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Verse written by Nebraska State Poet William Kloefkorn in the voice of Sergeant Patrick Gass, chief carpenter on the Lewis and Clark Expedition, 1803-06, based on research into the expedition and the journal kept by Sergeant Gass himself. Gass's expertise was integral to the success of the expedition; he married finally at age sixty and with his wife Maria raised six children, a seventh having died in infancy.

With a style inspired by the industrial revolution but appropriate for a coastal beach house, this pendant brings true mood lighting to your space. The glass provides an antiqued look that complements the metallic base and the teardrop globe shade adds refinement to any space. This pendant is the perfect accent to your entryway, foyer or kitchen.

Throughout his career, William Gass relentlessly pushed at the boundaries of language, celebrating the music of the sentence and the aesthetics of the written word. Now, the best and most important of his work is collected in one volume. There are essays on Plato, Hobbes, James, Joyce, Beckett, Stein, Gaddis, Sterne, Ford Madox Ford, Thomas Mann. There are pieces that examine the inner workings of writing. There is his masterful short fiction, from the perfectly crafted novella “In Camera” to the mythical “In the Heart of the Heart of the Country.” And there are excerpts from his novels, including his magnum opus, The Tunnel. Taken together, this collection is a peerless, essential celebration of literature—and an invaluable guide for anyone who wants to understand how great writing works.

Seargeant Patrick Gass was one of the few members of the Lewis and Clark expedition to keep a continuous log of the entire epic journey. His simple and direct wrting style, along with his emphasis on the daily activities of the trip, made Gass's journal more accessible to the general reader than other firsthand accounts and revealed the optimistic spirit of the expedition:The determined and resolute character...of the corps, and the confidence which pervaded all ranks dispelled every emotion of fear, and anxiety for the present; while a sense of duty, and of the honour, which would attend the completion of the object of the expedition; a wish to gratify the expectations of the government, and of our fellow citizens, with the feelings which novelty and discovery invariably inspire, seemed to insure to us ample support in our future toils, suffering, and dangers."In this new edition, Carol MacGregor's thorough annotation of the journal and the inclusion of Gass's recently discovered personal account ledger lend new insight into the life and work of Patirck Gass. The Journals of Patrick Gass represents a significant contribution to the study of the Lewis and Clark expedition, essential for everyone intersted in the history of Western expansion.

Describes the Lewis and Clark Expedition

Conversations with William H. Gass captures the imagination and philosophical acumen of one of America's most important aestheticians, critical theorists, fiction writers, and essayists.From his first major novel, Omensetter's Luck (1966), to his numerous collections of essays and philosophical inquiries, to his controversial novel The Tunnel (1995), Gass (b. 1924) has proved himself a meticulous craftsman. Throughout these interviews, he reveals an aesthetic that combines ideas from sources as disparate as Ludwig Wittgenstein, Rainer Maria Rilke, Gertrude Stein, and Plato.The interviews make clear the unity behind Gass's views is by his own design. Conversations retrace his undergraduate years at Kenyon College and his subsequent philosophical investigation of metaphor at Cornell University.Gass has never strayed from his belief that metaphor is central and fundamental to thought and to aesthetics. In these interviews he reiterates time and again his belief that the ultimate understanding of the relationship of language to the world pivots on one's understanding of metaphor.n interviews, in profiles, and in his own essays, Gass does not hide from questions about his art and personal motivations, no matter how frequently they are asked, nor does he toy with his interviewers. Revealing how he never shies from an intellectual joust, this collection includes a rousing, contentious debate with John Gardner, fellow literary pundit and fiction writer.The distinction of Gass's prose is matched by the clarity and brilliance of the mind behind it. These talks allow an unobstructed view. Anyone interested in Gass's writing will delight in hearing the brutally honest voice of the mind that produced it.

An ambitious novelist made clear and accessible; William H. Gass writes in his essays about the world within the word and the soul inside the sentence, yet readers often find it difficult to get far enough into Gass's words and sentences to find the world or soul they contain. In this guide to the American writer and philosopher's novels, short stories, novellas, and essays, H. L. Hix clarifies the obscurities that have served to limit access to Gass's corpus and explores how the parallels between his fiction and nonfiction illumine their related themes. Hix offers readings of Gass's works, from the early books, Omensetter's Luck and In the Heart of the Heart of the Country, to his later The Tunnel and Cartesian Sonata. Hix identifies the continuous presence of psychological, metaphysical, and ethical themes, including the lingering effect on adults of childhood hurts, the results of being trapped in language, and the consequences of hatred. While agreeing with critics who label Gass's novels and stories metafiction, he contends that to stop the exploration there would be to miss a complete appreciation of the novelist. Hix demonstrates instead how Gass's writings both break

