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"One has the impression, reading The Flâneur, of having fallen into the hands of a highly distractible, somewhat eccentric poet and professor who is determined to show you a Paris you wouldn't otherwise see...Edmund White tells such a good story that I'm ready to listen to anything he wants to talk about."―New York Times Book ReviewA flâneur is a stroller, a loiterer, someone who ambles through city streets in search of adventure and fulfillment. Edmund White, who lived in Paris for sixteen years, wanders through the streets and avenues and along the quays, into parts of Paris virtually unknown to visitors and indeed to many Parisians. In the hands of the learned White, a walk through Paris is both a tour of its lush, sometimes prurient history and an evocation of the city's spirit. The Flâneur leads us to bookshops and boutiques, monuments and palaces, giving us a glimpse into the inner human drama. Along the way we learn everything from the latest debates among French lawmakers to the juicy details of Colette's life.

Stay warm and stylish in this black Technical Wool Sweater from Maison Flaneur. The sweater features a crew-neck, long sleeves, and ribbed profiles. Made with a blend of 50% acrylic and 50% wool, this sweater is soft and comfortable. Available in a range of sizes, it's the perfect addition to any wardrobe. Order now and experience the quality of Maison Flaneur!

Stay warm and stylish in this black Technical Wool Sweater from Maison Flaneur. The sweater features a crew-neck, long sleeves, and ribbed profiles. Made with a blend of 50% acrylic and 50% wool, this sweater is soft and comfortable. Available in a range of sizes, it's the perfect addition to any wardrobe. Order now and experience the quality of Maison Flaneur!

Stay warm and stylish in this black Technical Wool Sweater from Maison Flaneur. The sweater features a crew-neck, long sleeves, and ribbed profiles. Made with a blend of 50% acrylic and 50% wool, this sweater is soft and comfortable. Available in a range of sizes, it's the perfect addition to any wardrobe. Order now and experience the quality of Maison Flaneur!

Timely and original, this collection of essays from the leading figures in their fields throws new and valuable light on the significance and future of flanerie. The Flaneur is the first book to develop the debate beyond Baudelaire and Benjamin, and to push it in unexpected and exciting directions.

A flaneur is a stroller, a loiterer, someone who ambles through a city without apparent purpose but is secretly attuned to the history of the place and in covert search of adventure, aesthetic or erotic. Edmund White, who lived in Paris for sixteen years, wanders through the streets and avenues and along the quays, taking us into parts of Paris virtually unknown to visitors and indeed to many Parisians. Entering the Marias evokes the history of Jews in France, just a visit to the Haynes grill recalls the presence - festive, troubled - of black Americans in Paris for a century and a half. Gays, Decadents, even Royalists past and present are all subjected to the flaneur's scrutiny. Edmund White's "The Flaneur" is opinionated, personal, subjective. As he conducts us through the bookshops and boutiques, past the monuments and palaces, filling us in on the gossip and background of each site, he allows us to see through the blank walls and past the proud edifices and to glimpse the inner, human drama. Along the way he recounts everything from the latest debates among French law-makers to the juicy details of Colette's life in the Palais Royal, even summoning up the hothouse atmosphere of Gustave Moreau's atelier. Coming soon in the series are: "Ahdaf Soueif on Cairo", "Peter Carey on Sydney" and "Rubem Fonseca on Rio".

"An inspiring book for flâneurs and Paris lovers" A man walks the streets of Paris, alone and without a destination. He travels long avenues of great buildings, loses himself in the crowds at the Grands Magasins. Wrapped up in a black overcoat, he wanders the city restlessly. But what is he looking for? Where is he going? This book teaches you how lose yourself in the city: it contains stories of promenades and urban adventures, stories of dandies and flâneurs... It contains information regarding characters, authors and artists who have wandered the streets of Paris. By reading these pages you will discover the secrets of flânerie, the noble art of wandering without a destination.Website: federicocastigliano.com TABLE OF CONTENTS:Itineraries of flânerie (map)Instructions for reading this bookPrologue - Into the street How to be a true flâneurA day in the life of a flâneur Once there was the flâneurGetting lost Where to wander in Paris Drifting along the boulevards The ruins of ParisA dangerous game The city of tomorrow Shopping as one of the fine arts Paris spleen Epilogue - At the gate Memorandum for flâneursBibliography

Bloomsbury is proud to announce the first title in an occasional series in which some of the world's finest novelists reveal the secrets of the city they know best. These beautifully produced, pocket-sized books will provide exactly what is missing in ordinary travel guides: insights and imagination that lead the reader into those parts of a city no other guide can reach.A flaneur is a stroller, a loiterer, someone who ambles through a city without apparent purpose but is secretly attuned to the history of the place and in covert search of adventure, esthetic or erotic. Edmund White, who lived in Paris for sixteen years, wanders through the streets and avenues and along the quays, taking us into parts of Paris virtually unknown to visitors and indeed to many Parisians. Entering the Marais evokes the history of Jews in France, just as a visit to the Haynes Grill recalls the presence-festive, troubled-of black Americans in Paris for a century and a half. Gays, Decadents, even Royalists past and present are all subjected to the flaneur's scrutiny. Edmund White's The Flaneur is opinionated, personal, subjective. As he conducts us through the bookshops and boutiques, past the monuments and palaces, filling us in on the gossip and background of each site, he allows us to see through the blank walls and past the proud edifices and to glimpse the inner, human drama. Along the way he recounts everything from the latest debates among French law-makers to the juicy details of Colette's life in the Palais Royal, even summoning up the hothouse atmosphere of Gustave Moreau's atelier.

