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The installation The Happy End of Franz Kafka s Amerika is the central work of the first comprehensive posthumous Kippenberger exhibition in Germany. The installation shows a kind of sports field: 49 bizarre tables and 98 absurd seats for job interviews in the museum, Kippenberger s vision of giving Franz Kafka s novel Amerika an unexpected happy end. After all, the novel hasn t really been read through by anybody. Complying with the increasing interest in the artist s work, this publication vividly recalls Kippenberger as the master of ironic art who dies in 1997 aged only 44 years. Includes a biography and a bibliography. English and German text.

Kippenberger's latest artist book explores the furnished world and cheekily juxtaposes modern images with visions of the 19th century.

Taking as its starting point Franz Kafka's complex relationship to Jews and to communities in general, When Kafka Says We explores the ambivalent responses of major German-Jewish writers to self-enclosed social, religious, ethnic, and ideological groups. Vivian Liska shows that, for Kafka and others, this ambivalence inspired innovative modes of writing which, while unmasking the oppressive cohesion of communal groupings, also configured original and uncommon communities. Interlinked close readings of works by German-Jewish writers such as Kafka, Else Lasker-Schüler, Nelly Sachs, Paul Celan, Ilse Aichinger, and Robert Schindel illuminate the ways in which literature can subvert, extend, or reconfigure established visions of communities. Liska's rich and astute analysis uncovers provocative attitudes and insights on a subject of continuing controversy.

As the Cold War drew toward its tumultuous close, artists in the United States and Germany such as Isa Genzken, Félix González-Torres, Mike Kelley, Martin Kippenberger, Jeff Koons, Zoe Leonard, Albert Oehlen, Richard Prince, Julian Schnabel, Cindy Sherman, Thomas Struth, Rosemarie Trockel, Franz West and Christopher Wool responded in ways direct and indirect to the shifting order happening under their feet. This volume, published on the occasion of a group show at Galerie Max Hetzler, travels between the centers of art in America and German-speaking Europe: Los Angeles and New York, Cologne and Vienna. As these cities, at the center of the world's realignment of values and politics, conversed with each other, it became apparent that their artistic rebellion was poised to overthrow the aesthetics of the past for a new freedom of idiosyncratic approaches.

This is the first full-length, systematic study in English of Isaac Breuer, a founder of Agudat Israel, whose intellectual achievements reflected the world of Franz Rosenzweig and Martin Buber in an Orthodox mirror. It sheds light on an often neglected aspect of German Jewry's last phase and reclaims Breuer as a paradigmatic figure in the Jewish encounter with modernity.

Influenced in part by the dialogical philosophies of Franz Rosenzweig and Martin Buber,Totality and Infinity departs from the ethically neutral tradition of ontology to analyze the "face-to-face" relation with the Other. First published in English by Duquesne in 1969, this has become one of the classics of modern philosophy. Fully indexed.

This text introduces the most important Jewish philosophers of contemporary times from the point of view of their original approach to both Judaism and philosophy and include: Hermann Cohen, Franz Rosenweig, Martin Buber, Leo Strauss, Emmanuel Levinas. It shows how for them the dialogue between Judaism and philosophy is necessary in order to avoid on one side, an attachment to Jewish tradition which is only nationalistic or non-rational; and on the other, an idea of philosophy which first of all focuses the problems of nature, human existence in the world, or God as the origin of being. In reconstructing the intellectual evolution of each of these twentieth-century philosophers with a view to their meaning today, this book is unique and goes beyond the standard historical account provided by other books. Contemporary Jewish Philosophy is essential reading for researchers and students of philosophy, Judaism and the history of religions.

As the Cold War drew toward its tumultuous close, artists in the United States and Germany such as Isa Genzken, Félix González-Torres, Mike Kelley, Martin Kippenberger, Jeff Koons, Zoe Leonard, Albert Oehlen, Richard Prince, Julian Schnabel, Cindy Sherman, Thomas Struth, Rosemarie Trockel, Franz West and Christopher Wool responded in ways direct and indirect to the shifting order happening under their feet. This volume, published on the occasion of a group show at Galerie Max Hetzler, travels between the centers of art in America and German-speaking Europe: Los Angeles and New York, Cologne and Vienna. As these cities, at the center of the world's realignment of values and politics, conversed with each other, it became apparent that their artistic rebellion was poised to overthrow the aesthetics of the past for a new freedom of idiosyncratic approaches.

This volume contains a collection of fifteen essays on Jewish Philosophy. The essays deal with Moses Mendelssohn, Hermann Cohen, Franz Rosenzweig, Martin Buber, Abraham J. Heschel, and Gershom G. Scholem. The book starts with a lucid overview of nineteenth-century Jewish Philosophy; it can be regarded as a companion volume to the author's Jewish Philosophy in Modern Times. Nathan Rotenstreich (1914-1993) was Professor of Philosophy at the Hebrew University of Jerusalem and Vice-President of the Israeli Academy of Sciences and Humanities.

