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Franz Conrad von Hötzendorf, as chief of the Austro-Hungarian general staff, was the foremost proponent of preventive war as the means of solving both the foreign and domestic problems of the multinational Habsburg Monarchy in one grand action. The combination of Conrad's insistence on war and Serbia's official, and frequently reckless unofficial, nationalist policies set the stage for the outbreak of a Balkan conflict that would shake Europe to its very foundations and change the world forever.

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In this monograph, Ramon J. Betanzos organizes and articulates Baader's philosophy of love by systematically tracing in through a vast and complex maze of texts. In so doing, he also demonstrates how Baader reintroduced discarded and neglected philosophical traditions - particularly mysticism and theosophy - and made them intellectually respectable in a world where scepticism and rationalism prevailed.

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Did you ever wonder how and why Franz Conrad von Hötzendorf (1852-1925) earned his reputation for brilliance, while failing so miserably during the First World War?In examining Conrad's life and career, including his years as a military writer, teacher of tactics, and a peacetime troop commander before 1906, this first modern biography offers a fascinating and impressive explanation of his thoughts and actions.Franz Conrad von Hötzendorf (1852-1925) served as Austro-Hungarian chief of the general staff between 1906 and 1917, and was a leading figure in the origins and conduct of the First World War. In no other country did a single general serve as the leading prewar tactician, prewar and wartime strategist, and wartime army commander. Because Conrad filled all of these roles in Austria-Hungary, he had no equal among the military men leading the old order of Europe to destruction in 1914-1918.

The Way of the Dream is based on an extraordinary series of films made by Fraser Boa, who collected first-person accounts of dreams in street interviews with ordinary men and women in various parts of the world. He then asked the eminent psychoanalyst Marie-Louise von Franz to interpret these dreams on film, just as she would in a private analytical session. The resulting test is a primer explaining and demonstrating the art and science of dream analysis for the general public. The material covered includes dreams of men, dreams of women, what dreams tell us about ourselves and our relationships, the historical significance of dreams, and dreams about death and dying. Dr. von Franz concludes that one of the healthiest things people can do is to pay attention to their dreams: "Dreams show us how to find meaning in our lives, how to fulfill our own destiny, how to realize the greater potential of life within us."

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The German Library is a new series of the major works of German literature and thought from medieval times to the present. The volumes have forewords by internationally known writers and introductions by prominent scholars. Here the English-speaking reader can find the broadest possible collection of poetic and intellectual achievements in new as well as great classic translations. Convenient and accessible in format, the volumes of The German Library will form the core of any growing library of European literature for years to come.

In this monograph, Ramon J. Betanzos organizes and articulates Baader's philosophy of love by systematically tracing in through a vast and complex maze of texts. In so doing, he also demonstrates how Baader reintroduced discarded and neglected philosophical traditions - particularly mysticism and theosophy - and made them intellectually respectable in a world where scepticism and rationalism prevailed.

The Way of the Dream is based on an extraordinary series of films made by Fraser Boa, who collected first-person accounts of dreams in street interviews with ordinary men and women in various parts of the world. He then asked the eminent psychoanalyst Marie-Louise von Franz to interpret these dreams on film, just as she would in a private analytical session. The resulting test is a primer explaining and demonstrating the art and science of dream analysis for the general public. The material covered includes dreams of men, dreams of women, what dreams tell us about ourselves and our relationships, the historical significance of dreams, and dreams about death and dying. Dr. von Franz concludes that one of the healthiest things people can do is to pay attention to their dreams: "Dreams show us how to find meaning in our lives, how to fulfill our own destiny, how to realize the greater potential of life within us."

A painter, architect, designer, and cofounder of the Munich Secession, Franz von Stuck (1863-1928) was an influential teacher of artists studying at the Munich Academy including Josef Albers, Vassily Kandinsky, and Paul Klee. In his American debut at the 1893 World's Columbian Exposition in Chicago, Stuck was praised by contemporary critics as "one of the most versatile and ingenious of contemporary German artists." In 1898, Stuck exhibited his most famous painting,Sin, an iconic work of the fin de sicle, at the Third Annual Exhibition at the Carnegie Institute in Pittsburgh. Two years later, at the Exposition Universelle in Paris, Stuck was awarded a gold medal for furniture he designed for his magnificent Villa in Munich, itself a Gesamtkunstwerk, or total work of art.On the occasion of the 150th anniversary of Stuck's birth and the 120th anniversary of his American debut, Franz von Stuck is celebrated in the first monographic exhibition of his work in the United States, a joint project of the Frye Art Museum and the Museum Villa Stuck, Munich.Jo-Anne Birnie Danzker is director of the Frye Art Museum.

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A painter, architect, designer, and cofounder of the Munich Secession, Franz von Stuck (1863-1928) was an influential teacher of artists studying at the Munich Academy including Josef Albers, Vassily Kandinsky, and Paul Klee. In his American debut at the 1893 World's Columbian Exposition in Chicago, Stuck was praised by contemporary critics as "one of the most versatile and ingenious of contemporary German artists." In 1898, Stuck exhibited his most famous painting,Sin, an iconic work of the fin de sicle, at the Third Annual Exhibition at the Carnegie Institute in Pittsburgh. Two years later, at the Exposition Universelle in Paris, Stuck was awarded a gold medal for furniture he designed for his magnificent Villa in Munich, itself a Gesamtkunstwerk, or total work of art.On the occasion of the 150th anniversary of Stuck's birth and the 120th anniversary of his American debut, Franz von Stuck is celebrated in the first monographic exhibition of his work in the United States, a joint project of the Frye Art Museum and the Museum Villa Stuck, Munich.Jo-Anne Birnie Danzker is director of the Frye Art Museum.

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