New! This book is in the same immaculate condition as when it was published 0.66

"Le Flâneur des deux rives" de Guillaume Apollinaire. Poète français (1880-1918).

The first English translation of a lost classic that reinvents the flaneur in Berlin.Franz Hessel (1880–1941), a German-born writer, grew up in Berlin, studied in Munich, and then lived in Paris, where he moved in artistic and literary circles. His relationship with the fashion journalist Helen Grund was the inspiration for Henri-Pierre Roche's novel Jules et Jim (made into a celebrated 1962 film by Francois Truffaut). In collaboration with Walter Benjamin, Hessel reinvented the Parisian figure of the flaneur. This 1929 book―here in its first English translation―offers Hessel's version of a flaneur in Berlin.In Walking in Berlin, Hessel captures the rhythm of Weimar-era Berlin, recording the seismic shifts in German culture. Nearly all of the essays take the form of a walk or outing, focusing on either a theme or part of the city, and many end at a theater, cinema, or club. Hessel deftly weaves the past with the present, walking through the city's history as well as its neighborhoods. Even today, his walks in the city, from the Alexanderplatz to Kreuzberg, can guide would-be flaneurs.Walking in Berlin is a lost classic, known mainly because of Hessel's connection to Benjamin but now introduced to readers of English. Walking in Berlin was a central model for Benjamin's Arcades Project and remains a classic of “walking literature” that ranges from Surrealist perambulation to Situationist “psychogeography.” This MIT Press edition includes the complete text in translation as well as Benjamin's essay on Walking in Berlin, originally written as a review of the book's original edition.“An absolutely epic book, a walking remembrance.”―Walter Benjamin

These essays from one of our most stimulating thinkers showcase Tallis's infectious fascination, indeed intoxication, with the infinite complexity of human lives and the human condition. In the title essay, we join Tallis on a stroll around his local park - and the intricate passages of his own consciousness - as he uses the motif of the walk, the amble, to occasion a series of meditations on the freedoms that only human beings possess. In subsequent essays, the flaneur thinks about his brain, his relationship to the rest of the animal kingdom, his profession of medicine and about the physical world and the claims of physical science to have rendered philosophical reflection obsolete. Taken together the essays continue Tallis's mission to elaborate a vision of humanity that rejects religious myths while not succumbing to scientism or any other form of naturalism. Written with the author's customary intellectual energy and vigour these essays provoke, move and challenge us to think differently about who we are and our place in the material world.

The first English translation of a lost classic that reinvents the flaneur in Berlin.Franz Hessel (1880–1941), a German-born writer, grew up in Berlin, studied in Munich, and then lived in Paris, where he moved in artistic and literary circles. His relationship with the fashion journalist Helen Grund was the inspiration for Henri-Pierre Roche's novel Jules et Jim (made into a celebrated 1962 film by Francois Truffaut). In collaboration with Walter Benjamin, Hessel reinvented the Parisian figure of the flaneur. This 1929 book―here in its first English translation―offers Hessel's version of a flaneur in Berlin.In Walking in Berlin, Hessel captures the rhythm of Weimar-era Berlin, recording the seismic shifts in German culture. Nearly all of the essays take the form of a walk or outing, focusing on either a theme or part of the city, and many end at a theater, cinema, or club. Hessel deftly weaves the past with the present, walking through the city's history as well as its neighborhoods. Even today, his walks in the city, from the Alexanderplatz to Kreuzberg, can guide would-be flaneurs.Walking in Berlin is a lost classic, known mainly because of Hessel's connection to Benjamin but now introduced to readers of English. Walking in Berlin was a central model for Benjamin's Arcades Project and remains a classic of “walking literature” that ranges from Surrealist perambulation to Situationist “psychogeography.” This MIT Press edition includes the complete text in translation as well as Benjamin's essay on Walking in Berlin, originally written as a review of the book's original edition.“An absolutely epic book, a walking remembrance.”―Walter Benjamin

Let your lights take a leisurely stroll around your home with the Flaneur collection pendant lamp collection in a black finish. Its casual style is made even more charming with the capsule-shaped cage shade that lets brilliant light playfully pass by. Whether you have one illuminating your apartment living room, or many shining together in your large kitchen, you won't be disappointed by this flaneur's versatile style.

