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This volume consists of two lecture series given by Heidegger in the 1940s and 1950s. The lectures given in Bremen constitute the first public lectures Heidegger delivered after World War II, when he was officially banned from teaching. Here, Heidegger openly resumes thinking that deeply engaged him with Hölderlin's poetry and themes developed in his earlier works. In the Freiburg lectures Heidegger ponders thought itself and freely engages with the German idealists and Greek thinkers who had provoked him in the past. Andrew J. Mitchell's translation allows English-speaking readers to explore important connections with Heidegger's earlier works on language, logic, and reality.

Christmas With The Freiburg Baroque Orchestra Freiburg Baroque Orchestra - DVD 880242640383

This volume consists of two lecture series given by Heidegger in the 1940s and 1950s. The lectures given in Bremen constitute the first public lectures Heidegger delivered after World War II, when he was officially banned from teaching. Here, Heidegger openly resumes thinking that deeply engaged him with Hölderlin's poetry and themes developed in his earlier works. In the Freiburg lectures Heidegger ponders thought itself and freely engages with the German idealists and Greek thinkers who had provoked him in the past. Andrew J. Mitchell's translation allows English-speaking readers to explore important connections with Heidegger's earlier works on language, logic, and reality.

Unread book in perfect condition.

German language. 11.26x8.90x1.06 inches. In Stock.

German language. 6.93x4.76x1.57 inches. In Stock.

Baume & Mercier Catwalk Ref. Mw 045197 ladies wristwatch. Stainless steel. Bracelet with folding clasp. Quartz movement in working condition. Black dial with Roman numerals. Used, signs of wear on the case and bracelet. Enclosed is a receipt for bracelet cleaning and battery replacement at Juwelier Nittel in Freiburg on October 12th, 2023. Width approx. 24 mm without crown. Height approx. 31 mm. Fits up to approx. 17 cm wristsize. Condition: Good, but used. A good but used item will have been worn and potentially washed but will be in good condition and well taken care of. The item will have visible wear and tear but the defects will be minor. These have to be mentioned and visible in photos.

Klezmer Classics CD Freiburg Wind Orchestra Publisher: Amstel Music Category: Band/Orchestra/Ensemble Series: Amstel Music Format: CD Klezmer...

First published in 1988 as volume 63 of his Collected Works, Ontology―The Hermeneutics of Facticity is the text of Heidegger's lecture course at the University of Freiburg during the summer of 1923. In these lectures, Heidegger reviews and makes critical appropriations of the hermeneutic tradition from Plato, Aristotle, and Augustine to Schleiermacher and Dilthey in order to reformulate the question of being on the basis of facticity and the everyday world. Specific themes deal with the history of ontology, the development of phenomenology and its relation to Hegelian dialectic, traditional theological and philosophical concepts of man, the present situation of philosophy, and the influences of Aristotle, Luther, Kierkegaard, and Husserl on Heidegger's thinking. Students of Heidegger will find initial breakthroughs in his unique elaboration of the meaning of human experience and the "question of being," which received mature expression in Being and Time.

Martin Heidegger’s reading of Aristotle was one of the pivotal influences in the development of his philosophy. First published in German in 1981 as volume 33 of Heidegger's Collected Works, this book translates a lecture course he presented at the University of Freiburg in 1931. Heidegger's careful translation and his probing commentary on the first three chapters of Book IX of Metaphysics show the close correlation between his phenomenological interpretation of the Greeks (especially of Aristotle) and his critique of metaphysics. Additionally, Heidegger's confrontation with Aristotle's Greek text makes a significant contribution to contemporary scholarship on Aristotle, particularly the understanding of potentiality in Aristotle's thought. Finally, the book exemplifies Heidegger's gift for teaching students how to read a philosophical text and how to question that text in a philosophical way.

8vo. XIII, 317 S. Originaler Verlagsleinen (mit OUmschlag). Guter Zustand! Beim Verlag vergriffen! Habilitationsschrift, Universität Freiburg im Breisgau, 1968.

