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"Dust of Stars. A Drawn Novel" is a monumental cycle of 524 sheets filled with pencil drawings and inscribed by hand. Franz Erhard Walther (b. Fulda 1939; lives and works in Fulda) spreads out a tableau of his time organized by his own life that begins in 1942, during World War II, and ends in 1973, when the artist’s reductive works with their emphasis on materials and processes had gained recognition. Events from his childhood and youth in Fulda, notes on his time at the Düsseldorf Academy of Arts, where Walther studied with Gerhard Richter and Jörg Immendorff under Karl Otto Götz, encounters with Mark Rothko, Dick Higgins, and Barnett Newman in late1960s New York, as well as moments from Walther’s time as a teacher at the University of Fine Arts of Hamburg bring the history of art after 1945 to life. With an essay by Sylvia Martin, deputy director, Kunstmuseen Krefeld.

560 Seiten Leichte äußere Mängel - Buch ist als Mängelexemplar gekennzeichnet - Buch ansonsten in sehr gutem und ungelesenem Zustand - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Deutsch Gewicht in Gramm: 3450

"Dust of Stars. A Drawn Novel" is a monumental cycle of 524 sheets filled with pencil drawings and inscribed by hand. Franz Erhard Walther (b. Fulda 1939; lives and works in Fulda) spreads out a tableau of his time organized by his own life that begins in 1942, during World War II, and ends in 1973, when the artist’s reductive works with their emphasis on materials and processes had gained recognition. Events from his childhood and youth in Fulda, notes on his time at the Düsseldorf Academy of Arts, where Walther studied with Gerhard Richter and Jörg Immendorff under Karl Otto Götz, encounters with Mark Rothko, Dick Higgins, and Barnett Newman in late1960s New York, as well as moments from Walther’s time as a teacher at the University of Fine Arts of Hamburg bring the history of art after 1945 to life. With an essay by Sylvia Martin, deputy director, Kunstmuseen Krefeld.

This publication retraces the acclaimed German artist Franz Erhard Walther’s (born 1939) multipart sculpture First Work Set, begun in 1963 and completed in 1969. The piece’s 58 individual fabric elements are activated by visitors in a series of quotidian actions such as folding, dropping and measuring.

A contemporary of Donald Judd and Richard Serra, the highly influential German artist Franz Erhard Walther (born 1939) has been investigating the spatial and sensorial and dimensions of forms for over six decades. Walther’s sculptural practice is rooted in performance and collaborative situations, challenging traditional notions of sculptural process and product.Published on the occasion of the artist’s first major US show since he was included in the 1969 Spaces exhibition at The Museum of Modern Art, Franz Erhard Walther: The Body Draws features new scholarship by Luis Croquer, Clément Dirié, Lucia Schreyer and Gregory Williams, an interview and a newly translated text by the artist. Nearly 100 color photographs, including archival images and images of the exhibition installation, document drawings, photographs and sculptures produced between 1957 and the present.

A contemporary of Donald Judd and Richard Serra, the highly influential German artist Franz Erhard Walther (born 1939) has been investigating the spatial and sensorial and dimensions of forms for over six decades. Walther’s sculptural practice is rooted in performance and collaborative situations, challenging traditional notions of sculptural process and product.Published on the occasion of the artist’s first major US show since he was included in the 1969 Spaces exhibition at The Museum of Modern Art, Franz Erhard Walther: The Body Draws features new scholarship by Luis Croquer, Clément Dirié, Lucia Schreyer and Gregory Williams, an interview and a newly translated text by the artist. Nearly 100 color photographs, including archival images and images of the exhibition installation, document drawings, photographs and sculptures produced between 1957 and the present.

This catalogue documents the exhibition Perpetuum Mobile, by German artist Franz Erhard Walther (born 1939). A pioneer of participatory art, Walther lays out tactile sculptural pieces that invite both mental and physical engagement, whereby the exhibition is both the site and the result of transformative actions.

This catalogue documents the exhibition Perpetuum Mobile, by German artist Franz Erhard Walther (born 1939). A pioneer of participatory art, Walther lays out tactile sculptural pieces that invite both mental and physical engagement, whereby the exhibition is both the site and the result of transformative actions.

Hardcover.Width: 26 cm. Height: 29cm. 560 pages. English & German text.

Neuware - Sie hat Roman Signer entdeckt, Imi Knoebel und Franz Erhard Walther: Wilma Lock war viele Jahre die Betty Parsons der Schweizer Kunstszene. Als sie 1969 ihre St. Galler Galerie eröffnete, begannen junge Künstler gerade mit neuen Materialien zu experimentieren, und Harald Szeemanns zeigte seine wegweisende Ausstellung When Attitudes Become Form. Als Wilma Lock ihre Galerie 2009 schloss, hatte sich der Kunstmarkt zum globalen Investmentvehikel entwickelt. Dieses Buch führt am Beispiel von Wilma Locks Ausstellungstätigkeit den kulturellen Aufbruch und die Veränderungen im Kunstmarkt von den 1960er-Jahren bis in die Gegenwart vor Augen. Gerhard Macks Interview mit der Galeristin lässt ihre Erfahrungen lebendig werden. Roland Wäspe und Claudia Jolles analysieren die Situation der Galerien und der Kunst in der Schweiz damals und heute. Persönliche Statements von Künstlern und eine Chronologie der Ausstellungen mit Zitaten aus Kunstkritiken verdeutlichen die grosse Bedeutung von Wilma Lock und ihrer Galerie. Ausgezeichnet als eines der Schönsten Schweizer Bücher 2017.

Z : 23,5 x 29 cm, 212 Seiten, 163 farbige und 60 s/w-Abbildungen - Sie hat Roman Signer entdeckt, Imi Knoebel und Franz Erhard Walther: Wilma Lock war viele Jahre die Betty Parsons der Schweizer Kunstszene. Als sie 1969 ihre St. Galler Galerie eröffnete, begannen junge Künstler gerade mit neuen Materialien zu experimentieren, und Harald Szeemanns zeigte seine wegweisende Ausstellung When Attitudes Become Form. Als Wilma Lock ihre Galerie 2009 schloss, hatte sich der Kunstmarkt zum globalen Investmentvehikel entwickelt. -

This publication retraces the acclaimed German artist Franz Erhard Walther’s (born 1939) multipart sculpture First Work Set, begun in 1963 and completed in 1969. The piece’s 58 individual fabric elements are activated by visitors in a series of quotidian actions such as folding, dropping and measuring.

Juha Uusitalo, Ilya Bannik, German Villar, John Daszak, Franz-Josef Kapellmann, Gerhard Siegel, Matti Salminen, Stephen Milling, Anna Larsson, Sabina von Walther, Christa Mayer and Silvia Vazquez.