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We take it for granted that every state has two representatives in the United States Senate. Apply the "one person, one vote" standard, however, and the Senate is the most malapportioned legislature in the democratic world. But does it matter that California's 32 million people have the same number of Senate votes as Wyoming's 480,000? Frances Lee and Bruce Oppenheimer systematically show that the Senate's unique apportionment scheme profoundly shapes legislation and representation. The size of a state's population affects the senator-constituent relationship, fund-raising and elections, strategic behavior within the Senate, and, ultimately, policy decisions. They also show that less populous states consistently receive more federal funding than states with more people. In sum, Lee and Oppenheimer reveal that Senate apportionment leaves no aspect of the institution untouched. This groundbreaking book raises new questions about one of the key institutions of American government and will interest anyone concerned with issues of representation.

Charting the rich history and current configuration of black feminism, a collection of insightful essays on the subject focuses on personalities such as Eda B. Wells, Ella Baker, Angela Davis, and Assata Shakur to reveal how black women have moved along the cause of equal rights and liberation.

Charting the rich history and current configuration of black feminism, a collection of insightful essays on the subject focuses on personalities such as Eda B. Wells, Ella Baker, Angela Davis, and Assata Shakur to reveal how black women have moved along the cause of equal rights and liberation.

Hank Willis Thomas: All Things Being Equal presents a survey of the artist’s prolific and extraordinary interdisciplinary career, incorporating all aspects of his art, with a particular focus on the work’s relationship to the photographic image and to issues of representation and perception. At the core of his practice, is his ability to parse and critically dissect the flow of images that comprises American culture, and to do so with particular attention to race, gender, and cultural identity. Other powerful themes include the commodification of identity through popular media, sports, and advertising. In the ten years since his first publication, Pitch Blackness, Thomas has established himself as a significant voice in contemporary art, equally at home with collaborative, trans-media projects such as Question Bridge, Philly Block, and For Freedoms as he is with high-profile, international solo exhibitions. This extensive presentation of his work contextualizes the material with incisive essays from Portland Art Museum curators Julia Dolan and Sara Krajewski and art historian Sarah Elizabeth Lewis, and an in-depth interview between Dr. Kellie Jones and the artist that elaborates on Thomas’s influences and inspirations. Copublished by Aperture and the Portland Art Museum, Oregon

Hank Willis Thomas: All Things Being Equal presents a survey of the artist’s prolific and extraordinary interdisciplinary career, incorporating all aspects of his art, with a particular focus on the work’s relationship to the photographic image and to issues of representation and perception. At the core of his practice, is his ability to parse and critically dissect the flow of images that comprises American culture, and to do so with particular attention to race, gender, and cultural identity. Other powerful themes include the commodification of identity through popular media, sports, and advertising. In the ten years since his first publication, Pitch Blackness, Thomas has established himself as a significant voice in contemporary art, equally at home with collaborative, trans-media projects such as Question Bridge, Philly Block, and For Freedoms as he is with high-profile, international solo exhibitions. This extensive presentation of his work contextualizes the material with incisive essays from Portland Art Museum curators Julia Dolan and Sara Krajewski and art historian Sarah Elizabeth Lewis, and an in-depth interview between Dr. Kellie Jones and the artist that elaborates on Thomas’s influences and inspirations. Copublished by Aperture and the Portland Art Museum, Oregon

Traces the evolution of Renaissance ideas of savagery and civility during the 16th and early 17th centuries by examining selected works and passages of three major writers. Finds that in the interplay of ethnographic reporting and literary representation, the two human states became considered very different but equal. Annotation copyright Book News, Inc. Portland, Or.

In The Great Enterprise, Henry H. Em examines how the project of national sovereignty shaped the work of Korean historians and their representations of Korea's past. The goal of Korea attaining validity and equal standing among sovereign nations, Em shows, was foundational to modern Korean politics in that it served a pedagogical function for Japanese and Western imperialisms, as well as for Korean nationalism. Sovereignty thus functioned as police power and political power in shaping Korea's modernity, including anticolonial and postcolonial movements toward a radically democratic politics. Surveying historical works written over the course of the twentieth century, Em elucidates the influence of Christian missionaries, as well as the role that Japan's colonial policy played in determining the narrative framework for defining Korea's national past. Em goes on to analyze postcolonial works in which South Korean historians promoted national narratives appropriate for South Korea's place in the U.S.-led Cold War system. Throughout, Em highlights equal sovereignty's creative and productive potential to generate oppositional subjectivities and vital political alternatives.

The End of Inequality takes a close look at Baker v. Carr, the pivotal Supreme Court case that established the right to equal representation in state legislatures for every American. Stephen Ansolabehere and James Snyder detail the history of “one person, one vote” in American political theory and politics, and tell the story of the people―presidents, legislators, judges, lawyers, and ordinary citizens―who fought the battles to define this fundamental feature of American democracy.

Democracy's flexibility, its commitment to equality of representation, and its recognition of the legitimacy of opposition are all positive features of political institutions. But democracy fits uneasily with many other political values and is in many respects less than equal to the demands it confronts. In these two free-standing volumes some of the world's most prominent political theorists and social scientists present original discussions of these urgent issues. Democracy's Value deals with the nature and value of democracy, particularly the tensions between it and such goods as justice, equality, efficiency, and freedom. Democracy's Edges analyzes one of democracy's most enduring problems: how to establish the boundaries of democratic polities democratically.