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The first major collection of poetry written in English by the flabbergasting and flamboyant Baroness Elsa, “the first American Dada.”As a neurasthenic, kleptomaniac, man-chasing proto-punk poet and artist, the Baroness Elsa von Freytag-Loringhoven left in her wake a ripple that is becoming a rip―one hundred years after she exploded onto the New York art scene. As an agent provocateur within New York's modernist revolution, “the first American Dada” not only dressed and behaved with purposeful outrageousness, but she set an example that went well beyond the eccentric divas of the twenty-first century, including her conceptual descendant, Lady Gaga.Her delirious verse flabbergasted New Yorkers as much as her flamboyant persona. As a poet, she was profane and playfully obscene, imagining a farting God, and transforming her contemporary Marcel Duchamp into M'ars (my arse). With its ragged edges and atonal rhythms, her poetry echoes the noise of the metropolis itself. Her love poetry muses graphically on ejaculation, orgasm, and oral sex. When she tired of existing words, she created new ones: “phalluspistol,” “spinsterlollipop,” “kissambushed.” The Baroness's rebellious, highly sexed howls prefigured the Beats; her intensity and psychological complexity anticipates the poetic utterances of Anne Sexton and Sylvia Plath.Published more than a century after her arrival in New York, Body Sweats is the first major collection of Elsa von Freytag-Loringhoven's poems in English. The Baroness's biographer Irene Gammel and coeditor Suzanne Zelazo have assembled 150 poems, most of them never before published. Many of the poems are themselves art objects, decorated in red and green ink, adorned with sketches and diagrams, presented with the same visceral immediacy they had when they were composed.

The first major collection of poetry written in English by the flabbergasting and flamboyant Baroness Elsa, “the first American Dada.”As a neurasthenic, kleptomaniac, man-chasing proto-punk poet and artist, the Baroness Elsa von Freytag-Loringhoven left in her wake a ripple that is becoming a rip―one hundred years after she exploded onto the New York art scene. As an agent provocateur within New York's modernist revolution, “the first American Dada” not only dressed and behaved with purposeful outrageousness, but she set an example that went well beyond the eccentric divas of the twenty-first century, including her conceptual descendant, Lady Gaga.Her delirious verse flabbergasted New Yorkers as much as her flamboyant persona. As a poet, she was profane and playfully obscene, imagining a farting God, and transforming her contemporary Marcel Duchamp into M'ars (my arse). With its ragged edges and atonal rhythms, her poetry echoes the noise of the metropolis itself. Her love poetry muses graphically on ejaculation, orgasm, and oral sex. When she tired of existing words, she created new ones: “phalluspistol,” “spinsterlollipop,” “kissambushed.” The Baroness's rebellious, highly sexed howls prefigured the Beats; her intensity and psychological complexity anticipates the poetic utterances of Anne Sexton and Sylvia Plath.Published more than a century after her arrival in New York, Body Sweats is the first major collection of Elsa von Freytag-Loringhoven's poems in English. The Baroness's biographer Irene Gammel and coeditor Suzanne Zelazo have assembled 150 poems, most of them never before published. Many of the poems are themselves art objects, decorated in red and green ink, adorned with sketches and diagrams, presented with the same visceral immediacy they had when they were composed.

The first major collection of poetry written in English by the flabbergasting and flamboyant Baroness Elsa, “the first American Dada.”As a neurasthenic, kleptomaniac, man-chasing proto-punk poet and artist, the Baroness Elsa von Freytag-Loringhoven left in her wake a ripple that is becoming a rip―one hundred years after she exploded onto the New York art scene. As an agent provocateur within New York's modernist revolution, “the first American Dada” not only dressed and behaved with purposeful outrageousness, but she set an example that went well beyond the eccentric divas of the twenty-first century, including her conceptual descendant, Lady Gaga.Her delirious verse flabbergasted New Yorkers as much as her flamboyant persona. As a poet, she was profane and playfully obscene, imagining a farting God, and transforming her contemporary Marcel Duchamp into M'ars (my arse). With its ragged edges and atonal rhythms, her poetry echoes the noise of the metropolis itself. Her love poetry muses graphically on ejaculation, orgasm, and oral sex. When she tired of existing words, she created new ones: “phalluspistol,” “spinsterlollipop,” “kissambushed.” The Baroness's rebellious, highly sexed howls prefigured the Beats; her intensity and psychological complexity anticipates the poetic utterances of Anne Sexton and Sylvia Plath.Published more than a century after her arrival in New York, Body Sweats is the first major collection of Elsa von Freytag-Loringhoven's poems in English. The Baroness's biographer Irene Gammel and coeditor Suzanne Zelazo have assembled 150 poems, most of them never before published. Many of the poems are themselves art objects, decorated in red and green ink, adorned with sketches and diagrams, presented with the same visceral immediacy they had when they were composed.

1 pages. Spanish language. 9.72x5.12x0.87 inches. In Stock.

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Von Leeb's Defense, von Freytag-Loringhoven's The Power of Personality in War, and Erfuth's Surprise.