An accomplished carpenter and boat builder, Patrick Gass proved to be an invaluable and well-liked member of the Lewis and Clark expedition. Promoted to sergeant after the death of Charles Floyd, Gass was almost certainly responsible for supervising the building of Forts Mandan and Clatsop. His records of those forts and of the earth lodges of the Mandans and Hidatsas are particularly detailed and useful. Gass was the last survivor of the Corps of Discovery, living until 1870—long enough to see trains cross a continent that he had helped open. His engaging and detailed journal became the first published account of the Lewis and Clark expedition. Gass's journal joins the celebrated Nebraska edition of the complete journals of the Lewis and Clark expedition, which feature a wide range of new scholarship dealing with all aspects of the expedition from geography to Indian cultures and languages to plants and animals.

Collection of literary criticism. A fine copy in a jacket that has slight fraying on lower right front cover.

The Lewis and Clark expedition is both one of the greatest geographical adventures undertaken by Americans and one of the best documented at the time. The University of Nebraska Press edition of the Journals of Lewis and Clark now reaches volume 10 of the projected 13 that will contain the complete record of the expedition. In order that the fullest record possible be kept of the expedition, captains Lewis and Clark required their sergeants to keep journals to compensate for possible loss of the captains’ own accounts. The sergeants’ accounts extend and corroborate the journals of Lewis and Clark and contribute to the full record of the expedition. Volume 10 contains the journal of expedition member Sergeant Patrick Gass.Gass was promoted to sergeant on the expedition to fill the place of the deceased Charles Floyd. His journal was subsequently published and proved quite popular: it went through six editions in six years. A skilled carpenter, Gass was almost certainly responsible for supervising the building of Forts Mandan and Clatsop; his records of those forts are particularly detailed and useful. Gass was to live until 1870, the last survivor of the expedition and the one who lived to see transcontinental communication fulfill the promise of the expedition.

The Lewis and Clark expedition is both one of the greatest geographical adventures undertaken by Americans and one of the best documented at the time. The University of Nebraska Press edition of the Journals of Lewis and Clark now reaches volume 10 of the projected 13 that will contain the complete record of the expedition. In order that the fullest record possible be kept of the expedition, captains Lewis and Clark required their sergeants to keep journals to compensate for possible loss of the captains’ own accounts. The sergeants’ accounts extend and corroborate the journals of Lewis and Clark and contribute to the full record of the expedition. Volume 10 contains the journal of expedition member Sergeant Patrick Gass.Gass was promoted to sergeant on the expedition to fill the place of the deceased Charles Floyd. His journal was subsequently published and proved quite popular: it went through six editions in six years. A skilled carpenter, Gass was almost certainly responsible for supervising the building of Forts Mandan and Clatsop; his records of those forts are particularly detailed and useful. Gass was to live until 1870, the last survivor of the expedition and the one who lived to see transcontinental communication fulfill the promise of the expedition.

What makes Kyle Gass (Tenacious D) actually if he does not go with the greatest band in the world? He gathered a supernatural super team of tough dudes for his own project: KGB aka The Kyle Gass Band. Consisting know from many years of Tenacious D guitarist John Konesky, the singer and guitarist Mike Bray, the fans of The D as Sasquatch, Percussion heartthrob Tim Spier and Uncle Jazz Jason Keene, through cross-and-crosses this Gentlemen ensemble cocky the country, to hundreds of enthusiastic

For several years, readers throughout America and abroad have been blessed by the spiritual insights found in Bob Gass's quarterly devotional The Word for Today.The Word for Today has proved to be so popular that we have had to print nearly a million quarterly booklets. This book contains the very best of those daily Bible readings.

William H. Gass has written of Donald Barthelme that "he has permanently enlarged our perception of the possibilities open to short fiction." In Forty Stories, the companion volume to Sixty Stories, we encounter a dazzling array of subjects: Paul Klee, Goethe, Captain Blood, modern courtship, marriage and divorce, armadillos, and other unique Barthelmean flights of fancy. These pithy, brilliantly acerbic pieces tangle with the ludicrous, pose questions that remain unresolved, and challenge familiar bits of language heretofore unexamined. Forty Stories demonstrates Barthelme's unrivaled ability to surprise, to stimulate, and to explore.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A great masterpiece by William Gaddis, with a new introduction by William H. Gass.The book Jonathan Franzen dubbed the â ur-text of postwar ï¬ ctionâ and the â ï¬ rst great cultural critique, which, even if Heller and Pynchon hadnâ t read it while composing Catch-22 and V., managed to anticipate the spirit of bothâ â The Recognitions is a masterwork about art and forgery, and the increasingly thin line between the counterfeit and the fake. Gaddis anticipates by almost half a century the crisis of reality that we currently face, where the real and the virtual are combining in alarming ways, and the sources of legitimacy and power are often obscure to us.

