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Focusing his studies on the organ fugues, the 48, the Art of Fugues, and the choral fugues, Dickinson analyzes the polyphonic musical compositions before and after Bach.

Focusing his studies on the organ fugues, the 48, the Art of Fugues, and the choral fugues, Dickinson analyzes the polyphonic musical compositions before and after Bach.

Gustav Holst (1874-1934) began composition of A Fugal Overture in 1922, completing the full score in January 1923. Despite its name, the overture i...

This dramatic work is built upon a strong rhythmic motif. There is very good use of imitation throughout and an excellent recurring fugal section. ...

Composer: Gustav Holst Fugal Concerto Op. 40, No. 2 Flute, Oboe and Piano Publisher: Music Sales America Category: Band/Orchestra/Ensemble Seri...

This dramatic work is built upon a strong rhythmic motif. There is very good use of imitation throughout and an excellent recurring fugal section. ...

Musically as well as psychologically fugal.""--Booklist. ""Reminiscent of Sylvia Plath... Hill re-creates a nightmarish story.""--Library Journal

Written for students preparing for the RCM counterpoint exam and similar exams, this concise introduction to 18th Century keyboard counterpoint covers: · Principles and techniques of two-part keyboard counterpoint · Fugal analysis and writing · Figured Bass

Intermediate concepts including: Leading-Tone Diminished 7th Chord Dominant 9th and 13th Chords Sequences Melody Writing (16-Measure Binary Form) Sonata Form, Rondo Form, and Fugal Exposition Engaging interactive approach features: Step-By-Step Guidance to Mastery of the Harmonic Language Harmonic Vocabulary Introduced Through Illustrations from the Repertoire Exploration of Concepts Through Accessible and Familiar Examples in Keyboard Style That Students Can Hear and Play Wide Variety of Exercises in Each Unit Student success supported with: Direct Alignment with Examination Requirements Insights into Examiner Expectations Clear Explanations of New Concepts Concise Summaries at the end of Each Unit Tips and Tactics to Maximize Each Student'S Potential Catalog Number: THR10 ISBN: 978-1-55440-815-3 Publisher: The Royal Conservatory Pages: 240

Intermediate concepts including: Leading-Tone Diminished 7th Chord Dominant 9th and 13th Chords Sequences Melody Writing (16-Measure Binary Form) Sonata Form, Rondo Form, and Fugal Exposition Engaging interactive approach features: Step-By-Step Guidance to Mastery of the Harmonic Language Harmonic Vocabulary Introduced Through Illustrations from the Repertoire Exploration of Concepts Through Accessible and Familiar Examples in Keyboard Style That Students Can Hear and Play Wide Variety of Exercises in Each Unit Student success supported with: Direct Alignment with Examination Requirements Insights into Examiner Expectations Clear Explanations of New Concepts Concise Summaries at the end of Each Unit Tips and Tactics to Maximize Each Student'S Potential Catalog Number: THR10 ISBN: 978-1-55440-815-3 Publisher: The Royal Conservatory Pages: 240

A most impressive edition of the first volume of "The Well-Tempered Clavier," these 24 preludes and fugues were painstakingly researched over a period of 10 years, using the most important original manuscript sources. Baroque scholar Willard A. Palmer's thorough introduction discusses fugal construction, articulation and other aspects of performance interpretation. This essential masterpiece is a must-have for all pianists. Also included is an outstanding CD recording from the Naxos Label. Titles: The complete Preludes and Fugues from the Well-Tempered Clavier, Volume I. The comb binding creates a lay-flat book that is perfect for study and performance.

This book provides a more enlightened understanding of fugal writing, based on the works of Johann Sebastian Bach.

A most impressive 220-page edition of the first volume of "The Well-Tempered Clavier," these 24 preludes and 24 fugues were painstakingly researched over a period of 10 years, using the most important original manuscript sources. Baroque scholar Willard A. Palmer's thorough introduction discusses fugal construction, articulation and other aspects of performance interpretation. Volume I of "The Well-Tempered Clavier" has been updated with a new "look" to match Volume II. This essential masterpiece is a "must-have" for all pianists. The comb binding creates a lay-flat book that is perfect for study and performance.

A most impressive edition of the first volume of "The Well-Tempered Clavier," these 24 preludes and fugues were painstakingly researched over a period of 10 years, using the most important original manuscript sources. Baroque scholar Willard A. Palmer's thorough introduction discusses fugal construction, articulation and other aspects of performance interpretation. This essential masterpiece is a must-have for all pianists. Also included is an outstanding CD recording from the Naxos Label. Titles: The complete Preludes and Fugues from the Well-Tempered Clavier, Volume I. The comb binding creates a lay-flat book that is perfect for study and performance.

Opening with a comprehensive historical survey of writings on the fugue from the beginning of fugal teaching (circa 1350) to the present, this text also explores four 18th-century studies which are its classical presentations: Steps to Parnassus, J. J. Fux (1725), A Treatise on Fugue, F. W. Marpurg (1753–54), more. Includes introductions, commentary, and 255 musical examples.

The Concerto for Two Violins in d minor, BWV 1043 by J.S. Bach (also known as the Double Concerto) is a prime example of the late Baroque style. It exhibits Bach's utter command of counterpoint, with fugal sections and tight imitation between the two violins. For the violinists, it is simultaneously a solo work and a chamber work: both violinists take turns as the "soloist," but the scope of this music is so much bigger than the notion of "soloist" that it quickly becomes not two voices vying for prominence, but one voice with two parts. While all three movements are rich in melody, harmony, and texture, the sublime second movement can surely be considered one of the most beautiful pieces ever composed.  An indispensable work for any violinist! This Urtext edition for two violins with piano reduction is edited by Hans Eppstein, with piano reduction by Johannes Umbreit, and markings in the violin part by Kurt Guntner.  Published by G. Henle Verlag.Difficulty: A4

Triumphant arrangement ending with a fugal variationFeatures:Arranger: Heffler, RichComposer: Charles WesleyLevel: 4Instrumentation: Woodwind Ensem...