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The work of art's mattering and materialization in a globalized world, with close readings of works by Takahashi Murakami, Andreas Gursky, Thomas Hirschhorn, and others.It may be time to forget the art world―or at least to recognize that a certain historical notion of the art world is in eclipse. Today, the art world spins on its axis so quickly that its maps can no longer be read; its borders blur. In Forgetting the Art World, Pamela Lee connects the current state of this world to globalization and its attendant controversies. Contemporary art has responded to globalization with images of movement and migration, borders and multitudes, but Lee looks beyond iconography to view globalization as a world process. Rather than think about the “global art world” as a socioeconomic phenomenon, or in terms of the imagery it stages and sponsors, Lee considers “the work of art's world” as a medium through which globalization takes place. She argues that the work of art is itself both object and agent of globalization.Lee explores the ways that art actualizes, iterates, or enables the processes of globalization, offering close readings of works by artists who have come to prominence in the last two decades. She examines the “just in time” managerial ethos of Takahashi Murakami; the production of ethereal spaces in Andreas Gursky's images of contemporary markets and manufacture; the logic of immanent cause dramatized in Thomas Hirschhorn's mixed-media displays; and the “pseudo-collectivism” in the contemporary practice of the Atlas Group, the Raqs Media Collective, and others.To speak of “the work of art's world,” Lee says, is to point to both the work of art's mattering and its materialization, to understand the activity performed by the object as utterly continuous with the world it at once inhabits and creates.

Kevin, a charming photographer, meets a multitude of beautiful women through his studio, but can't seem to find one that will help him forget his traumatic past. Failure after failure, his quest soon spirals into madness.

Double vinyl LP pressing. 2014 album from the critically adored Scottish band, the follow-up to their album THE QUICKENING. Recorded in Glasgow at Castle of Doom Studios by Tony Doogan (Belle & Sebastian, Mogwai, the Pastels, the Delgados, Super Furry Animals) and mastered at Abbey Road by Frank Arkwright, FORGETTING THE PRESENT is released via Mogwai's Rock Action Records label.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In the wise and often witty Forgetting Ourselves on Purpose, Brian Mahan considers the question of how it is possible to create a meaningful spiritual life while living in a culture that measures us by what we have rather than who we are. Drawing on nearly two decades of teaching experience. Brian Mahan shares stories of personal struggle and triumph that demonstrate how those who seek meaning and purpose have recalimed their authentic selves by resolving the inevitable tension between personal ambition and spiritual vibrancy.

Book is in NEW condition. 0.85

French philosopher Luce Irigaray has become one of the twentieth century's most influential feminist thinkers. Among her many writings are three books (with a projected fourth) in which she challenges the Western tradition's construals of human beings' relations to the four elements—earth, air, fire, and water—and to nature. In answer to Heidegger's undoing of Western metaphysics as a "forgetting of Being," Irigaray seeks in this work to begin to think out the Being of sexedness and the sexedness of Being. This volume is the first English translation of L'oubli de l'air chez Martin Heidegger (1983). In this complex, lyrical, meditative engagement with the later work of the eminent German philosopher, Irigaray critiques Heidegger's emphasis on the element of earth as the ground of life and speech and his "oblivion" or forgetting of air. With the other volumes (Elemental Passions and Marine Lover of Friedrich Nietzsche, published elsewhere) in Irigaray's "elemental" series, The Forgetting of Air offers a fundamental rereading of basic tenets in Western metaphysics. And with its emphasis on dwelling and human habitation, it will be important reading not only in the humanities but also in architecture and the environmental sciences.

French philosopher Luce Irigaray has become one of the twentieth century's most influential feminist thinkers. Among her many writings are three books (with a projected fourth) in which she challenges the Western tradition's construals of human beings' relations to the four elements—earth, air, fire, and water—and to nature. In answer to Heidegger's undoing of Western metaphysics as a "forgetting of Being," Irigaray seeks in this work to begin to think out the Being of sexedness and the sexedness of Being. This volume is the first English translation of L'oubli de l'air chez Martin Heidegger (1983). In this complex, lyrical, meditative engagement with the later work of the eminent German philosopher, Irigaray critiques Heidegger's emphasis on the element of earth as the ground of life and speech and his "oblivion" or forgetting of air. With the other volumes (Elemental Passions and Marine Lover of Friedrich Nietzsche, published elsewhere) in Irigaray's "elemental" series, The Forgetting of Air offers a fundamental rereading of basic tenets in Western metaphysics. And with its emphasis on dwelling and human habitation, it will be important reading not only in the humanities but also in architecture and the environmental sciences.