This volume of new essays by leading scholars treats a representative sampling of German realist prose from the period 1848 to 1900, the period of its dominance of the German literary landscape. It includes essays on familiar, canonical authors -- Stifter, Freytag, Raabe, Fontane, Thomas Mann -- and canonical texts, but also considers writers frequently omitted from traditional literary histories, such as Luise Mühlbach, Friedrich Spielhagen, Louise von François, Karl May, and Eugenie Marlitt. The introduction situates German realism in the context of both German literary history and of developments in other European literatures, and surveys the most prominent critical studies of ninteenth-century realism. The essays treat the following topics: Stifter's Brigitta and the lesson of realism; Mühlbach, Ranke, and the truth of historical fiction; regional histories as national history in Freytag's Die Ahnen; gender and nation in Louise von François's historical fiction; theory, reputation, and the career of Friedrich Spielhagen; Wilhelm Raabe and the German colonial experience; the poetics of work in Freytag, Stifter, and Raabe; Jewish identity in Berthold Auerbach's novels; Eugenie Marlitt's narratives of virtuous desire; the appeal of Karl May in the Wilhelmine Empire; Thomas Mann's portrayal of male-male desire in his early short fiction; and Fontane's Effi Briest and the end of realism. Contributors: Robert C. Holub, Brent O. Petersen, Lynne Tatlock, Thomas C. Fox, Jeffrey L. Sammons, John Pizer, Hans J. Rindisbacher, Irene S. Di Maio, Kirsten Belgum, Nina Berman, Robert Tobin, Russell A. Berman. Todd Kontje is professor of German at the University of California, San Diego.

Explore Corfu with this Freytag&Berndt detailed road map. The best way to plan your trip, prepare your itinerary, and to travel independently on this island of western Greece. This map has a booklet attached to cover that contains a place name index, an inset map of Corfu City, information on highlights in 10 languages. All placenames are indicated in both Greek and Roman scripts. Touristic information: places of interest, scenic routes, religious buildings, World Heritage sites, archaeological sites, monuments, museums, castles, waterfalls, lighthouses, marinas, beaches, camp-grounds, casinos, spas. The legend is in English, Greek, French, German, Dutch, Italian, Spanish, Slovak, Hungarian, Czech. Place names are indicated in both Roman and Greek scripts.

Explore Caucasus with this Freytag&Berndt road map. The best way to plan your trip, prepare your itinerary, and to travel independently. Countries and regions covered: Armenia, Georgia, Azerbaijan, Eastern Turkey, Southern Russian Caucasus (Adygea, Karachay-Cherkessia, Kabardino-Balkaria, North Ossetia, Ingushetia, Chechenya, Daghestan). This map contains a place name index in a booklet. Touristic information: places of interest, World Heritage sites, castles, monuments, archaeological sites, religious buildings, spas, airports, nature parks. The legend in English, French, German, Dutch, Italian, Spanish, Czech, Polish, Slovak, and Hungarian. All place names are only indicated in Roman script.

The Technique of the Drama was written in 1863, and passed through six editions before its translation into English. It has attained the rank of a first-class authority. Gustav Freytag (1816 - 1895), scholar, poet, novelist, critic, playwright, editor, soldier, publicist, was born in Kreuzburg, Silesia.

Explore Slovenia with this Freytag&Berndt one-sided road map. The best way to plan your trip, prepare your itinerary, and to travel independently in this country.

The Rudimental Cookbook By Edward Freytag The definitive snare drum solo-method book. Includes the 26 American Standard Rudiments, the Percuss...

Loaded with information, place-names, and transportation detail, Freytag & Berndt, Austria's premier map publisher, has created a great map of Chalkidiki & Thessaloniki. The traditional cartography, multilingual labels and legends, and complete index make this map a useful tool when traveling, or travel planning. Inset maps on the reverse side clearly show all the areas in and around Chalkidiki & Thessaloniki, and their location within Greece. In addition, a street index booklet is attached to the cover for easy reference.

Explore Saarland and Rheinland-Pfalz with this Freytag&Berndt road map. The best way to plan your trip, prepare your itinerary, and to travel independently in this part of West Germany.

Explore the Alps with this Freytag&Berndt one-sided road map. The best way to plan your trip, prepare your itinerary, and to travel independently. This one-sided map covers Switzerland, Savoie, Provence, Franche-Comté, Alsace, Aosta Valley, Lombardy, Piedmont, Emilia Romagna, Trento, Veneto, Liechtenstein, Austria, Slovenia, and southern Baden-Württemberg and Bavaria.

Elsa von Freytag-Loringhoven (1874?1927) is considered by many to be the first American dadaist as well as the mother of dada. An innovator in poetic form and an early creator of junk sculpture, "the Baroness" was best known for her sexually charged, often controversial performances. Some thought her merely crazed, others thought her a genius. The editor Margaret Anderson called her "perhaps the only figure of our generation who deserves the epithet extraordinary." Yet despite her great notoriety and influence, until recently her story and work have been little known outside the circle of modernist scholars.In Baroness Elsa, Irene Gammel traces the extraordinary life and work of this daring woman, viewing her in the context of female dada and the historical battles fought by women in the early twentieth century. Striding through the streets of Berlin, Munich, New York, and Paris wearing such adornments as a tomato-soup can bra, teaspoon earrings, and black lipstick, the Baroness erased the boundaries between life and art, between the everyday and the outrageous, between the creative and the dangerous. Her art objects were precursors to dada objects of the teens and twenties, her sound and visual poetry were far more daring than those of the male modernists of her time, and her performances prefigured feminist body art and performance art by nearly half a century.