Martin Heidegger’s reading of Aristotle was one of the pivotal influences in the development of his philosophy. First published in German in 1981 as volume 33 of Heidegger's Collected Works, this book translates a lecture course he presented at the University of Freiburg in 1931. Heidegger's careful translation and his probing commentary on the first three chapters of Book IX of Metaphysics show the close correlation between his phenomenological interpretation of the Greeks (especially of Aristotle) and his critique of metaphysics. Additionally, Heidegger's confrontation with Aristotle's Greek text makes a significant contribution to contemporary scholarship on Aristotle, particularly the understanding of potentiality in Aristotle's thought. Finally, the book exemplifies Heidegger's gift for teaching students how to read a philosophical text and how to question that text in a philosophical way.

Phenomenology of Intuition and Expression is a crucial text for understanding the early development of Heidegger's thought. This lecture course was presented in the summer semester of 1920 at the University of Freiburg. At the center of this course is Heidegger's elaboration of the meaning and function of the phenomenological destruction. In no other work by Heidegger do we find as comprehensive a treatment of the theme of destruction as in this lecture course. Culminating in a destruction of contemporaneous philosophy in terms of its understanding of 'life' as a primal phenomenon, this lecture course can be seen to open the way towards a renewal of the meaning of philosophy as such. This hugely important philosophical work is now available in English for the first time.Phenomenology of Intuition and Expression is a crucial text for understanding the early development of Heidegger's thought. This lecture course was presented in the summer semester of 1920 at the University of Freiburg. At the center of this course is Heidegger's elaboration of the meaning and function of the phenomenological destruction. In no other work by Heidegger do we find as comprehensive a treatment of the theme of destruction as in this lecture course. Culminating in a destruction of contemporaneous philosophy in terms of its understanding of 'life' as a primal phenomenon, this lecture course can be seen to open the way towards a renewal of the meaning of philosophy as such. This hugely important philosophical work is now available in English for the first time.

Parmenides, a lecture course delivered by Martin Heidegger at the University of Freiburg in 1942-1943, presents a highly original interpretation of ancient Greek philosophy. A major contribution to Heidegger’s provocative dialogue with the pre-Socratics, the book attacks some of the most firmly established conceptions of Greek thinking and of the Greek world. The central theme is the question of truth and the primordial understanding of truth to be found in Parmenides' "didactic poem." Heidegger highlights the contrast between Greek and Roman thought and the reflection of that contrast in language. He analyzes the decline in the primordial understanding of truth―and, just as importantly, of untruth―that began in later Greek philosophy and that continues, by virtue of the Latinization of the West, down to the present day. Beyond an interpretation of Greek philosophy, Parmenides (volume 54 of Heidegger's Collected Works) offers a strident critique of the contemporary world, delivered during a time that Heidegger described as "out of joint."

Elegant aristocratic sitters, luxurious fashion and European monarchs - Franz Xaver Winterhalter did it all Incorporates a costume component to explore the interplay between the haute couture creations of Charles Fredrick Worth and the exquisite female portraits by WinterhalterAccompanying exhibitions in Freiburg (Germany) Nov. 2015 - March 2016; Houston (US), April 2016; Compiègne (France), Sept. 2016Franz Xaver Winterhalter (1805-1873) was the most renowned portraitist of European aristocracy of his day, expertly capturing the refinement and opulence of his distinguished sitters. Born and trained in Germany, Winterhalter settled in Paris in 1834, where he became the official court painter to King Louis-Philippe. He gained such international acclaim for his state portraits that he painted all but a few of the monarchs in Europe. In Paris in 1855, at the pinnacle of his career, he painted the noble portrait Empress Eugénie and her Ladies-in-Waiting, which would go on to symbolise an entire era. His 1865 portrait of the Austrian Empress Sissi is also known the world over. The lavishly illustrated publication complements Winterhalter's magnificent portraits of crowned heads of state with selected items of clothing by the contemporary and sought-after couturier Charles Frederick Worth.Contents: Director's Foreword; Acknowledgments; Lenders to the Exhibition; Introduction by Richard Ormond; The Ultimate Court Painter by Helga Kessler Aurisch; Franz Xaver Winterhalter and the Black Forest by Tilmann von Stockhausen; Winterhalter's Italian Interlude by Eugene Barilo von Reisberg; Franz Xaver Winterhalter and French Painting: Echoes of the Salon by Laure Chabanne; Franz Xaver Winterhalter: Painter of Women by Mirja Straub; The Confections of Winterhalter and Worth by Elizabeth Ann Coleman; The Plates; Select Bibliography; Index.

