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In Roads Not Taken, Earl J. Wilcox and Jonathan N. Barron bring a new freshness and depth to the study of one of America's greatest poets. While some critics discounted Frost as a poet without technical skill, rhetorical complexity, or intellectual depth, over the past decade scholars have begun to view Robert Frost's work from many new perspectives. Critical hermeneutics, culture studies, feminism, postmodernism, and textual editing all have had their impact on readings of the poet's life and work. This collection of essays is the first to account for the variety of these new perceptions.Appealing to a wide literary community, and in keeping with Frost's own poetic goals, these twelve essays fall into four distinct categories: gender, biography and cultural studies, the intertext, and poetics and theory.All the contributors, many of whom have written books on Frost, are widely recognized scholars. Their diverse viewpoints and collective expertise make this volume of essays the most significant contribution to Frost criticism to be published in over twenty years.

Often thought of as the quintessential poet of New England, Robert Frost is one of the most widely read American poets of the 20th century. He was a master of poetic form and imagery, his works seemed to capture the spirit of America, and he became so emblematic of his country that he read his work at President Kennedy's inauguration and traveled to Israel, Greece, and the Soviet Union as an emissary of the U.S. State Department. While many readers think of him as the personification of New England, he was born in San Francisco, published his first book of poetry in England, matured as a poet while abroad, taught for several years at the University of Michigan, and spent many of his winters in Florida. This reference helps illuminate the hidden complexities of his life and work.Included in this volume are hundreds of alphabetically arranged entries on Frost's life and writings. Each of his collected poems is treated in a separate entry, and the book additionally includes entries on such topics as his public speeches, various colleges and universities with which he was associated, the honors that he won, his biographers, films about him, poets, and others whom he knew, and similar items. Each entry is written by an expert contributor and closes with a brief bibliography. The volume also provides a chronology and concludes with a general bibliography of major studies.

· This poetry collection contains select works of Robert Frost with beautiful images to make for a more enhanced reading experience. · The images contained in this book help to glorify the authors' vision of storytelling through poetry

This comprehensive anthology attempts to give the common reader possession of six centuries of great British and American poetry. The book features a large introductory essay by Harold Bloom called "The Art of Reading Poetry," which presents his critical reflections of more than half a century devoted to the reading, teaching, and writing about the literary achievement he loves most. In the case of all major poets in the language, this volume offers either the entire range of what is most valuable in their work, or vital selections that illuminate each figure′s contribution. There are also headnotes by Harold Bloom to every poet in the volume as well as to the most important individual poems. Much more than any other anthology ever gathered, this book provides readers who desire the pleasures of a sublime art with very nearly everything they need in a single volume. It also is regarded as his final meditation upon all those who have formed his mind.

Likely one of the most well-known poets in American literary history, Robert Frost, born in California, lived much of his life in Massachusetts and New Hampshire, thus, his most popular poetry depicted subtle New England charm. Frost’s style was largely free verse, though he did find a fair amount of structure in poetry could often be inspiring. Forever searching for 'the sound of sense,' Robert Frost's lyrical poetry is eloquent, precise, and robust. The Collected Poems of Robert Frost, includes the inspiring poetry of Frost's first three collections, including his earliest major poems "The Road Not Taken" and "Mending Wall" making this edition one you shouldn't miss!

When Robert Frost was a child, his family thought he would grow up to be a baseball player. Instead, he became a poet. His life on a farm in New Hampshire inspired him to write "poetry that talked," and today he is famous for his vivid descriptions of the rural life he loved so much. There was a time, though, when Frost had to struggle to get his poetry published. Told from the point of view of Lesley, Robert Frost's oldest daughter, this is the story of how a lover of language found his voice.

