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As the horror subgenre du jour, found footage horror's amateur filmmaking look has made it available to a range of budgets. Surviving by adapting to technological and cultural shifts and popular trends, found footage horror is a successful and surprisingly complex experiment in blurring the lines between quotidian reality and horror's dark and tantalizing fantasies. Found Footage Horror Films explores the subgenre's stylistic, historical and thematic development. It examines the diverse prehistory beyond Man Bites Dog (1992) and Cannibal Holocaust (1980), paying attention to the safety films of the 1960s, the snuff-fictions of the 1970s, and to television reality horror hoaxes and mockumentaries during the 1980s and 1990s in particular. It underscores the importance of The Blair Witch Project (1999) and Paranormal Activity (2007), and considers YouTube's popular rise in sparking the subgenre's recent renaissance.

1 in. Self-leveling and built-in 512Hz sonde transmitter Waterproof Sewer/Drain Color Camera Head with 130 ft. Cable and Reel with footage counter is recommended to use in the 2 in. - 6 in. pipe, 7 in. Monitor with the sunshield is easy to see in the sun . The Clear Crystal color videos and pictures are recorded with the USB/SD card. The upgraded choice with all features.

Vice Lip Bond Glossy Longwear Liquid Lipstick - LIP BOND RAW FOOTAGEBenefitsA long-lasting liquid lipstick: Say see ya later to touch-ups and hello to glamorous lip color that stays on for up to 16 hours, even when everything else comes off.Glossy, kissable lips: Are you over liquid lipstick that feels flaky and dry? Lip Bond gives you instantly shiny lips in one easy swipe.Moisturizing: Give your lips a hydrating boost with the oil-based formula.Vibrant Shades: Bold and brave, the liquid lip comes in a wide shade range that lasts you all day (or night).Transfer-proof, food + drink resistant: the PDA-Approved color is ready to withstand your best vices.FeaturesBi-phase formula: Shake lipstick for 5 seconds to activate bold color + instant shine with one-swipe applicationLightweight with comfort that commits; this liquid lipstick resists transfer, budging, and flakingVegan formula*, cruelty-free*Vegan formula: No animal derived ingredientsResearch Results94% - provides intense color saturation89% - provides dimensional shine to lips89% - feels lightweight on lips87% - does not flake84% - does not crack84% - does not bleed*Based on 109-person study using Lip Bond daily for 1 week - Vice Lip Bond Glossy Longwear Liquid Lipstick

1" waterproof Sewer / Drain color camera head with 512Hz built-in transmitter, 130FT cable and reel with footage counter. 7" monitor with the sunshield is easy to see in the sun. The clear crystal color videos and pictures can be recorded with the USB/SD card. This item can pair with a 512Hz locator, a very good choice.

Gun Camera Footage of World War II - DVD 754309067089

The Exercise Equipment Mat is the ideal choice to protect your flooring and reduce noise and vibration when using your exercise equipment, whether it is a treadmill, an elliptical or a stepper. Made of recycled rubber, the resilient equipment mat is designed to provide extra cushioning and reduce shock to joints and ligaments. The 5mm thick material is strong enough to withstand even the heaviest exercise machines. The extra-large 37 in. x 90 in. size fits most brands of exercise equipment. It also works great as an all-purpose exercise and fitness flooring, ideal for dropping weights, jumping exercises and even supporting your weight rack. No assembly required, simply roll out your mat and start using it immediately. You can also place multiple mats side by side to cover a larger surface area. Color: Black.

As the horror subgenre du jour, found footage horror's amateur filmmaking look has made it available to a range of budgets. Surviving by adapting to technological and cultural shifts and popular trends, found footage horror is a successful and surprisingly complex experiment in blurring the lines between quotidian reality and horror's dark and tantalizing fantasies. Found Footage Horror Films explores the subgenre's stylistic, historical and thematic development. It examines the diverse prehistory beyond Man Bites Dog (1992) and Cannibal Holocaust (1980), paying attention to the safety films of the 1960s, the snuff-fictions of the 1970s, and to television reality horror hoaxes and mockumentaries during the 1980s and 1990s in particular. It underscores the importance of The Blair Witch Project (1999) and Paranormal Activity (2007), and considers YouTube's popular rise in sparking the subgenre's recent renaissance.

This work spans the period between the first 8th Air Force mission in July, 1942 and the last in May of 1945. It begins with the bomber streams, continues with air-to-air dogfighting and ends with the dramatic use of fighters in the air-to-ground role.

