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The essays included in this volume present Larry W. Hurtado's steadfast analysis of the earliest Christian manuscripts. In these chapters, Hurtado considers not only standard text-critical issues which seek to uncover an earliest possible version of a text, but also the very manuscripts that are available to us. As one of the pre-eminent scholars of the field, Hurtado examines often overlooked 2nd and 3rd century artefacts, which are among the earliest manuscripts available, drawing fascinating conclusions about the features of early Christianity. Divided into two halves, the first part of the volume addresses text-critical and text-historical issues about the textual transmission of various New Testament writings. The second part looks at manuscripts as physical and visual artefacts themselves, exploring the metadata and sociology of their context and the nature of their first readers, for the light cast upon early Christianity. Whilst these essays are presented together here as a republished collection, Hurtado has made several updates across the collection to draw them together and to reflect on the developing nature of the issues that they address since they were first written.

The essays included in this volume present Larry W. Hurtado's steadfast analysis of the earliest Christian manuscripts. In these chapters, Hurtado considers not only standard text-critical issues which seek to uncover an earliest possible version of a text, but also the very manuscripts that are available to us. As one of the pre-eminent scholars of the field, Hurtado examines often overlooked 2nd and 3rd century artefacts, which are among the earliest manuscripts available, drawing fascinating conclusions about the features of early Christianity. Divided into two halves, the first part of the volume addresses text-critical and text-historical issues about the textual transmission of various New Testament writings. The second part looks at manuscripts as physical and visual artefacts themselves, exploring the metadata and sociology of their context and the nature of their first readers, for the light cast upon early Christianity. Whilst these essays are presented together here as a republished collection, Hurtado has made several updates across the collection to draw them together and to reflect on the developing nature of the issues that they address since they were first written.

The nature of historical and archaeological research is such that biblical and archaeological evidence should both be taken into account so that we can attain a more reliable reconstruction of ancient Israel. Nowadays we are faced with numerous reconstructions which are very often diametrically opposed to each other owing to the different assumptions of scholars. An examination of certain issues of epistemology in the current climate of postmodernism, shows that the latter is self-defeating when it claims that we cannot attain any true knowledge about the past. Illustrations are taken from the history of pre-exilic Israel; however, the indissoluble unity of text and artefact is made clearer and more concrete through a detailed case study about the location of the house of Rahab as depicted in Joshua 2: 15, irrespective of whether this text is historical or not. Text and artefact should work hand in hand even when narratives turn out to be fictional, since thus there emerges a clearer picture of the external world which the author would have had in mind.

The nature of historical and archaeological research is such that biblical and archaeological evidence should both be taken into account so that we can attain a more reliable reconstruction of ancient Israel. Nowadays we are faced with numerous reconstructions which are very often diametrically opposed to each other owing to the different assumptions of scholars. An examination of certain issues of epistemology in the current climate of postmodernism, shows that the latter is self-defeating when it claims that we cannot attain any true knowledge about the past. Illustrations are taken from the history of pre-exilic Israel; however, the indissoluble unity of text and artefact is made clearer and more concrete through a detailed case study about the location of the house of Rahab as depicted in Joshua 2: 15, irrespective of whether this text is historical or not. Text and artefact should work hand in hand even when narratives turn out to be fictional, since thus there emerges a clearer picture of the external world which the author would have had in mind.

This volume focuses on the world of oriental medicine and Chinese medical literature and presents an in-depth view of the artworks and literature associated with more than 2000 years of the Chinese healing arts. Historical manuscripts and printed texts, artefacts used by physicians and pharmacists, such as decorated medicine flasks, works of fine art and illustrations for teaching purposes and other items show the attention paid to aesthetic values in China's everyday culture in the past.

Anna Contadini, PhD (1992) in Islamic Art, SOAS, London University, where she is Reader in Islamic Art. Her publications include Fatimid Art at the Victoria and Albert Museum (V&A 1998) and numerous works on Islamic manuscripts, artefacts, and artistic exchanges between Europe and the Middle East.

"Texts Without Referents" offers a detailed and systematic theory of human culture, ranging across both Anglo-American and Continental European philosophy, and their allied disciplines. In it Joseph Margolis provides an account of history and interpretation and the ontology of cultural entities (persons, artefacts, artworks, words and sentences, actions, institutions, societies). Central to the book is the question of the coherent relationship between the human and the natural sciences. The author elaborates a theory that may be said to question, and challenge, the traditional emphasis given in the Western philosophical canon to the subordination of the human sciences to the physical sciences. Margolis' strategy is to show the strong conceptual evidence offered by such diverse movements as pragmatism, naturalism, phenomenology, deconstruction, Marxism, Frankfurt Critical Theory, hermeneutics, and Wittgensteinian and Nietzschean currents, for overturning this ranking. Margolis argues that it is the physical sciences that depend on the human for their distinctive rigour, and that they need to be brought under the larger constraints of social existence if, together, they are to yield a coherent and comprehensive picture of the full powers of human inquiry. This, the third volume in Margolis' trilogy, brings the issues of the first two volumes together, reworking them within a general theory of cultural life. A number of strategic questions are examined, including the nature of texts, reference, selves, praxis, thinking, and historical time. Expansive and challenging, it represents the climax to an ambitious reassessment of the relationship, within the world of culture, between the natural and the human sciences, and a reassessment of the complexities of human existence. The books is aimed at students and specialists in philosophy, social theory and the philosophy of culture.

