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THE VAMPIRE DIARIES sinks its teeth into its final season with more high-stakes romance, adventure and drama than ever before. Last season, our heroes rebuilt their world without Elena, and Stefan (Paul Wesley) and Caroline (Candice King) began their much-anticipated yet complicated relationship. Meanwhile, Damon pursued a vendetta against his mother Lily (guest star Annie Wersching), who abandoned her sons to care for vampire-witches. Lilys misguided choices caused her own demise and Rayna for

Perry Mason is an attorney who specializes in defending seemingly indefensible cases. With the aid of his secretary Della Street and investigator Paul Drake, he often finds that by digging deeply into the facts, startling facts can be revealed. Often relying on his outstanding courtroom skills, he often tricks or traps people into unwittingly admitting their guilt.

In July 1945, a Japanese submarine sinks the USS Indianapolis. Indianapolis final resting place remains a mystery for more than seven decades, until an expedition launched by philanthropist Paul G. Allen discovers the ship in August 2017. Now the story of USS Indianapolis is told as we reconstruct the ships heroic legacy, her dramatic final moments, and the discovery of the wreck site.

It all ends with a bang! In the final episodes, Emmy winners Bryan Cranston and Aaron Paul bring the saga of BREAKING BAD to a bloody conclusion in their roles as methedrine kingpin Walter White and his guilt-ridden partner Jesse Pinkman. As each tries to get clear of the wreckage they left behind in the methedrine world, DEA agent Hank Schrader's obsessive pursuit of Heisenberg gains steam, leading up to a shattering finale that will leave no one in Walt's world unscathed. Executive Produced b

It all ends with a bang! In the final episodes, Emmy winners Bryan Cranston and Aaron Paul bring the saga of BREAKING BAD to a bloody conclusion in their roles as methedrine kingpin Walter White and his guilt-ridden partner Jesse Pinkman. As each tries to get clear of the wreckage they left behind in the methedrine world, DEA agent Hank Schrader's obsessive pursuit of Heisenberg gains steam, leading up to a shattering finale that will leave no one in Walt's world unscathed. Executive Produced by

Green Acres is the place to be for lawyer Oliver Douglas (Eddie Albert), while New York is where his Hungarian socialite wife Lisa (Eva Gabor) would rather stay, in this rural 1965-1971 CBS hit from "The Beverly Hillbillies" creator Paul Henning and Jay Sommers. Pat Buttram, Tom Lester, Alvy Moore, Frank Cady, Hank Patterson, Sid Melton, Mary Grace Canfield, and Arnold the Pig filled out the wonderful supporting cast.26 episodes on 4 discs. Standard; Soundtrack: English.

Patrick is dying a slow, agonizing death. He wants his friend, Dr. Ron Grey to help him-but not to help him get better. Instead Patrick wants Ron to help him end his suffering by helping him end his life. This is the premise of a story that Paul Chamberlain employs to reveal the ethical and emotional complexities of a movement that is gaining supporters daily. It is a story that sends Ron Grey on a difficult journey across a continent and through a minefield of conflicting ideas and values. Should people have a legal right to choose the time of their death? Can adequate safeguards be employed to protect the public from potential abuses of physician-assisted suicide laws? What does it mean for people to die with dignity? Will people feel an obligation not to burden their families with their prolonged illness? What has been the experience in the Netherlands, which has had a physician-assisted suicide law for over twenty-five years? What about the possibility of misdiagnosis? Is there a legitimate public interest in what appears to be a purely private act? Can morality be legislated at all? All of these vital issues are clearly and carefully considered. Yet as we move through the legal, political, medical and ethical questions, we also see the personal side of these topics played out in the context of a caring family and a deep friendship. Here is a timely and helpful book on one of the most controversial concerns of our day.

Hickey, Michael M., Traywick, Ben T., Taylor, Paul R.