Martin Heidegger’s 1942 lecture course interprets Friedrich Hölderlin’s hymn "The Ister" within the context of Hölderlin’s poetic and philosophical work, with particular emphasis on Hölderlin’s dialogue with Greek tragedy. Delivered in summer 1942 at the University of Freiburg, this course was first published in German in 1984 as volume 53 of Heidegger's Collected Works. Revealing for Heidegger’s thought of the period are his discussions of the meaning of "the political" and "the national," in which he emphasizes the difficulty and the necessity of finding "one’s own" in and through a dialogue with "the foreign." In this context Heidegger reflects on the nature of translation and interpretation. A detailed reading of the famous chorus from Sophocles' Antigone, known as the "ode to man," is a key feature of the course.

Die hier erstmals veroffentlichte Vorlesung Einleitung in die Philosophie hielt Martin Heidegger vierstundig im Wintersemester 1928/29 an der Universitat Freiburg. Der beabsichtigte Gang der Einleitung umfasste drei Stadien bzw. Wege: Philosophie und Wissenschaft, Philosophie und Weltanschauung, Philosophie und Geschichte. Der zweite Abschnitt gewann an Umfang durch eine eingehende Erorterung des Weltbegriffs von Kant, wahrend der dritte Abschnitt - Philosophie und Geschichte - nicht zur Ausfuhrung kam. Es gibt, glaube ich, keine bessere Einfuhrung in Heideggers Philosophie. [.] Alle Punkte, die seit den funfziger Jahren zu endlosen Missverstandnissen gefuhrt haben, sind hier in souveraner Ruhe erklart. Es ist nicht auszudenken, was geschehen ware, ware dieser Band vor funfzig Jahren erschienen. Ob Heidegger Existentialist war oder nicht, ob seine Philosophie pessimistisch war oder nicht, alle diese torichten Debatten hatten diese Selbsterklarungen uns erspart. [.] Diese Vorlesungen sind eine der wichtigsten Schriften zur Philosophie dieses Jahrhunderts, und in didaktischer Hinsicht sind sie ein Meisterwerk. Kurt Flasch

Michael Gielen Edition, Vol. 5 ''1967-2014'' Bartok / Strawinsky / Gielen / Freiburg - CD 747313902385

American Opera Classics - Adams: I Was Looking at the Ceiling and I saw the Sky / Simon / Composer: John Adams, Performer: Kimako Xavier Trotman, Jeannette Friedrich, Markus Alexander Neisser, Martina Mhlpointner, Conductor: Klaus Simon, Orchestra/Ensemble: Band of Holst Sinfonietta, Young Opera Company Freiburg Number of Discs: 2 The plot, taken from the John Adams Web site, is as follows: in mid-1990s Los Angeles, David, a preacher, sings about his many love affairs and his current girlfriend

Volume 35 of Heidegger’s Complete Works comprises a lecture course given at the University of Freiburg in 1932, five years after the publication of Being and Time. During this period, Heidegger was at the height of his creative powers, which are on full display in this clear and imaginative text. In it, Heidegger leads his students in a close reading of two of the earliest philosophical source documents, fragments by Greek thinkers Anaximander and Parmenides. Heidegger develops their common theme of Being and non-being and shows that the question of Being is indeed the origin of Western philosophy. His engagement with these Greek texts is as much of a return to beginnings as it is a potential reawakening of philosophical wonder and inquiry in the present.