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Acknowledged as the journal of record in its field, American Furniture presents new research on furniture design, use, production, and appreciation. Begun in 1993, this award-winning annual provides a comprehensive forum on furniture history, technology, connoisseurship, and conservation by the foremost scholars in the field. It is the only interdisciplinary journal devoted exclusively to furniture made or used in the Americas from the seventeenth century to the present.Table of ContentsEditorial StatementLuke BeckerditeA Philadelphia-Carved Bust of Benjamin FranklinLuke Beckerdite and Alan MillerThomas Johnson, Hercules Courtenay, and the Dissemination of London Rococo DesignLuke BeckerditeGeorge A. Schastey and Company, Gilded Age CabinetmakersMoira GallagherThe Early Furniture of North Carolina's Cane Creek SettlementJune LucasStephen Dwight ReconsideredLuke Beckerdite and Margaret K. HoferBook ReviewsOak Furniture: The British Tradition: A History of Early Furniture in the British Isles and New England, Victor Chinneryreview by John FiskeMortise 39, Joshua A. Klein, ed.review by Richard OedelNow I Sit Me Down: From Klismos to Plastic Chair: A Natural History, Witold Rybczynskireview by Gerald W. R. WardRecent Writing on American Furniture: A BibliographyGerald W. R. WardIndex

Acknowledged as the journal of record in its field, American Furniture presents new research on furniture design, use, production, and appreciation. Begun in 1993, this award-winning annual provides a comprehensive forum on furniture history, technology, connoisseurship, and conservation by the foremost scholars in the field. It is the only interdisciplinary journal devoted exclusively to furniture made or used in the Americas from the seventeenth century to the present.Table of ContentsEditorial StatementLuke BeckerditeA Philadelphia-Carved Bust of Benjamin FranklinLuke Beckerdite and Alan MillerThomas Johnson, Hercules Courtenay, and the Dissemination of London Rococo DesignLuke BeckerditeGeorge A. Schastey and Company, Gilded Age CabinetmakersMoira GallagherThe Early Furniture of North Carolina's Cane Creek SettlementJune LucasStephen Dwight ReconsideredLuke Beckerdite and Margaret K. HoferBook ReviewsOak Furniture: The British Tradition: A History of Early Furniture in the British Isles and New England, Victor Chinneryreview by John FiskeMortise 39, Joshua A. Klein, ed.review by Richard OedelNow I Sit Me Down: From Klismos to Plastic Chair: A Natural History, Witold Rybczynskireview by Gerald W. R. WardRecent Writing on American Furniture: A BibliographyGerald W. R. WardIndex

Get your hands on UFC history and relive the action from the event. This event poster celebrates UFC 199: Rockhold vs. Bisping 2 and has been autographed by the athletes who took part in the event.  The event took place on June 4, 2016, at The Forum in Inglewood, California, United States. It featured a middleweight Title bout between Luke Rockhold and Michael Bisping. The bout was won by Bisping via KO/TKO during the first round, winning the middleweight Championship Title.  This event poster has been signed by the headline athletes as well as other athletes on the Main and Preliminary Cards. It's an authentic piece of UFC history that's not to be missed. 

Own this official piece of UFC memorabilia; this hand-cut piece of canvas once lined the Octagon for UFC 199: Rockhold vs Bisping 2 and has now been carefully presented alongside a photograph of an epic moment from the Poirier vs Green bout. The fight took place on June 4, 2016 at The Forum in Inglewood United States. It featured a Main Card bout between Dustin Poirier and Bobby Green, with the athletes competing in the lightweight division. Poirier took the win, defeating Green via KO/TKO in the first round – an epic bout victory and a moment to remember. This section of canvas has been hand-cut from the full canvas that lined the famous Octagon for this incredible night. Now, it is framed alongside a photograph taken of the Poirier vs Green bout– a moment captured in time. This product is brought to you through collaboration between UFC and The Memento Group (TMG Sports Memorabilia).

Own this official piece of UFC memorabilia; this hand-cut piece of canvas once lined the Octagon for UFC 199: Rockhold vs Bisping 2 and has now been carefully presented alongside a photograph of an epic moment from the Holloway vs Lamas bout. The fight took place on June 4, 2016 at The Forum in Inglewood United States. It featured a Main Card bout between Dan Henderson and Hector Lombard, competing in the middleweight division. Henderson took the glory, defeating his opponent via KO/TKO in the second round. This section of canvas has been hand-cut from the full canvas that lined the famous Octagon for this incredible night. Now, it is framed alongside a photograph taken of the Henderson vs Lombard bout– a moment captured in time. This product is brought to you through collaboration between UFC and The Memento Group (TMG Sports Memorabilia).

Own this official piece of UFC memorabilia; this hand-cut piece of canvas once lined the Octagon for UFC 199: Rockhold vs Bisping 2 and has now been carefully presented alongside a photograph of an epic moment from the Holloway vs Lamas bout. The fight took place on June 4, 2016 at The Forum in Inglewood United States. It featured a Main Card bout between Max Hollway and Ricardo Lamas, with the athletes competing in a featherweight bout. Holloway took the glory, defeating his opponent via unanimous decision in the third round. This section of canvas has been hand-cut from the full canvas that lined the famous Octagon for this incredible night. Now, it is framed alongside a photograph taken of the Holloway vs Lamas bout– a moment captured in time. This product is brought to you through collaboration between UFC and The Memento Group (TMG Sports Memorabilia).

Winner of the 2015 Abbott Lowell Cummings prize from the Vernacular Architecture Forum Winner of the 2015 Sprio Kostof Book Award from the Society of Architectural Historians Winner of the 2016 International Planning History Society Book Prize for European Planning History Honorable Mention: 2016 Wylie Prize in French Studies  In the three decades following World War II, the French government engaged in one of the twentieth century’s greatest social and architectural experiments: transforming a mostly rural country into a modernized urban nation. Through the state-sanctioned construction of mass housing and development of towns on the outskirts of existing cities, a new world materialized where sixty years ago little more than cabbage and cottages existed.Known as the banlieue, the suburban landscapes that make up much of contemporary France are near-opposites of the historic cities they surround. Although these postwar environments of towers, slabs, and megastructures are often seen as a single utopian blueprint gone awry, Kenny Cupers demonstrates that their construction was instead driven by the intense aspirations and anxieties of a broad range of people. Narrating the complex interactions between architects, planners, policy makers, inhabitants, and social scientists, he shows how postwar dwelling was caught between the purview of the welfare state and the rise of mass consumerism.The Social Project unearths three decades of architectural and social experiments centered on the dwelling environment as it became an object of modernization, an everyday site of citizen participation, and a domain of social scientific expertise. Beyond state intervention, it was this new regime of knowledge production that made postwar modernism mainstream. The first comprehensive history of these wide-ranging urban projects, this book reveals how housing in postwar France shaped both contemporary urbanity and modern architecture.