Born in rural Hesse, Germany, Leo Strauss (1899–1973) became an active Zionist and philosopher during the tumultuous and fractious Weimar Republic. As Eugene R. Sheppard demonstrates in this groundbreaking and engaging book, Strauss gravitated towards such thinkers as Franz Rosenzweig, Martin Heidegger, and Carl Schmitt as he sought to identify and overcome fundamental philosophical, political, and theological crises. The rise of Nazism impelled Strauss as a young Jewish émigré, first in Europe and then in America, to grapple with―and accommodate his thought to―the pressing challenges of exile. In confronting his own state of exile, Strauss enlisted premodern Jewish thinkers such as Moses Maimonides and Baruch Spinoza who earlier addressed the problem of reconciling their competing loyalties as philosophers and Jews. This is the first study to frame Strauss’s political philosophy around his critique of liberalism and the problem of exile. Sheppard follows Strauss from Europe to the United States, a journey of a conservative Weimar Jew struggling with modern liberalism and the existential and political contours of exile. Strauss sought to resolve the conflicts of a Jew unwilling to surrender loyalty to his ancestral community and equally unwilling to adhere to the strictures of orthodox observance. Strauss saw truth and wisdom as transcending particular religious and national communities, as well as the modern enlightened humanism in which he himself had been nurtured. In his efforts to navigate between the Jewish and the philosophical, the ancient and the modern, Berlin and New York, Strauss developed a distinctively programmatic way of reading and writing “between the lines.” Sheppard recaptures the complexity and intrigue of this project which has been ignored by those who both reject and claim Strauss’s legacy.

Distinguished philosopher Hilary Putnam, who is also a practicing Jew, questions the thought of three major Jewish philosophers of the 20th century―Franz Rosenzweig, Martin Buber, and Emmanuel Levinas―to help him reconcile the philosophical and religious sides of his life. An additional presence in the book is Ludwig Wittgenstein, who, although not a practicing Jew, thought about religion in ways that Putnam juxtaposes to the views of Rosenzweig, Buber, and Levinas. Putnam explains the leading ideas of each of these great thinkers, bringing out what, in his opinion, constitutes the decisive intellectual and spiritual contributions of each of them. Although the religion discussed is Judaism, the depth and originality of these philosophers, as incisively interpreted by Putnam, make their thought nothing less than a guide to life.

Influenced in part by the dialogical philosophies of Franz Rosenzweig and Martin Buber,Totality and Infinity departs from the ethically neutral tradition of ontology to analyze the "face-to-face" relation with the Other. First published in English by Duquesne in 1969, this has become one of the classics of modern philosophy. Fully indexed.

Eugen Rosenstock-Huessy (1888-1973) was a sociologist and social philosopher who, along with his close friend Franz Rosenzweig, and Ferdinand Ebner and Martin Buber, was a major exponent of speech thinking or dialogicism. The central insight of speech thinking is that speech or language is not merely, or even primarily, a descriptive act, but a responsive and creative act, which is the basis of our social existence. The greater part of Rosenstock-Huessy's work was devoted to demonstrating how speech/language, through its unpredictable fecundity, expands our powers and, through its inescapably historical forming character, also binds them. Born in Berlin, Germany into a non-observant Jewish family, he converted to Christianity in his late teens. He met and married Margrit Hüssy in 1914. Rosenstock-Huessy served as an officer in the German army during World War I. He then pursued an academic career in Germany as a specialist in medieval law, which was disrupted by the rise of Nazism. In 1933, after Adolf Hitler became Chancellor of Germany, he immigrated to the United States where he began a new academic career, initially at Harvard University and then at Dartmouth College, where he taught from 1935 to 1957.

Distinguished philosopher Hilary Putnam, who is also a practicing Jew, questions the thought of three major Jewish philosophers of the 20th century―Franz Rosenzweig, Martin Buber, and Emmanuel Levinas―to help him reconcile the philosophical and religious sides of his life. An additional presence in the book is Ludwig Wittgenstein, who, although not a practicing Jew, thought about religion in ways that Putnam juxtaposes to the views of Rosenzweig, Buber, and Levinas. Putnam explains the leading ideas of each of these great thinkers, bringing out what, in his opinion, constitutes the decisive intellectual and spiritual contributions of each of them. Although the religion discussed is Judaism, the depth and originality of these philosophers, as incisively interpreted by Putnam, make their thought nothing less than a guide to life.

Following his two acclaimed recordings featuring works by Chopin and Schumann, Bulgarian-born Pianist Martin Ivanov now takes a chance in producing an album dedicated to Franz Liszt, presenting his presumably most prominent work for piano solo, the Sonata in B minor S 178. This monumental work, which formally consists of only one movement, ever since has provided some space for speculations on whether it carries any programmatic content; many find in those three different musical thematic strain

This ballet by Vladimir Franz features soloists and corps de ballet of the National Theatre with Martin Zborzek, singer and the Berg Orchestra conducted by Peter Vrabel with Ondrej Havelka, stage director; Jan Kodet, choreography; and Ondrej Havelka, Jan.