Thirty years in the making, William Gass's second novel first appeared on the literary scene in 1995, at which time it was promptly hailed as an indisputable masterpiece. The story of a middle aged professor who, upon completion of his massive historical study, "Guilt and Innocence in Hitler's Germany," finds himself writing a novel about his own life instead of the introduction to his magnum opus. "The Tunnel" meditates on history, hatred, unhappiness, and, above all, language.

Bob Gass brings a smile, a tear, a laugh, and a thought with which to start each of your new days. A Fresh Word for Today is simply and beautifully written. Rev. Gass reveals refreshing insights for everyday life by using plain truths and his clear understanding of the word of God.

Vinyl LP pressing. Riposte is the 2010 debut album from the instrument-building, genre defying duo of Buke and Gass, whose music is loud yet folky, polyrhythmic yet melodic. Currently celebrating the recent release of their third album Scholars, the band is revisiting the record that started it all (with a colored vinyl LP reissue) winning them appearances on NPR Music's Tiny Desk Concert series, raves from Pitchfork, and tours with The National and Lou Reed.

Arthur M. Saltzman, Stanley Elkin: An Introduction/Peter J. Bailey, 'A Hat Where There Never Was a Hat': Stanley Elkin's Fifteenth Interview/Stanley Elkin, Words and Music/William Gass, Stanley Elkin: An Anecdote/Jerome Charyn, On Stanley Elkin/Jerome Klinkowitz, Elkin before Elkin/Charles Molesworth, Stanley Elkin and 'Everything': The Problem of Surfaces and Fullness in the Novels/Alan Wilde, Final Things: More Letters to mzimmer%humanitas@hub.ucsb.edu/D. C. Dougherty, Nemeses and MacGuffins: Paranoia as Focal Metaphor in Stanley Elkin, Joseph Heller, and Thomas Pynchon/Peter G. Christensen, The Escape from the Curse of History in Stanley Elkin's George Mills/Patrick O'Donnell, Of Red Herrings and Loose Ends: Reading 'Politics' in Elkin's The MacGuffin/Arthur M. Saltzman, A Stanley Elkin Checklist/Mark Axelrod, Alasdair Gray: An Introduction, of Sorts/Mark Axelrod, An Epistolary Interview, Mostly with Alasdair Gray/Alasdair Gray, The Anthology of Prefaces/Alasdair Gray, Time Travel/Philip Hobsbaum, Alasdair Gray: The Voice of His ProseGeorge Donaldson and Alison Lee, Is Eating People Really Wrong? Dining with Alasdair Gray/William M.Harrison, The Power of Work in the Novels of Alasdair Gray/Stephen Bernstein, Scottish Enough: The London Novels of Alasdair Gray/John C. Hawley, Bell, Book, and Candle: Poor Things and the Exorcism of Victorian Sentiment/Lynne Diamond-Nigh, Gray's Anatomy: When Words and Images Collide/Peter Christensen, Language and Its Discontents in Alasdair Gray's 'Logopandocy'/Janice Galloway, Different Oracles: Me and Alasdair Gray/Mark Axelrod, An Alasdair Gray Checklist

In this paean to the pleasures of language, Gass equates his text with the body of Babs Masters, the lonesome wife of the title, to advance the conceit that a parallel should exist between a woman and her lover and a book and its reader.Disappointed by her inattentive husband/reader, Babs engages in an exuberant display of the physical charms of language to entice an illicit new lover: a man named Gelvin in one sense, but more importantly, the reader of this "essay-novella" which, in the years since its first appearance in 1968 as a supplement to TriQuarterly, has attained the status of a postmodernist classic. Like Laurence Sterne and Lewis Carroll before him, Gass uses a variety of visual devices: photographs, comic-strip balloons, different typefaces, parallel story lines (sometimes three or four to the page), even coffee stains. As Larry McCaffery has pointed out, "the lonesome lady of the book's title, who is gradually revealed to be lady language herself, creates an elaborate series of devices which she hopes will draw attention to her slighted charms [and] force the reader to confront what she literally is: a physically exciting literary text."