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Galileo's commandment' comes from Bertolt Brecht's play where his Galileo says 'Science knows only one commaandment: contribute to science' Boston Book Review

"This fine translation is a god-send. . . . Surely you want to read what Galileo wrote. If so buy this book. Van Helden's introduction is scholarly; no one knows more about Galileo's telescope; the translation is superb; Van Helden's review of the reception of the Sidereal Messenger is profound; the bibliography is extensive. What more can I say?"—David W. Hughes, The Observatory"[Sidereus nunclus] has never before been made available in its entirety in a continuous form, with full notes and comment. The introduction, translation and notes by Van Helden are a splendid example of the best scholarship and fullest accessibility. . . . we can now truly get to grips with the phenomenon of Galileo and what his life and work should mean to us today."—Robert Temple, Nature

We all know the history of science that we learned from grade school textbooks: How Galileo used his telescope to show that the earth was not the center of the universe; how Newton divined gravity from the falling apple; how Einstein unlocked the mysteries of time and space with a simple equation. This history is made up of long periods of ignorance and confusion, punctuated once an age by a brilliant thinker who puts it all together. These few tower over the ordinary mass of people, and in the traditional account, it is to them that we owe science in its entirety. This belief is wrong. A People's History of Science shows how ordinary people participate in creating science and have done so throughout history. It documents how the development of science has affected ordinary people, and how ordinary people perceived that development. It would be wrong to claim that the formulation of quantum theory or the structure of DNA can be credited directly to artisans or peasants, but if modern science is likened to a skyscraper, then those twentieth-century triumphs are the sophisticated filigrees at its pinnacle that are supported by the massive foundation created by the rest of us.

‘She’s a genius, I believe, because she lights up every subject she touches.’ Hilary Mantel A Spectator Book of the YearGoethe claimed to know what light was. Galileo and Einstein both confessed they didn’t. On the essential nature of light, and how it operates, the scientific jury is still out. There is still time, therefore, to listen to painters and poets on the subject. They, after all, spend their lives pursuing light and trying to tie it down. Six Facets of Light is a series of meditations on this most elusive and alluring feature of human life. Set mostly on the Downs and coastline of East Sussex, the most luminous part of England, it interweaves a walker’s experiences of light in Nature with the observations, jottings and thoughts of a dozen writers and painters – and some scientists – who have wrestled to define and understand light. From Hopkins to Turner, Coleridge to Whitman, Fra Angelico to Newton, Ravilious to Dante, the mystery of light is teased out and pondered on. Some of the results are surprising. By using mostly notebooks and sketchbooks, this book becomes a portrait of the transitoriness, randomness, swiftness, frustrations and quicksilver beauty that are the essence of light. It is a work to be enjoyed, pondered over, engaged with, provoked by; to be packed in the rucksack of every walker heading for the sea or the hills, or to be opened to bring that outside radiance within four dark town walls.

Meditiations on the mystery of light. Goethe claimed to know what light was. Galileo and Einstein both confessed they didn't. On the essential nature of light, and how it operates, the scientific jury is still out. There is still time, therefore, to listen to painters and poets on the subject. They, after all, spend their lives pursuing light and trying to tie it down. Six Facets of Light is a series of meditations on this most elusive and alluring feature of human life. Set mostly on the Downs and coastline of East Sussex, the most luminous part of England, it interweaves a walker's experiences of light in Nature with the observations, jottings and thoughts of a dozen writers and painters -- and some scientists -- who have wrestled to define and understand light. From Hopkins to Turner, Coleridge to Whitman, Fra Angelico to Newton, Ravilious to Dante, the mystery of light is teased out and pondered on. Some of the results are surprising. By using mostly notebooks and sketchbooks, this book becomes a portrait of the transitoriness, randomness, swiftness, frustrations and quicksilver beauty that are the essence of light. It is a work to be enjoyed, pondered over, engaged with, provoked by; to be packed in the rucksack of every walker heading for the sea or the hills, or to be opened to bring that outside radiance within four dark town walls.

"The great book of nature," said Galileo, "can be read only by those who know the language in which it is written. And this language is mathematics." A richly illustrated celebration of the beauty and elegance of this ever-evolving language, Mathematics: The Science of Patterns explores the many ways mathematics helps us understand our perceptions of reality--both the physical, biological, and social worlds without, and the realm of ideas and thoughts within.

This is no ordinary space book. Within the pages of this eclectic pop-history, scientist and educator Sten Odenwald at NASA examines 100 objects that forever altered what we know and how we think about the cosmos. From Sputnik to Skylab and Galileo’s telescope to the Curiosity rover, some objects are iconic and some obscure—but all are utterly important. The Nebra sky disk (1600 BCE) features the first realistic depiction of the Sun, Moon, and stars.The Lunar Laser Ranging RetroReflector finally showed us how far we are from the Moon in 1969.In 1986, it was the humble, rubber O-ring that doomed the space shuttle Challenger.The Event Horizon Telescope gave us our first glimpse of a black hole in 2019. These 100 objects, as Odenwald puts it, showcase “the workhorse tools and game-changing technologies that have altered the course of space history . . . the tools and devices that, taken together, represent the major scientific discoveries—and celebrate the human ingenuity—of space technology, showing the ways physics and engineering have brought about our greatest leaps in understanding the way our universe works. . . . They make it clear that we have made giant strides in our quest to search ever more deeply into the farthest reaches of the universe—and behind each new discovery is an object that expands our appreciation of space as well as the boundless imagination and resourcefulness we carry within us.”