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La soledad la incomunicacion la imposibilidad de las relaciones humanas son los temas mas frecuentes de estos textos de Jon Fosse que en sus mundos de imaginacion combina el realismo y el extranamiento el comentario critico-politico y la poesia. Sus obras son como partituras universos musicales de palabras y acciones en los que cobran protagonismo el ritmo las repeticiones los silencios y las pausas. Dice el director frances Claude Regy: Fosse hace coincidir contradicciones irreductibles y nos las muestra existiendo unidas en el mismo momento en el mismo ser vivo. Sin duda esto es posible solamente en el modo de vida tan particular de lo inconsciente . La traduccion (la primera hecha al espanol de obra de Fosse alguna) esta a cargo de Clelia Chamatropulos (responsable de las versiones de Una casa de munecas y Un enemigo del pueblo tambien en Colihue Clasica). El libro cuenta con un estudio critico a cargo del Dr. Pablo Moro Rodriguez espanol de origen y radicado en Tandil teatrista y responsable de la catedra Historia de las Estructuras Teatrales I en la Facultad de Arte de la Universidad Nacional del Centro de la Provincia de Buenos Aires.

Examines the attraction of audiences, actors and directors to these exceptional dramas. Leif Zern finds his way to the core of the dramatic world created by Fosse, analyzing the basic insights on which his writing is based and describing the way various European directors and theatres have chosen to stage his plays.

Examines the attraction of audiences, actors and directors to these exceptional dramas. Leif Zern finds his way to the core of the dramatic world created by Fosse, analyzing the basic insights on which his writing is based and describing the way various European directors and theatres have chosen to stage his plays.

Author of novels, poetry, essays and books for children, as well as award-winning plays, Jon Fosse is a leading Norwegian writer whose work has been translated into a number of languages and performed throughout Europe. Fosse’s unique style, at once poetic and naturalistic, magnifies the love and pain of ordinary people. He won the Ibsen prize for his play The Name, which is included in this collection along with Someone is Going to Come, The Guitar Man, and The Child.

Trilogy is Jon Fosse’s critically acclaimed, luminous love story about Asle and Alida, two lovers trying to find their place in this world. Homeless and sleepless, they wander around Bergen in the rain, trying to make a life for themselves and the child they expect. Through a rich web of historical, cultural, and theological allusions, Fosse constructs a modern parable of injustice, resistance, crime, and redemption. Consisting of three novellas (Wakefulness, Olav’s Dreams, and Weariness), Trilogy is a haunting, mysterious, and poignant evocation of love, for which Fosse received The Nordic Council’s Prize for Literature in 2015.

A child who will be named Johannes is born. An old man named Johannes dies. Between these two points, Jon Fosse gives us the details of an entire life, starkly compressed. Beginning with Johannes's father's thoughts as his wife goes into labor, and ending with Johannes's own thoughts as he embarks upon a day in his life when everything is exactly the same, yet totally different, Morning and Evening is a novel concerning the beautiful dream that our lives have meaning.

Not so much a sequel as an alternate perspective, Jon Fosse's coda to his brilliant and much-lauded Melancholy picks up the story of tormented landscape painter Lars Hertervig in 1902, shortly after his death. Taking place, like Melancholy, over the course of a single day, it treats us to the thoughts of Hertervig's sister, carrying on with her life in the absence of her eccentric brother. She recalls their childhood under a domineering father, remembering Hertervig's difficulties fitting in, and likewise Hertervig the man: poors, always hovering on the brink, fanatical about painting and his own perceived shortcomings as an artist and human being. In the same hypnotic prose for which Fosse is famous, Melancholy II serves as an investigation not only into the "collateral damage" wrought by art and artists, but into a master's tools and obsessions as well.

La soledad la incomunicacion la imposibilidad de las relaciones humanas son los temas mas frecuentes de estos textos de Jon Fosse que en sus mundos de imaginacion combina el realismo y el extranamiento el comentario critico-politico y la poesia. Sus obras son como partituras universos musicales de palabras y acciones en los que cobran protagonismo el ritmo las repeticiones los silencios y las pausas. Dice el director frances Claude Regy: Fosse hace coincidir contradicciones irreductibles y nos las muestra existiendo unidas en el mismo momento en el mismo ser vivo. Sin duda esto es posible solamente en el modo de vida tan particular de lo inconsciente . La traduccion (la primera hecha al espanol de obra de Fosse alguna) esta a cargo de Clelia Chamatropulos (responsable de las versiones de Una casa de munecas y Un enemigo del pueblo tambien en Colihue Clasica). El libro cuenta con un estudio critico a cargo del Dr. Pablo Moro Rodriguez espanol de origen y radicado en Tandil teatrista y responsable de la catedra Historia de las Estructuras Teatrales I en la Facultad de Arte de la Universidad Nacional del Centro de la Provincia de Buenos Aires.

Neuware - Das neueste Werk des Nobelpreisträgers Jon Fosse - über den schmalen Grat zwischen Leben und Tod und eine Begegnung mit dem Licht in tiefer DunkelheitEin Mann setzt sich ins Auto und beginnt zu fahren, ohne zu wissen, wohin er will. Er biegt mal rechts, mal links ab und bleibt schließlich am Ende eines Waldweges stecken. Es dämmert und beginnt zu schneien, doch anstatt umzukehren und Hilfe zu holen, wagt sich der Mann törichterweise in den dunklen Wald hinein. Tiefer und tiefer dringt er vor in die Dunkelheit, bis er sich unweigerlich verirrt. Er ist müde und friert, als ihm tief in der Finsternis des Waldes ein leuchtendes Wesen begegnet.Eindringlich und traumhaft: Ein Leuchten ist das neueste Werk von Jon Fosse, dem «Beckett des einundzwanzigsten Jahrhunderts» (Le Monde).