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A wonderfully accessible guide to the transcendent poetry of one of America's favorite poets Widely revered during his lifetime, Robert Frost continues to enchant readers today, nearly a century after the publication of his first volume of poems, A Boy's Will. This book presents a splendid selection of sixty-five poems from across Frost's writing career, beginning in the 1890s and ending with "Directive" from the 1940s. Tim Kendall offers a detailed account of each poem, enabling readers to follow the journey which Frost himself recognized in all great poetry: "It begins in delight and ends in wisdom."In addition to close readings of the poems, The Art of Robert Frost traces the development of Frost's writing career and relevant aspects of his life. The book also assesses the particular nature of the poet's style, how it changes over time, and how it relates to the works of contemporary poets and movements, including Modernism.The first book on Frost to combine selected poems with a critical study, this appealing volume will be welcome on the shelves of scholars, students, and all other readers who love fine poetry.

Robert Frost, Essays, Literary Criticism

During his lifetime, Robert Frost notoriously resisted collecting his prose--going so far as to halt the publication of one prepared compilation and to "lose" the transcripts of the Charles Eliot Norton Lectures he delivered at Harvard in 1936. But for all his qualms, Frost conceded to his son that "you can say a lot in prose that verse won't let you say," and that the prose he had written had in fact "made good competition for [his] verse." This volume, the first critical edition of Robert Frost's prose, allows readers and scholars to appreciate the great American author's forays beyond poetry, and to discover in the prose that he did make public--in newspapers, magazines, journals, speeches, and books--the wit, force, and grace that made his poetry famous.The Collected Prose of Robert Frost offers an extensive and illuminating body of work, ranging from juvenilia--Frost's contributions to his high school Bulletin--to the charming "chicken stories" he wrote as a young family man for The Eastern Poultryman and Farm Poultry, to such famous essays as "The Figure a Poem Makes" and the speeches and contributions to magazines solicited when he had become the Grand Old Man of American letters. Gathered, annotated, and cross-referenced by Mark Richardson, the collection is based on extensive work in archives of Frost's manuscripts. It provides detailed notes on the author's habits of composition and on important textual issues and includes much previously unpublished material. It is a book of boundless appeal and importance, one that should find a home on the bookshelf of anyone interested in Frost.

This comprehensive and authoritative edition of Robert Frost's poetry brings together the full contents of all eleven of frost's books of verse - from A Boy's Will to In the Clearing.

NY 1971 first edition Holt. Hardcover. Octavo, 640pp., cloth. Near Fine, very slight stain on front inside end paper, no DJ.

The work of American poet Robert Frost (1874-1963) aspired to be accessible and colloquial. Instead of looking to Europe for inspiration, as did some of his contemoraries, Frost aimed to develop an authentic voice, with the rhythms and vocabulary of everyday American speech.

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Based on the arrangement of The Poetry of Robert Frost(1969), Part One of this work attempts to identify Frost's intentions by placing each poem in the biographical, historical and geographical context of his life. It further examines conscious and unconscious points of association, annotates words and phrases, and provides, when possible, a date of composition along with the place of publication. Part Two consists of an annotated bibliography of poems published during Frost's life but uncollected at the time of his death and those published posthumously or yet collected.

Walt Whitman, Emily Dickinson, Robert Frost

The work of American poet Robert Frost (1874-1963) aspired to be accessible and colloquial. Instead of looking to Europe for inspiration, as did some of his contemoraries, Frost aimed to develop an authentic voice, with the rhythms and vocabulary of everyday American speech.

In shrink wrap. Looks like an interesting title!

This comprehensive anthology attempts to give the common reader possession of six centuries of great British and American poetry. The book features a large introductory essay by Harold Bloom called "The Art of Reading Poetry," which presents his critical reflections of more than half a century devoted to the reading, teaching, and writing about the literary achievement he loves most. In the case of all major poets in the language, this volume offers either the entire range of what is most valuable in their work, or vital selections that illuminate each figure′s contribution. There are also headnotes by Harold Bloom to every poet in the volume as well as to the most important individual poems. Much more than any other anthology ever gathered, this book provides readers who desire the pleasures of a sublime art with very nearly everything they need in a single volume. It also is regarded as his final meditation upon all those who have formed his mind.

Unread book in perfect condition.