Does forgetting signal a failing mind? What can be done to ward off forgetfulness? Is there an upside to forgetting? In his highly praised book The Nostalgia Factory, renowned memory scholar Douwe Draaisma explored the puzzling logic of memory in later life with humor and deep insight. In this compelling new book he turns to the “miracle” of forgetting. Far from being a defect that may indicate Alzheimer’s or another form of dementia, Draaisma claims, forgetting is one of memory’s crucial capacities. In fact, forgetting is essential.   Weaving together an engaging array of literary, historical, and scientific sources, the author considers forgetting from every angle. He pierces false clichés and asks important questions: Is a forgotten memory lost forever? What makes a colleague remember an idea but forget that it was yours? Draaisma explores “first memories” of young children, how experiences are translated into memory, the controversies over repression and “recovered” memories, and weird examples of memory dysfunction. He movingly examines the impact on personal memories when a hidden truth comes to light. In a persuasive conclusion the author advocates the undervalued practice of “the art of forgetting”—a set of techniques that assist in erasing memories, thereby preserving valuable relationships and encouraging personal contentment.

Runner-up, Best Historical Fiction in English, Latino Book Awards Competition, 2010This literary adventure takes place in nineteenth-century Texas and follows the story of a Tejana lesbian cowgirl after the fall of the Alamo. Micaela Campos, the central character, witnesses the violence against Mexicans, African Americans, and indigenous peoples after the infamous battles of the Alamo and of San Jacinto, both in 1836. Resisting an easy opposition between good versus evil and brown versus white characters, the novel also features Micaela's Mexican-Anglo cousin who assists and hinders her progress. Micaela's travels give us a new portrayal of the American West, populated by people of mixed races who are vexed by the collision of cultures and politics. Ultimately, Micaela's journey and her romance with a black/American Indian woman teach her that there are no easy solutions to the injustices that birthed the Texas Republic.This novel is an intervention in queer history and fiction with its love story between two women of color in mid-nineteenth-century Texas. Pérez also shows how a colonial past still haunts our nation's imagination. The battles of the Alamo and San Jacinto offered freedom and liberty to Texans, but what is often erased from the story is that common people who were Mexican, Indian, and Black did not necessarily benefit from the influx of so many Anglo immigrants to Texas. The social themes and identity issues that Pérez explores—political climate, debates over immigration, and historical revision of the American West—are current today.

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An eloquent personal reflection on the fascination of family history and the desire to both discover and escape origins.In Forgetting Fathers, David Marshall weaves together the stories of his grandfather and great-grandfather with his own quest to solve the mystery of his family’s past. Beginning as a search for his lost family name, Marshall attempts to understand the origins of his grandfather, who spent part of his childhood in the Hebrew Orphan Asylum of the City of New York. He also reconstructs the life and death of his great-grandfather, a Russian immigrant tailor who died at age thirty-six in a private sanitarium dedicated to the treatment of mental and nervous diseases. The narrative becomes a detective story that reflects on our ambivalence about origins, the relation between history and mourning, and the compulsion to search for life stories. Forgetting Fathers combines historical accounts based on records, reports, and public documents with autobiographical reflections and speculations. Included throughout are photographs, newspaper clippings, and facsimiles of original documents that provide a sense of both the texture of the times and the fabric of archival and genealogical research.

A massive army on the brink of conquest looms large in a world where prophecies are lies, magic is believed in but never seen, and hope is where you least expect to find it.Welcome to the Five Isles, where war has come in the name of the invading army of Sør Sevier, a merciless host driven by the prophetic fervor of the Angel Prince, Aeros, toward the last unconquered kingdom of Gul Kana. Yet Gault, one of the elite Knights Archaic of Sør Sevier, is growing disillusioned by the crusade he is at the vanguard of just as it embarks on his Lord Aeros’ greatest triumph. While the eldest son of the fallen king of Gul Kana now reigns in ever increasing paranoid isolationism, his two sisters seek their own paths. Jondralyn, the older sister, renowned for her beauty, only desires to prove her worth as a warrior, while Tala, the younger sister, has uncovered a secret that may not only destroy her family but the entire kingdom. Then there's Hawkwood, the assassin sent to kill Jondralyn who has instead fallen in love with her and trains her in his deadly art. All are led further into dangerous conspiracies within the court. And hidden at the edge of Gul Kana is Nail, the orphan taken by the enigmatic Shawcroft to the remote whaling village of Gallows Haven, a young man who may hold the link to the salvation of the entire Five Isles. You may think you know this story, but everyone is not who they seem, nor do they fit the roles you expect. Durfee has created an epic fantasy full of hope in a world based on lies.

French philosopher Luce Irigaray has become one of the twentieth century's most influential feminist thinkers. Among her many writings are three books (with a projected fourth) in which she challenges the Western tradition's construals of human beings' relations to the four elements—earth, air, fire, and water—and to nature. In answer to Heidegger's undoing of Western metaphysics as a "forgetting of Being," Irigaray seeks in this work to begin to think out the Being of sexedness and the sexedness of Being. This volume is the first English translation of L'oubli de l'air chez Martin Heidegger (1983). In this complex, lyrical, meditative engagement with the later work of the eminent German philosopher, Irigaray critiques Heidegger's emphasis on the element of earth as the ground of life and speech and his "oblivion" or forgetting of air. With the other volumes (Elemental Passions and Marine Lover of Friedrich Nietzsche, published elsewhere) in Irigaray's "elemental" series, The Forgetting of Air offers a fundamental rereading of basic tenets in Western metaphysics. And with its emphasis on dwelling and human habitation, it will be important reading not only in the humanities but also in architecture and the environmental sciences.