Written by Paul Dini, Jimmy Palmiotti & Justin Gray, Adam Beechen, Tony Bedard and Sean McKeever Breakdowns by Keith Giffen Art by various Cover by Ed Benes The second of four volumes collecting DC's explosive weekly series! In this volume, featuring CO

Recipient of an Honourable Mention in the 2001 God Uses Ink Contest!Patrick is dying a slow, agonizing death. He wants his friend, Dr. Ron Grey, to help him--but not to get better. Instead, Patrick wants Ron to help him end his suffering by ending his life.This is the premise of a story that Paul Chamberlain employs to reveal the ethical and emotional complexities of a movement that is gaining supporters daily. It is a story that sends Ron Grey on a difficult journey across a continent and through a minefield of conflicting ideas and values.Should people have a legal right to choose the time of their death? Can adequate safeguards be employed to protect the public from potential abuses of physician-assisted suicide laws? What does it mean for people to die with dignity? Will people feel an obligation not to burden their families with their prolonged illness? What has been the experience in the Netherlands, which has had a physician-assisted suicide law for over twenty-five years? What about the possibility of misdiagnosis? Is there a legitimate public interest in what appears to be a purely private act? Can morality be legislated at all?Paul Chamberlain considers all of these vital issues clearly and carefully. Yet as we move through the legal, political, medical and ethical questions, he also helps us to see the personal side of these topics played out in the context of a caring family and a deep friendship. Here is a timely and helpful book on one of the most controversial concerns of our day.

Hardcover. (Book). The Gibson Les Paul Standard 1958-1960 is one of the greatest designs to emerge from Gibson. Revered by the great players of our generation, the tone and quality of these instruments have never been surpassed. The older generation of players such as Clapton, Page, Beck, and Bloomfield created the sound palette which would be further developed by Slash and Joe Walsh. Today, players such as Kenny Wayne Shepherd, Tom Bukovac, and Keith Urban are picking up the challenge and embracing the Burst. This edition contains many new Bursts to the series plus new photos of some of the great guitars featured in earlier editions. With vibrant hi-res photographs we have worked with the publisher and printer to create a stunning final edition. The Les Paul Standard continues to excite players worldwide and Gibson continues to produce new models based on the near-perfect original design. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Winner of the first Paul A. Baran-Paul M. Sweezy Memorial Award for an original monograph concerned with the political economy of imperialism, John Smith's Imperialism in the Twenty-First Century is a seminal examination of the relationship between the core capitalist countries and the rest of the world in the age of neoliberal globalization.Deploying a sophisticated Marxist methodology, Smith begins by tracing the production of certain iconic commodities-the T-shirt, the cup of coffee, and the iPhone-and demonstrates how these generate enormous outflows of money from the countries of the Global South to transnational corporations headquartered in the core capitalist nations of the Global North. From there, Smith draws on his empirical findings to powerfully theorize the current shape of imperialism. He argues that the core capitalist countries need no longer rely on military force and colonialism (although these still occur) but increasingly are able to extract profits from workers in the Global South through market mechanisms and, by aggressively favoring places with lower wages, the phenomenon of labor arbitrage. Meticulously researched and forcefully argued, Imperialism in the Twenty-First Century is a major contribution to the theorization and critique of global capitalism.

Paul; Gray, Justin; Palmiotti, Jimmy Din

Winner of the first Paul A. Baran-Paul M. Sweezy Memorial Award for an original monograph concerned with the political economy of imperialism, John Smith's Imperialism in the Twenty-First Century is a seminal examination of the relationship between the core capitalist countries and the rest of the world in the age of neoliberal globalization.Deploying a sophisticated Marxist methodology, Smith begins by tracing the production of certain iconic commodities-the T-shirt, the cup of coffee, and the iPhone-and demonstrates how these generate enormous outflows of money from the countries of the Global South to transnational corporations headquartered in the core capitalist nations of the Global North. From there, Smith draws on his empirical findings to powerfully theorize the current shape of imperialism. He argues that the core capitalist countries need no longer rely on military force and colonialism (although these still occur) but increasingly are able to extract profits from workers in the Global South through market mechanisms and, by aggressively favoring places with lower wages, the phenomenon of labor arbitrage. Meticulously researched and forcefully argued, Imperialism in the Twenty-First Century is a major contribution to the theorization and critique of global capitalism.

Perry Mason is an attorney who specializes in defending seemingly indefensible cases. With the aid of his secretary Della Street and investigator Paul Drake, he often finds that by digging deeply into the facts, startling facts can be revealed. Often relying on his outstanding courtroom skills, he often tricks or traps people into unwittingly admitting their guilt.