This is a picture of the air war over Europe the way the pilots and air crew saw it -- from the cockpits of P-51s and P-47s and from the waist gunners position on a B-17s and B-24s. It contains one of the largest single collections of WWII air-to-air and air-to-ground photography ever published. Riveting gun camera footage of Nazi fighters caught in American gun sights; heart breaking photography of our own bombers breaking apart in the sky; stirring images as we pick apart targets on the ground. Printed on rich, 100 pound text stock with a matte finish cover.

Comprehensive analysis of 220 hours of outtakes that impels us to reexamine our assumptions about a crucial Holocaust documentary.Claude Lanzmann’s 1985 magnum opus, Shoah, is a canonical documentary on the Holocaust―and in film history. Over the course of twelve years, Lanzmann gathered 230 hours of location filming and interviews with survivors, witnesses, and perpetrators, which he condensed into a 9½ hour film. The unused footage was scattered and inaccessible for years before it was restored and digitized by the United States Holocaust Memorial Museum. In An Archive of the Catastrophe, Jennifer Cazenave presents the first comprehensive study of this collection. She argues that the outtakes pose a major challenge to the representational and theoretical paradigms produced by the documentary, while offering new meanings of Shoah and of Holocaust testimony writ large. They lend fresh insight into issues raised by the film, including questions of resistance, rescue, refugees, and, above all, gender―Lanzmann’s twenty hours of interviews with women make up a mere ten minutes of the finished documentary. As a rare instance of outtakes preserved during the predigital era of cinema, this unused footage challenges us to establish a new critical framework for understanding how documentaries are constructed and reshapes the way we view this key Holocaust film.

Book is in NEW condition. 0.98

The Archive Effect: Found Footage and the Audiovisual Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer’s experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the ‘archive effect’ as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history.The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig, Forrest Gump and JFK, mockumentaries such as The Blair Witch Project and Forgotten Silver, documentaries like Standard Operating Procedure and Grizzly Man, and videogames like Call of Duty: World at War. In addition, she examines the works of many experimental filmmakers including those of Péter Forgács, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin.

The Archive Effect: Found Footage and the Audiovisual Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer’s experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the ‘archive effect’ as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history.The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig, Forrest Gump and JFK, mockumentaries such as The Blair Witch Project and Forgotten Silver, documentaries like Standard Operating Procedure and Grizzly Man, and videogames like Call of Duty: World at War. In addition, she examines the works of many experimental filmmakers including those of Péter Forgács, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin.

Comprehensive analysis of 220 hours of outtakes that impels us to reexamine our assumptions about a crucial Holocaust documentary.Claude Lanzmann’s 1985 magnum opus, Shoah, is a canonical documentary on the Holocaust―and in film history. Over the course of twelve years, Lanzmann gathered 230 hours of location filming and interviews with survivors, witnesses, and perpetrators, which he condensed into a 9½ hour film. The unused footage was scattered and inaccessible for years before it was restored and digitized by the United States Holocaust Memorial Museum. In An Archive of the Catastrophe, Jennifer Cazenave presents the first comprehensive study of this collection. She argues that the outtakes pose a major challenge to the representational and theoretical paradigms produced by the documentary, while offering new meanings of Shoah and of Holocaust testimony writ large. They lend fresh insight into issues raised by the film, including questions of resistance, rescue, refugees, and, above all, gender―Lanzmann’s twenty hours of interviews with women make up a mere ten minutes of the finished documentary. As a rare instance of outtakes preserved during the predigital era of cinema, this unused footage challenges us to establish a new critical framework for understanding how documentaries are constructed and reshapes the way we view this key Holocaust film.

Unread book in perfect condition.

Unread book in perfect condition.

Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

If you don't want to organize a cluttered garden or patio or don't want to spend a lot of money renovating your floor, this plastic waterproof flooring from Tunearary can give you a neat and beautiful look. Made of high-quality PP material, waterproof material, puzzle-like installation design and simple modern design style, your space will look new with it. Suitable for any indoor and outdoor space. Color: Dark Gray. Material: Polypropylene.

Never miss a moment. Formerly the preserve of professional filmmakers and photographers, Lumix G7 is opening up the world of 4k to everyone. Whether you're making movie memories to last a lifetime, or taking amazing stills from your 4k footage, the G7 is changing photography, for good.

Never miss a moment. Formerly the preserve of professional filmmakers and photographers, Lumix G7 is opening up the world of 4k to everyone. Whether you're making movie memories to last a lifetime, or taking amazing stills from your 4k footage, the G7 is changing photography, for good.