Baffled by Buddhism? Confused by Catholicism? Explore the faith and practices of the world's religions in this richly illustrated and accessible volume. Every denomination is examined in detail through sacred texts, epic imagery, key beliefs and religious artefacts.

Exhibition Catalogue "Letters of Light", presente at the Louvre Abu Dhabi (13 September 2023 - 14 January 2024) Readers will discover the most important and beautiful manuscripts of sacred texts from the monotheistic religions, as well as artefacts from the collections of the Bibliothèque nationale de France, Musée du Louvre and Louvre Abu Dhabi. The five different sections of the exhibit uncover the birth of the three monotheisms, their sacred writings, and their dissemination across different languages and cultures. You will encounter some of the most exquisite sacred books ever made, featuring the work of skilled calligraphers, bookbinders, and artists who mastered the use of precious pigments and illuminated calligraphy.

Angie Hughes book is a comprehensive guide to making enchanting mixed media artefacts, which will delight both beginners and advanced crafters.The book includes an extensive techniques section that leads into the three beautiful projects.Step-by-step photographs and accompanying text take even a novice through to producing wonderful works of art.Numerous variations and alternative designs will provide inspiration for even veteran crafters.

A History of Ancient and Early Medieval India is the most comprehensive textbook yet for undergraduate and postgraduate students. It introduces students to original sources such as ancient texts, artefacts, inscriptions and coins, illustrating how historians construct history on their basis. Its clear and balanced explanation of concepts and historical debates enables students to independently evaluate evidence, arguments and theories. This remarkable textbook allows the reader to visualize and understand the rich and varied remains of India s ancient past, transforming the process of discovering that past into an exciting experience.

For more than ten years, the Science for Conservators series has been the key basic texts for conservators throughout the world. Scientific concepts are basic ot the conservation of artefacts of every type, yet many conservators have little or no scientific training. These introductory volumes provide non-scientists with the essential theoretical background to their work.

For more than ten years, The Science for Conservators Series has provided the key basic texts for conservators throughout the world. Scientific concepts are basic to the conservation of artefacts of every type, yet many conservators have little or no scientific training. These introductory volumes provide non-scientists with the essential theoretical background to their work.

Recent years have witnessed significant discoveries of texts and artefacts relevant to the study of the Old and New Testaments and remarkable shifts in scholarly methods of study. The present volume mirrors the increasing specialization of Old Testament studies, including the Hebrew and Greek Bibles, and reflects rich research activity that has unfolded over the last four decades in Pentateuch theory, Septuagint scholarship, Qumran studies and early Jewish exegesis of biblical texts. The second half of the volume discusses the period running from the New Testament to 600, including chapters on the Coptic, Syriac and Latin bibles, the 'Gnostic' use of the scriptures, pagan engagement with the Bible, the use of the Bible in Christian councils and in popular and non-literary culture. A fascinating in-depth account of the reception of the Bible in the earliest period of its history.

Evolutionary ('phylogenetic') trees were first used to infer lost histories nearly two centuries ago by manuscript scholars reconstructing original texts. Today, computer methods are enabling phylogenetic trees to transform genetics, historical linguistics and even the archaeological study of artefact shapes and styles. But which phylogenetic methods are best suited to retracing the evolution of languages? And which types of language data are most informative about deep prehistory? In this book, leading specialists engage with these key questions. Essential reading for linguists, geneticists and archaeologists, these studies demonstrate how phylogenetic tools are illuminating previously intractable questions about language prehistory. This innovative volume arose from a conference of linguists, geneticists and archaeologists held at Cambridge in 2004.

For more than ten years, the Science for Conservators Series have been the key basic texts for conservators throughout the world. Scientific concepts are basic ot the conservation of artefacts of every type, yet many conservators have little or no scientific training. These introductory volumes provide non-scientists with the essential theoretical background to their work.

Turku was the most important town in medieval Finland, and this study presents the leather finds from archaeological surveys in the town and castle over the last hundred years. The artefacts are each individually described in text and pictures.

For more than ten years, The Science for Conservators Series has provided the key basic texts for conservators throughout the world. Scientific concepts are basic to the conservation of artefacts of every type, yet many conservators have little or no scientific training. These introductory volumes provide non-scientists with the essential theoretical background to their work.

Accompanying an exhibition organised by WONDERS: The Memphis International Cultural Series, this book documents, through text and stunning photographs, the artistic and cultural achievements of the Incas. The short historical commentaries that accompany the artefacts discuss textiles, death and burial, the supernatural world, 'treasure', representations of humans in art, Inca cities and architecture. Many colour photographs of spectacular objects.

For more than ten years, the Science for Conservators Series have been the key basic texts for conservators throughout the world. Scientific concepts are basic ot the conservation of artefacts of every type, yet many conservators have little or no scientific training. These introductory volumes provide non-scientists with the essential theoretical background to their work.