On July 16, 1969, one artist was asked by NASA to be with the Apollo 11 crew as they prepared for the launch to the moon. Paul Calle recorded the final moments on Earth of three brave men, before they journeyed to the moon. These on-the-spot drawings provide a glimpse into the events of that historic morning the pre-launch breakfast and the suiting up as three American heroes prepared for the adventure of a lifetime. Calle s impressions and thoughts as he quickly sketched, give a unique perspective of the events leading up to the moon landing. This book provides a fly-on-the-wall experience through the artwork of Paul Calle and his memories of that morning, forty years ago. Astronauts Bill Anders, Alan Bean, Vance Brand, Michael Collins, Gene Cernan, Walt Cunningham, and Dick Gordon lend their voices to the book.

This study demonstrates that Paul in 1 Corinthians 3:5 - 4:5 is led by the rhetorical situation to emphasize God's final judgment as the affirmation of the individual Christian's work. Paul is not simply opposing his future eschatology to a Corinthian "realized" eschatology. Rather, he is teaching the Corinthians to adapt their inherited belief in a corporate judgment to new concerns within the community.The exegetical study is set in the context of past scholarship on the questions of Paul's eschatology, his beliefs concerning judgment, and the role of eschatology in 1 Corinthians. Chapters on the functions of divine judgment in Jewish and Greco-Roman writings help to define the way early Christians thought of God's judgment and to suggest how Corinthian sensibilities influenced Paul's application of judgment language.This book contributes to ongoing debates about the apocalyptic theology of Paul and the eschatological views of the Corinthians. It will also be useful to scholars who are interested in the role played by ideas of divine judgment in the world of the New Testament.

The sixth and seventh volumes of Paul Samuelson's papers gather his final writings.“It is a measure of Professor Samuelson's preeminence that the sheer scale of his work should be so much taken for granted,” a reviewer for the Economist once observed, marking both Paul Samuelson's influence and his astonishing prolificacy. These two volumes gather the Nobel Laureate's final writings. Samuelson declined suggestions that he write an autobiography. Yet the texts in these volumes (selected by Samuelson with the help of his longtime assistant, Janice Murray) have a somewhat autobiographical cast, with tributes to friends and colleagues and speeches and interviews of both personal and historic interest. Volume 6 offers essays on classical economics; neoclassical, Marxian, and Sraffian economics; modern macroeconomics; welfare and efficiency economics; and economic and scientific theories. Volume 7 covers stochastic theory; modern economic policy; biographical essays; and autobiographical writings. [Revised appendixes accompany Samuelson and Etula's “Where Ricardo and Mill Rebut and Confirm Arguments of Mainstream Economists Supporting Globalization” and a previously unpublished “Afterthought” has been added to Samuelson's Dictionary of American Biography text on Joseph Schumpeter.] Additionally, three contributions omitted from early volumes have been included. The acknowledgements sections list the strict chronological order of the papers. The seven volumes of Samuelson's collected papers document the long and distinguished career of one of America's most important economists.

While writing his autobiography, Jean Paul Getty - then perhaps the world's richest man - hoped it would be the final verdict on himself, on his many friends and associates, and on his times. Regrettably, it proved to be so: Getty died in 1976 as As I See It was going to press.

The Grand Duchess Olga wrote her memoirs as a personal account of the final years of Imperial Russia... The youngest daughter of Alexander III and sister of Nicholas II, Olga was brought up in a happy and loving environment, where the wealth and majesty of the Russian court seemed forever assured. With an artist's eye for detail, she records her life against the background of the historical events, which shook the world. Her marriage to Prince Peter of Oldenburg failed, and she saw at first hand the horror and suffering while nursing in a field hospital during The Great War. At the onset of the Revolution in 1917, Olga and her new husband Nicholas Kulikovsky moved first to The Crimea and in early 1919 to the Caucasus, which was under White Russian control. When the Red Army moved in, Nicholas and Olga, with their two children, managed to escape to Denmark, and her mother's home. After the end of WWII the family emigrated to Canada to avoid the dangers posed by Soviet occupation of Dani