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This collection presents new approaches to Emily Dickinson's oeuvre. Informed by twenty-first-century critical developments, the Dickinson that emerges here is embedded in and susceptible to a very physical world, and caught in unceasing interactions and circulation that she does not control. The volume's essays offer fresh readings of Dickinson's poetry through such new critical lenses as historical poetics, ecocriticism, animal studies, sound studies, new materialism, posthumanism, object-oriented feminism, disability studies, queer theory, race studies, race and contemporary poetics, digital humanities, and globalism. These essays address what it means to read Dickinson in braille, online, graffitied, and internationally, alongside the work of poets of color. Taken together, this book widens our understanding of Dickinson's readerships, of what the poems can mean, and for whom.

The distinguished psychiatrist offers a penetrating psychoanalytic interpretation of the New England poet's life, based on an intensive study of her works

Emily Dickinson, poet of the interior life, imagined words/swords, hurling barbed syllables/piercing. Nothing about her adult appearance or habitation revealed such a militant soul. Only poems, written quietly in a room of her own, often hand-stitched in small volumes, then hidden in a drawer, revealed her true self. She did not live in time but in universals--an acute, sensitive nature reaching out boldly from self-referral to a wider, imagined world. Dickinson died without fame; only a few poems were published in her lifetime. Her legacy was later rescued from her desk--an astonishing body of work, much of which has since appeared in piecemeal editions, sometimes with words altered by editors or publishers according to the fashion of the day. Now Ralph Franklin, the foremost scholar of Dickinson's manuscripts, has prepared an authoritative one-volume edition of all extant poems by Emily Dickinson--1,789 poems in all, the largest number ever assembled. This reading edition derives from his three-volume work, The Poems of Emily Dickinson: Variorum Edition (1998), which contains approximately 2,500 sources for the poems. In this one-volume edition, Franklin offers a single reading of each poem--usually the latest version of the entire poem--rendered with Dickinson's spelling, punctuation, and capitalization intact. The Poems of Emily Dickinson: Reading Edition is a milestone in American literary scholarship and an indispensable addition to the personal library of poetry lovers everywhere.

This complete compendium of Emily Dickenson's poetry offers the reader a vivid portrait of one of Massachusetts' most famous and enigmatic poets. Although a greatly talented writer, Emily Dickenson lived most of her life in private seclusion, in contrast to the culture of the time which emphasized community and socializing. Throughout her life, Emily's family ensured her care and comfort; she lived a life characterized by quiet self-seclusion. Emily's early life ensured a great standard of education, with her aunts in particular noting her inclination toward musical and literary interests. Contemporary scholars generally agree that Emily Dickenson's isolation was chiefly the result of a persistent depression. The death of a school principal she admired, and of several friends, plummeted her toward isolation during the prime of her life. Despite her illness, she managed to travel with her family to see life beyond her hometown of Amhurst and publish a few of her poems.

Photographs trace the people and surroundings of Emily Dickinson's life, including her family's influential and active public life, the friends and relatives closest to her, and the growth of the town of Amherst

Explores the poet's inner and outer world and especially her relationships with others through an examination of the poems and personal correspondence

This companion to America?s greatest woman poet showcases the diversity and excellence that characterize the thriving field of Dickinson studies. Covers biographical approaches of Dickinson, the historical, political and cultural contexts of her work, and its critical reception over the years Considers issues relating to the different formats in which Dickinson?s lyrics have been published ? manuscript, print, halftone and digital facsimile Provides incisive interventions into current critical discussions, as well as opening up fresh areas of critical inquiry Features new work being done in the critique of nineteenth-century American poetry generally, as well as new work being done in Dickinson studies Designed to be used alongside the Dickinson Electronic Archives, an online resource developed over the past ten years

Perfect for the poetry fan who is short on time, The Emily Dickinson Reader offers Paul Legault’s ingenious and madcap one-line renderings of each of Dickinson’s 1,789 poems. Take that familiar chestnut, #314, a la Legault: Hope is kind of like birds. In that I don’t have any.” Or the classic hymn, #615: God likes to watch.”As Dickinson herself said in #769 (basically, via our translator): This dead person used to be a person!” and The Emily Dickinson Reader is here to tell you what that person meant.

Traces patterns of cultural thought that have appeared in art, literature, psychology, and religion throughout the ages

Considered by many to be the spiritual mother of American poetry, Emily Dickinson (1830–1886) was one of the most prolific and innovative poets of her era. Well-known for her reclusive personal life in Amherst, Massachusetts , her distinctively short lines, and eccentric approach to punctuation and capitalization, she completed over seventeen hundred poems in her short life. Though fewer than a dozen of her poems were actually published during her lifetime, she is still one of the most widely read poets in the English language. Over one hundred of her best poems are collected here.

