This comprehensive filmography, arranged alphabetically by title, contains entries that include basic facts (year of release, country of origin, studio, and running time), followed by a concise plot summary, the author’s critical commentary, information on the production and the people behind it, and secrets of the often-ingenious special effects. Three useful appendices feature films with minor dinosaur content, planned but unfinished dinosaur movies, and the quasi-dinosaurs of Toho Studios. To be included, a movie must depict one or more representations of a “prehistoric reptile.” Inaccurate portrayals are included, as long as the intent is to represent a real or fictional dinosaur. Not eligible are films featuring prehistoric mammals, prehistoric humans or humanoids, and beasts of mythology—unless, of course, the movie also has a dinosaur.

The career of towering, handsome actor Christopher Lee has stretched over half a century in every sort of film from comedy to horror. He has assumed such diverse roles as the Man With the Golden Gun, Frankenstein’s monster, Fu Manchu, Sherlock Holmes, and Dr. Catheter (from Gremlins 2). From Corridor of Mirrors in 1948 to Star Wars: Episode II-Attack of the Clones in 2002, this reference book covers 166 of Lee’s theatrical feature films in detail. Each entry provides all production information (including year of release, studio, running time, and location), full credits for cast and crew, a synopsis of the film, and a critical analysis of the film and Lee’s involvement, with a detailed account of its making and commentary drawn from some thirty hours of interviews with Lee himself. Each entry also places the film within the context of Lee’s career and discusses the director and other significant figures. Two appendices list Lee’s television feature films and miniseries and Lee’s short films, with brief credits and Lee’s role in each. The work concludes with an afterword by Christopher Lee. Photographs from the actor’s private collection are included.

Using interviews with Jerry Lewis and many of his co-stars, this book analyzes his collaborative efforts with Dean Martin, his subsequent solo work, his writing and directorial careers, and later movies such as Hardly Working (1979) and The King of Comedy (1982). Comprehensive data are provided for each of the films, with cast and production credits, studio, release date, and running time. Lewis's own reflections on his work are included for many of the entries.

Tacita Dean: Writing and Filmography, published as a companion to Tacita Dean: Landscape, Portrait, Still Life, collects the artist’s writings and pairs them with a complete filmography. Dean’s writings reveal her to be as sensitive a thinker as she is an image maker, and her filmography shows the depth and breadth of the artist’s interests. Beautifully illustrated throughout with film stills, archival photographs and related artworks, this two-volume publication provides an unparalleled insight into the stories and inspiration behind her work.

Though the horror film was not officially born until Universal Pictures released Frankenstein in 1931, there were many silent films that contained terrifying scenes and horrific elements. Many of the early horror soundies drew much of their inspiration for visual design and thematic development from the silents. This filmography includes all silent films that were horrific in nature, containing one or more of the stock horror movie elements, e.g., haunted houses, ghosts, witches, monsters, the occult or hypnotism. Each entry includes release date, running time, cast and credit information, contemporary review quotes when available, and in the case of foreign films, the original title and country of origin.

This comprehensive guide covers approximately 400 feature-length films, documentaries, spin-offs, educational films, and excerpts on Shakespeare's plays. A full entry is provided for each major film, including cast, credits, and critical commentary. There are also sections on film and videos on Shakespeare's life and times; theater; poetry; plays; actors; and directors. Also included are an extensive bibliography, a list of archive and resource centers, and distributors. Separate indexes list directors and producers, major series, actors, and production personnel.

Though best known for its horror films, Hammer produced a wide variety of movies in many genres. The British studio was famous for its exciting stories and expert action--all on very small budgets and short shooting schedules. From The Public Life of Henry the Ninth (1935) to The Lady Vanishes (1978), this is the definitive work on Hammer's 165 films. Complete filmographic data are provided for each film, including release dates in both the United Kingdom and the United States, running time, length, distributor, complete cast and production credits, and alternate titles. These data are followed by an extensive plot synopsis, including contemporary critical commentary and behind-the-scenes information from many of the players and crew members.

America's executive office and its occupant have found their way into numerous films--more than 400 since 1903. Ranging from respectful biographical presentations to caricatures, the presentations of presidents on film reflect contemporary perceptions of the office. This is an all-inclusive survey of commercial theatrical films that depict an actual American president as a character. An analysis of these depictions reveals a great deal about the presidents--and the filmmakers. The main body of the work provides a brief summary of each administration along with a commentary on the overall nature of films in which the featured president appeared. Each relevant film is then discussed with the credits, plot summary, description of the presidential appearance and, when possible, an assessment of the presidential portrayal included.