Lucky Peach is a quarterly journal of food and writing. Each issue focuses on a single theme, and explores that theme through essays, art, photography, and recipes. Less summary than survey, the street food issue takes to the world’s streets like a starved flâneur, flitting from birria in Mexico City to chicharron-studded tortillas in Buenos Aires, from chaat in Mumbai to gizzard noodle soup in Chiang Mai’s Lumpinee Boxing Stadium. This issue watches as children made stick bread in Copenhagen and shares a report on who’s eating all your cigarette butts (spoiler: microbes). For Jonathan Gold, the experience of eating street food is inseparable from time and place. Issue 10 also delves into the history of Turkey in the Straw,” an ice-cream truck ditty that rings out across Los Angeles; spends a day with the Doughnut Luchador of East LA (doughnut slinger by day, luchador by night); and learns what happens, exactly, when you cook with charcoal, and what nixtamalizing does to corn. Plus, a look into the wondrous array of street sausages around the globe, the best of the wurst.

Anke Gleber examines one of the most intriguing and characteristic figures of European urban modernity: the observing city stroller, or flaneur. In an age transformed by industrialism, the flaneur drifted through city streets, inspired and repelled by the surrounding scenes of splendor and squalor. Gleber examines this often elusive figure in the particular contexts of Weimar Germany and the intellectual sphere of Walter Benjamin, with whom the concept of flanerie is often associated. She sketches the European influences that produced the German flaneur and establishes the figure as a pervasive presence in Weimar culture, as well as a profound influence on modern perceptions of public space. The book begins by exploring the theory of literary flanerie and the technological changes--street lighting, public transportation, and the emergence of film--that gave a new status to the activities of seeing and walking in the modern city. Gleber then assesses the place of flanerie in works by Benjamin, Siegfried Kracauer, and other representatives of Weimar literature, arts, and theory. She draws particular attention to the works of Franz Hessel, a Berlin flaneur who argued that flanerie is a "reading" of the city that perceives passersby, streets, and fleeting impressions as the transitory signs of modernity. Gleber also examines connections between flanerie and Weimar film, and discusses female flanerie as a means of asserting female subjectivity in the public realm. The book is a deeply original and searching reassessment of the complex intersections among modernity, vision, and public space.

A poet and post-punk heroine writes on subjects ranging from Björk to Robert Smithson, from traveling in Iceland to walking in Thoreau's footsteps on Cape CodPoet and post-punk heroine Eileen Myles has always operated in the art, writing, and queer performance scenes as a kind of observant flaneur. Like Baudelaire's gentleman stroller, Myles travels the city―wandering on garbage-strewn New York streets in the heat of summer, drifting though the antiseptic malls of La Jolla, and riding in the van with Sister Spit―seeing it with a poet's eye for detail and with the consciousness that writing about art and culture has always been a social gesture. Culled by the poet from twenty years of art writing, the essays in The Importance of Being Iceland make a lush document of her―and our―lives in these contemporary crowds. Framed by Myles's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture. The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schulyer and Björk, queer Russia and Robert Smithson; how-tos on writing an avant-garde poem and driving a battered Japanese car that resembles a menopausal body; and opinions on such widely ranging subjects as filmmaker Sadie Benning, actor Daniel Day-Lewis, Ted Berrigan's Sonnets, and flossing.

This collection of essays revisits gender and urban modernity in nineteenth-century Paris in the wake of changes to the fabric of the city and social life. In rethinking the figure of the flâneur, the contributors apply the most current thinking in literature and urban studies to an examination of visual culture of the period, including painting, caricature, illustrated magazines, and posters. Using a variety of approaches, the collection re-examines the long-held belief that life in Paris was divided according to strict gender norms, with men free to roam in public space while women were restricted to the privacy of the domestic sphere. Framed by essays by Janet Wolff and Linda Nochlin - two scholars whose work has been central to the investigation of gender and representation in the nineteenth century - this collection brings together new methods of looking at visual culture with a more nuanced way of picturing city life.

Le Flaneur, the turn-of-the-century French term for the urban stroller, the street wanderer -- an intellectual with plenty of leisure time to idly traverse the byways of the city, drifting from one quarter to another, making discoveries, meeting old acquaintances, making new ones. It remains the best way to see Paris.This volume of photography is a memoir of numerous walks through the French capital by some great photographers, who set out, like le flaneur, to capture by chance something they had never seen before. These images map and re-map the desired paths and favourite landmarks of one of the most photographed cities in the world, reprinting classic shots from the last two hundred years -- right up to the present day. They poignantly evoke the bars, the cafes, the architecture, the parks and, of course, the vibrancy of the people. Turning the pages is like taking a walk through the history of the city, noting the changes and those elements that are forever Paris -- the tree-lined boulevards, the dimly lit bistros, the narrow passages, and the banks of the River Seine.

Fulgencio Pimentel, 2022. La principal. 408pp. 20cm. El enigmático flâneur conocido como Gaustín inaugura en Zúrich una clínica para enfermos de alzhéimer. Sus instalaciones reproducen las distintas décadas del siglo XX al detalle, lo que permite a los pacientes regresar al escenario de sus años de plenitu