Unread book in perfect condition.

Animals chirp, caw, growl, and glide their way through this lively yet exquisite collection of two hundred animal poems with accompanying photographs. Old favorites and brand new voices mingle in a collection lovingly selected by U.S. Children's Poet Laureate J. Patrick Lewis.

Illustrated with facsimiles of the letters. 48 pages. 4to. Hardcover, bound in light brown cloth. A few small stains on the spine and back cover; inside pristine. No dust jacket. An envelope with facsimile reproductions of the three letters laid in. Very Good +.

A Spicing of Birds is a unique and beautifully illustrated anthology, pairing poems from one of America's most revered poets with evocative classic ornithological art. Emily Dickinson had a great love of birds―in her collected poems, birds are mentioned 222 times, sometimes as the core inspiration of the poem. However, in existing anthologies of Dickinson's work, little acknowledgment is made of her close connection to birds. This book contains thirty-seven of Dickinson's poems featuring birds common to New England. Many lesser-known poems are brought to light, renewing our appreciation for Dickinson's work. The editors' introduction draws extensively from Dickinson's letters, providing fascinating insights into her relationship with birds. The illustrations, by late 18th century to early 20th century artists/ornithologists, are often so apt as to seem to have been created with the poems in mind. Included are beautiful watercolors by Mark Catesby, engravings of John James Audubon's paintings, illustrations by Alexander Wilson, chromo-lithographs by Robert Ridgway (curator of birds at the National Museum for some fifty years), paintings by Louis Agassiz Fuertes, and some of the earliest bird photographs by Cordelia Stanwood. The editors also discuss the development and growth of birding in the nineteenth century as well as the evolution of field guides and early conservation efforts. Brief biographies of the artists are included in an appendix. This book is an eloquent tribute to the special place held by birds in our lives and imaginations, and will make an ideal gift for both birders and poetry readers.

This is an encyclopaedic guide to the life and works of Emily Dickinson, one of the most famous and widely studied American poets of the 19th century.

Brown Leather Hardcover with Gold Title and Design on Cover and Spine and Back of Book....Includes Introduction from her Niece Martha Dickenson Bianchi and 5 Parts - Life, Nature, Love, Time&Eternity and The Single Hound. Emily's 3 Books are all included in ONE BOOK. Originally published in 1924 as The Complete Poems of Emily Dickenson. Ribbon Bookmark included.

Book is in NEW condition. 1.05

Scholars no longer see Jonathan Edwards as the fire-and-brimstone preacher who deemed his parishioners "sinners in the hands of an angry god." Edwards now figures as caring and socially conscious and exerts increased influence as a philosopher of the American school of Protestantism. In this study, he becomes the progenitor of an alternative tradition in American letters.In Knowing, Seeing, Being, Jennifer L. Leader argues that Edwards, the nineteenth-century poet Emily Dickinson, and the twentieth-century poet Marianne Moore share a heretofore underrecognized set of religious and philosophical preoccupations. She contends that they represent an alternative tradition within American literature, one that differs from Transcendentalism and is grounded in Reformed Protestantism and its ways of reading and interpreting the King James Bible and the natural world. According to Leader, these three writers' most significant commonality is the Protestant tradition of typology, a rigorous mode of interpreting scripture and nature through which certain figures or phenomena are read as the fulfillment of prophecy and of God's work. Following from their similar ways of reading, they also share philosophical and spiritual questions about language, epistemology (knowing), perception (seeing), and physical and spiritual ontology (being). In connecting Edwards to these two poets, in exploring each writer's typological imagination, and through a series of insightful readings, this innovative book reevaluates three major figures in American intellectual and literary history and compels a reconsideration of these writers and their legacies.

Emily Dickinson's lyrical impressions of life and nature are reflected in the first published volume of her poems together with six famous poems from her second volume

Poetry. Exactly how much does language shape perception? In READING EMILY DICKINSON IN ICELANDIC, Heisler explores the materiality of language with a collection of prose poems inspired by her nine years in Iceland, a time in which the romance and astonishments of a foreign land were challenged by the difficulties of earning a living as a foreigner. The narrator struggles with just how deeply language conditions what she can see and, as she tries to learn Icelandic, the blind spots proliferate. Heisler's poems are preoccupied with the materiality of voice as it surfaces in the failures (and pleasures) of translation.