When Victoria Winslow awakens from a coma at a New York City hospital, she has no memory of who she is, how she got there, or why Jack Post—handsome and illustrious movie star—has been visiting her room daily. She certainly doesn’t remember getting breast implants, or the accident that scarred her once-beautiful face. When memories do surface, Vickie senses she cannot trust them, especially when a private investigator questions if any of her memories—from her love of skydiving to even her name—are real. Forgetting Me follows Vickie through an intimate journey of self-discovery where memory loss forces her to face the harrowing question: is she more than the sum of her experiences? With bravery and keen determination, Vickie resolves to find her family and reclaim her life, knowing that she must face who she once was before she can embrace the person she always wanted to be.

Forgetting Ireland is both a history and mystery, a story of western Ireland's Connemara coast and of Graceville, a small town in western Minnesota. In 1880, at the height of Ireland's second famine, a ship of paupers was sent from Galway to take up land granted them by a Catholic bishop in Minnesota. There they encountered the worst winter in the state's history and nearly froze to death in shanties on the prairie. National and international newspapers featured their plight as the welfare scandal of the year, and priests and politicians traded accusations as to who was responsible. The immigrants were at last removed from the colony; their name became the town's shorthand for lying, drunken failures.By chance more than a century later, Bridget Connelly, who grew up in Graceville, discovers her Connemara past. As Connelly uncovers the deliberately suppressed history of her family's emigration, she exposes an old scandal that surrounded the settling of the land around Graceville, one that pitted Masons, Protestants, Germans, and Yankees against Irish Catholics — and one that set lace-curtain Irish against the Connemara paupers. She also learns of an archbishop who was, according to farmer lore, 'worse than Jesse James'. In this compelling combination of history and memoir, Connelly tells stories of an epochal blizzard, a famous Irish bard, an infamous Irish woman pirate, feuding frontier communities, and an archbishop's questionable legacy. She also learns why her family tried so hard to forget Ireland.

An illustrated novel chronicles a discontented man's search for the meaning of the inheritance left to him by his grandfather, an artist

Can looking at disaster and mass death destroy us? Forgetting Lot’s Wife provides a theory and a fragmentary history of destructive spectatorship in the twentieth century. Its subject is the notion that the sight of historical catastrophe can destroy the spectator. The fragments of this history all lead back to the story of Lot’s wife: looking back at the destruction of the cities of Sodom and Gomorrah, she turns into a pillar of salt. This biblical story of punishment and transformation, a nexus of sexuality, sight, and cities, becomes the template for the modern fear that looking back at disaster might petrify the spectator. Although rarely articulated directly,this idea remains powerful in our culture. This book traces some of its aesthetic, theoretical, and ethical consequences. Harries traces the figure of Lot’s wife across media. In extended engagements with examples from twentieth-century theater, film, and painting, he focuses on the theatrical theory of Antonin Artaud, a series of American films, and paintings by Anselm Kiefer. These examples all return to the story of Lot’s wife as a way to think about modern predicaments of the spectator. On the one hand, the sometimes veiled figure of Lot’s wife allows these artists to picture the desire to destroy the spectator; on the other, she stands as a sign of the potential danger to the spectator. These works, that is, enact critiques of the very desire that inspires them.The book closes with an extended meditation on September 11, criticizing the notion that we should have been destroyed by witnessing the events of that day.

Alzheimer's disease - a degenerative disease of the central nervous system characterized especially by premature mental deterioration - is the most publicly visible and widely discussed form of a range of disorders known as senile dementia. The nature of Alzheimer's disease, especially its progressive debilitation of the memory, raises key theological issues. What does it mean to be truly human? Does our ability to remember define who we are as persons? When the mind loses its ability to remember, what happens to the life of the soul? When we forget God, does God still remember us? Forgetting Whose We Are offers a Christian understanding of and response to the difficult theological, spiritual, and pastoral problems raised by Alzheimer's disease. Filling an important gap in existing literature by directly confronting the theological challenges of Alzheimer's disease to victims, caregivers, and their communities, the book affirms the classic Christian doctrines that witness to the reality of grace and the promises of salvation even for those who can no longer remember themselves, their families, or their relationship with God.

The stunning conclusion to this epic love story that began with Forgetting You, Forgetting Me from International Bestselling Author, Monica James.The truth sets you free...but what happens when everything you believe in changes in the blink of an eye?All I ever wanted was for my fiancé, Samuel Stone, to remember me. And now that he does...all I want is for him to forget. Through tragedy, I found myself and who I was destined to become. But more importantly, I found who I was destined to be with.With a single word, Saxon Stone changed my life forever. He taught me how to live again. But now that Samuel remembers and all secrets have been revealed, I'm left to wonder which life I'm meant to lead.Divided by my head and my heart, I'm torn between duty and desire. Samuel is my past while Saxon is my forever. The choice should be easy.But love never is...